'Masaan': An emotionally engaging tale

July 24, 2015

Troy Ribeiro, Jul 24: Film: "Masaan"; Cast: Sanjay Mishra, Richa Chadda, Vicky Kaushal, Shweta Tripathi, Saurabh Chadhary, Vineet Kumar, Pankaj Tripathi, Nikhil Sahni, Bhagwan Tiwari; Director: Neeraj Ghaywan; Rating: ***1/2

masaan10An Indo-French co-production, "Masaan" is a poignant tale of two young couples, whose lives are intertwined by fate, set against the backdrop of a crematorium on the ghats of the river Ganges in Benares.

Educated and fairly independent, Devi Pathak -- although living in a small town -- is unconventional, experimental and unapologetic about her life. While the unexpected death of her lover Piyush has her internalizing her traumatic loss, she simultaneously balances to maintain truce with her father Vidyadhar Pathak (Sanjay Mishra), a former Sanskrit teacher, now selling knick-knacks on the bank of the Ganges. She is in disagreement with her father who is forced to shell out a hefty bribe to the police inspector in order to keep her "shame" under wraps.

On the other hand, Deepak's tale is a tragic romance of a promising engineering student born into the family of corpse-burners. He falls in love with an upper-caste girl, Shalu Gupta, who is willing to elope if her family opposes their alliance.

For a maiden venture, Ghaywan's "Masaan", is a sensitively handled, honest film with some intrepid truths about small towns in India, giving you an insight into the mind of the internet-savvy youth. These are adroitly woven into the narrative.

Varun Grover's layered script, with a seemingly complex screenplay, oscillates between romance and melodrama. The screenplay unlocks simply, through the realistic lives of the characters, bringing to the fore, societal taboos like morality, sexual exploration and romance in a caste-driven society.

Every character is intricately well-etched and the actors leave an indelible mark with their powerful but natural performances.

Vicky Kaushal as Deepak, with his boy-next-door looks, is impressive. A bundle of talent, he slips into his character with unquestionable ease and sincerity. He steals your heart with his coy demeanour when he woos his lady love. You empathise with his pain and frustrations. The scene where he breaks down before his friends after losing Shalu is heart-wrenching. He is aptly supported in a realistic performance by Shweta Tripathi as Shalu, a collegian, who falls in love with his simplicity. On screen, they make an endearing pair.

Richa Chadda with a stoically glum and a stubborn demeanour as Devi, borders on being a rebel without a cause. A misfit in her surroundings, she tells her father, "jitni chhoti jagah, utni chhoti soch". While she portrays Devi with conviction, the streak of independence in her character is not entirely substantial.

Sanjay Mishra as Vidyadhar Pathak, the small town Sanskrit teacher and father who is burdened with societal pressures, renders a realistic and brilliant performance.

Plagued by the thought of the ignominy he will bring to his family, Saurabh Chadhary as Piyush, in a small but significant role, is convincing.

Bhagwan Tiwari as the corrupt police inspector, Pankaj Tripathi as Sathyaji -- Devi's besotted colleague, and Nikhil Sahni as Jhonta -- the earnest little boy who works for Vidhyadhar, make their presence felt.

While the story and performances are intense, what breaks the monotony and provides relief, is the humour that is strewn occasionally in the form of taut one-liners and old film songs. The earthy background score along with the soulful songs by the indie band Indian Ocean is soothing and meditative. It encapsulates the flavour of the place and meshes well into the narration.

Cinematographer Avinash Arun Dhaware's camera work is fascinating. He brilliantly captures Benares in all its elements. The atmospheric lighting at the crematorium adds to the eerie and aesthetic value of the scenes.

Overall, "Masaan" keeps you riveted emotionally and haunts you long after you leave the theatre.

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Agencies
June 15,2020

Mumbai, Jun 15: Actor Sushant Singh Rajput's death has reignited the discussions around the struggle of survival in Bollywood, with many insiders highlighting "cruel and unforgiving" nature of the industry, particularly tough on outsiders.

Rajput was found hanging in his Bandra apartment on Sunday.

According to a police official, Mumbai Police found out during the probe that the 34-year-old actor was under medication for depression.

An engineering student, Rajput left his course at the Delhi Technological University in the early 2000s and rose from a background dancer to a TV star with soap opera Pavitra Rishta, which gave the "outsider" his breakout show in 2009.

In 2013, he made his Bollywood debut with Kai Po Che! and went on to star in films such as Shuddh Desi Romance, Raabta, Kedarnath, Sonchiriya and Chhichhore.

But his most prominent role came as cricketer Mahendra Singh Dhoni's in the 2007 biopic, MS Dhoni: The Untold Story.

In a telling tweet, veteran actor Dharmendra wrote despite not knowing Rajput personally, his death served as a reminder that the industry could be "cruel".

"Pyaare Sushant, naa film dekhi na kabhi mila tum se... par tere achaanak chale jaane se bada sadma laga. This beautiful beloved 'show business" is very cruel. I can imagine your unbearable pain. I share the pain of your loving family and friends," Dharmendra wrote.

Actor Meera Chopra penned a powerful, poignant note about the loneliness one feels working in an industry, which is "cold and ruthless".

"We all knew well that Sushant was going through depression since long, but what did we do? Where was his close circle, the directors and producers he's worked with, his close friends? Why nobody came out and helped, gave him the kind of love, the work that he wanted - because nobody cares," she wrote on Twitter.

The Section 375 actor, who has been vocal about feeling suffocated by the constant judgement from the industry colleagues, said nobody in Bollywood cares about what one's going through and artistes are just a flop away from being alienated.

Chopra said the industry has "failed" Rajput and Bollywood will now never be the same.

"True, Bollywood is a small family, but a kind of family which is never there when you need them. He had to take his life for that family to realise the kind of pain and need he was in. An outsider will always feel like an outsider here.

"I just want to say to my industry that help people when they need it, and you know when they need it. There is no point tweeting when they are no more. Don't pretend to be sad when you guys didn't do anything when he was sad. Stop being such a hypocritical society," she added.

Gulshan Devaiah said, as an actor, one could understand why Rajput would've taken the step to end his life.

"As actors, somewhere deep down inside, we think we know why he did it and that’s why it so disturbing even if you didn’t know him at all. It’s a hard game to play and he played it very well but the game won in the end," Devaiah wrote.

Quoting Chopra's tweet, the Mard Ko Dard Nahi Hota star dismissed the idea of Bollywood being a family.

"If one thinks it’s a family, there is the problem. Bollywood is an imaginary name for a place of work, that’s it. I am really not trying to put anybody down here and sorry if it seems," he wrote.

On Sunday, actor-producer Nikhil Dwivedi posted a strongly-worded tweet calling out the "hypocrisy" of the industry after people from the film fraternity wrote they regretted not staying in touch with the "Chhichhore" star.

"High and mighty announcing they should have kept in touch with Sushant. Come on, you didn't! And that's because his career dipped. So STFU! Are you in touch with Imran Khan, Abhay Deol and others? No! But you were, when they were doing well," Dwivedi said.

Similar sentiment was echoed by filmmaker Anubhav Sinha, who, without taking names, said the "Bollywood Privilege Club" must sit down and think hard.

"Now don't ask me to elaborate any further," he tweeted.

Addressing outsiders, filmmaker Hansal Mehta wrote a long thread about the two ends of an artiste's time in the industry - the glorious successes and the crushing lows.

"There are many young 'outsiders' in this industry. Remember this - there is an establishment that will make you feel like the next big thing until they need you. They will drop you and mock you as soon as you falter. Do not fall for the trap. The ones that celebrate you will celebrate your downfall some time later," he tweeted.

Mehta said it's important for those who don't come from a film family to not force themselves to fit in.

"Just be authentic, follow your heart and stop seeking acceptance from anybody. Your connection should be with your art, your craft and with your audience. Nothing else matters. Over the years you will succeed, you will stumble.

"But remember that nothing is more important than you. Look after yourself. And know that you matter. The world is much bigger and wiser than what you perceive. So are opportunities. If you stay they will be yours. Lots of love. Never lose heart," the filmmaker wrote.

Celebrity hairstylist-turned-director Sapna Bhavnani claimed that Rajput's battle with mental health was out in the open and yet the industry chose to look the other way.

"It’s no secret Sushant was going through very tough times for the last few years. No one in the industry stood up for him nor did they lend a helping hand. To tweet today is the biggest display of how shallow the industry really is. No one here is your friend," she wrote on Twitter.

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News Network
July 2,2020

Mumbai, Jul 2: The Mumbai police have summoned noted filmmaker Sanjay Leela Bhansali for questioning in connection with the Sushant Singh Rajput suicide case. According to several reports, casting director Shanoo Sharma too might be questioned in connection with the star’s death.

Reports also state that Kangana Ranaut and Shekhar Kapur, who are not directly involved with the investigation, are likely to be asked to record their statements.

The development comes days after the cops had asked for the details of SSR’s contract with Yashraj Films. The MS Dhoni actor had starred in Shuddh Desi Romance and Detective Byomkesh Bakshi, which were backed by the banner. He was supposed to team up with YRF for Paani, directed by Kapur, but the movie was on hold due to creative differences between the Mr India helmer and the production house.

Sushant died by suicide on June 14, leaving his near and dear ones in a state of shock. Following his demise, fans alleged that several Bollywood biggies had tried to sabotage his career as he was an ‘outsider’, reigniting the nepotism debate.

SSR, who hailed from Patna, made an impact in the TV industry before entering Bollywood with the sleeper hit Kai Po Che. He impressed fans with his performances in PK and Shuddh Desi Romance, consolidating his standing in the industry. It was, however, MS Dhoni that established him as a bankable star. Chhichore was his last theatrical release before his death. Drive, backed by Karan Johar, released directly on Netflix. His last film Dil Bechara is slated to release on Disney+ Hotstar on July 24.

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Agencies
June 14,2020

Chennai, Jun 14: Tamil Nadu Police has recovered about 100 bottles of liquor from the car of actor Ramya Krishnan, who had starred in movies like Bahubali, Padaiappa and others.

According to the police, the actor was traveling in the car at the time on the East Coast Road (ECR) where they were carrying out vehicle checks on Thursday.

The police found about 100 liquor bottles in the car boot and when queried Ramya Krishnan said she was unaware of the bottles.

Later the police confiscated the bottles and arrested the driver Selvakumar who said the liquor was bought at the Tamil Nadu government-run liquor shop.

The government has not allowed the opening of the Tasmac shops in Chennai.

Another driver came and drove the actor back to Chennai.

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