Meet Niharika Singh, Bollywood's new 'Miss Lovely'

January 19, 2014

Niharika_SinghJan 19: She describes herself as being clueless and admits to feeling a little superficial in Cannes but former Miss India Niharika Singh may just have found her groove with her new, much talked about film Miss Lovely that sees her paired with Nawazuddin Siddiqui.

“I’ve always been this clueless girl, not too sure of the kind of movie I was a part of,” says Niharika.

“But, it’s been an interesting journey; every director has added some bit to this experimentation.”

After all, movies almost didn’t happen for the leggy model who came into the spotlight in 2005 when she won the Miss India pageant. The very next year, she bagged a 10-film contract with Raj Kanwar but the filmmaker died in 2012 and the Bollywood break never happened.

She then moved on to work in director John Matthew Mathan’s A New Love Ishtory, starring Himesh Reshammiya, that never got a theatrical release. And then there was Kannada director Anand Kumar’s Private Story that also never made it to the big screen.

Miss Lovely, which is directed by Ashim Ahluwalia and documents the lives of two brothers in the sleazy horror movie industry of Mumbai in the 1980s, has broken that jinx with its commercial release this Friday. It may be a tad early but not entirely wrong to say that the film, which went on to feature in the Un Certain Regard section at the Cannes Film Festival in 2012, will do away with the oblivion.

Niharika, who is from Dehradun, started modelling while she was studying commerce at the Shri Ram College of Commerce (SRCC) in Delhi University. “I was doing a slew of local shows in college. At 19, I left for Mumbai to pursue my modelling career. I started with commercials and videos. I was a geek and came from a family that had nothing to do with the movies. One thing led to another, and I was suddenly Miss India. That led me to the movies.”

“Working and Ashim and Nawazuddin (Siddiqui, her co-star in Miss Lovely) had a huge impact on me; it changed my perception of cinema. It opened me up to this alternate space I had never heard of. I took up a film appreciation course at FTII (in Pune). Once you’re aware, you can’t go back. It is a pity that our distribution system disallows different kinds of cinema — art house and regional movies,” says Niharika.

Niharika’s transformation from noob to passionate cinema student was also brought about by her experience in Cannes. “It was a fairytale for me. But the experience was quite polarising. I was happy with all the attention, but I felt foolish. Everybody was a cinephile, and I knew so little. I felt superficial,”

Director Ashim Ahluwalia is all praise for his heroine. Niharika’s beauty, feels Ashim, led her to the earlier choices in movies. “She is a beauty queen by accident. She is an intelligent actor aware of her work. In our country, actresses have very little space to manoeuvre. When I took Miss Lovely’s script to a few actresses, they freaked out. One actress threatened to file an FIR against me. So, when Niharika came into the picture I told her that this a sordid film that involves kissing.

She looked at me assuringly and said that I need not explain because she was already in love with the script. I knew we had found our Miss Lovely,” he says.

Wary of what she takes on after the critical acclaim her work in Miss Lovely has received, Niharika has reportedly turned down many Bollywood offers. “She’s been through the drill as Miss India; I think that helps her keep calm. She’s a convert today, no longer worried about the next big role,” says Ahluwalia.

Nawazuddin, the unassuming poster boy of the alternate cinema space, says he was quite taken by her calmness. “I had never worked with a model and was quite nervous about sharing screen space with her. But she is a fantastic co-star, there are no mechanical acting chops, no tantrums. She thinks a lot, but now that she’s become so passionate about the movies, it will be great to see what she will do in the future,” says Nawazuddin, who also shares screen space with Niharika in Buddhadeb Dasgupta’s yet-to-be-released Anwar Ka Ajab Kissa.

Not just Nawazuddin, even the audience is waiting to see what Niharika will do in the days to come.

Nawazuddin Siddiqui speaks

I had never worked with a model and was quite nervous about sharing screen space with her. But she is a fantastic co-star, there are no mechanical acting chops, no tantrums. She thinks a lot, but now that she’s become so passionate about the movies, it will be great to see what she will do in the future.

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News Network
June 30,2020

California, Jun 30: Online video-sharing platform YouTube on Monday banned several prominent channels, including those belonging to Stefan Molyneux and Richard Spencer.

The company banned six channels for repeatedly violating YouTube's policies.

According to The Verge, other channels banned include American Renaissance (with its associated channel AmRen Podcasts) and the channel for Spencer's National Policy Institute.

YouTube began taking stern measures on supremacist channels in June 2019.

"We have strict policies prohibiting hate speech on YouTube, and terminate any channel that repeatedly or egregiously violates those policies," the Verge quoted a YouTube spokesperson as saying.

"After updating our guidelines to better address supremacist content, we saw a 5x spike in video removals and have terminated over 25,000 channels for violating our hate speech policies," the spokesperson added.

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News Network
February 12,2020

London, Feb 12: Oscar-winning British director Steve McQueen is returning to his art roots with a series of short films at London's Tate Modern art gallery, offering a sensory exploration of black identity.

McQueen, who became the first black director to win the best picture Academy Award in 2014 for "12 Years a Slave", is now based between London and Amsterdam and is focused on championing diversity in the film industry.

Visitors to his new exhibition will be greeted by "Static", a film of New York's Statue of Liberty, scrutinising the iconic symbol from every possible angle at very close range against a deafening backdrop of the helicopter from where the footage was filmed.

"What interests Steve is our view of the world, how humans are trying to represent Liberty," said Fiontan Moran, assistant curator of the exhibition.

"7th Nov, 2001" features a still shot of a body while McQueen's cousin Marcus tells of how he accidentally killed his brother, a particularly traumatic experience for the artist.

"Western Deep" is another visceral work, giving a sense through sights and sounds in an interactive installation of the experiences of miners in South Africa, following them to the bottom of the mine.

"Ashes", meanwhile, is a tribute to a young fisherman from Grenada, the island where McQueen's family originated.

The images of beauty and sweetness filmed from his boat are tragically reversed on the other side of the projection screen, which shows a grave commissioned by McQueen for the eponymous young fisherman, who was killed by drug traffickers.

African-American singer, actor and civil rights activist Paul Robeson (1898-1976) is honoured in "End Credits".

The film shows censored FBI documents detailing the agency's surveillance of Robeson, read by a voice-over artist, for five hours.

"He is... testing the limits of how people can be documented in an era of mass surveillance," said Moran.

In a similarly militant vein, the exhibition features the sculpture "Weight", which was first shown in the prison cell where the writer and playwright Oscar Wilde was imprisoned.

It depicts a golden mosquito net draped over a metal prison bed frame, addressing the theme of confinement and the power of the imagination to break free.

The show runs alongside an exhibition of McQueen's giant portraits of London school classes, many of which appeared on the streets of London last year.

"I remember my first school trip to Tate when I was an impressionable eight-year-old, which was really the moment I gained an understanding that anything is possible," said McQueen, adding it was "where in some ways my journey as an artist first began".

He recently told the Financial Times newspaper the difference between his art films and his feature films was that the former were poetry, the latter like a novel.

"Poetry is condensed, precise, fragmented," he said. "The novel is the yarn".

The exhibition opens on February 13 and runs until May 11.

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News Network
April 10,2020

New Delhi, Apr 10: Actor Akshay Kumar has pledged to contribute Rs 3 crore to Brihanmumbai Municipal Corporation (BMC) to assist the making of personal protection equipment, masks and rapid testing kits to help the battle against COVID-19.

Film critic and movie trade analyst Taran Adarsh announced on the same on Twitter on Friday and wrote, "After donating Rs25 crores to the PM CARES fund, Akshay Kumar contributes Rs3 crores to BMC to assist in the making of PPE, masks and rapid testing kits."

The 'Good Newwz' actor has been informing people about the necessary precautions to be taken to stay safe amid the coronavirus outbreak through his social media handles. On Thursday, Akshay acknowledged the contribution of all essential workers during the lockdown period, and encouraged people to use the hashtag 'Dil Se Thank You' to express their gratitude to the people "who work to ensure our safety."

Earlier, the 'Mission Mangal' actor joined hands with actors including, Kartik Aaryan, Tiger Shroff, Taapsee Pannu, Kiara Advani and launched a hope anthem - 'Muskurayega India,' and made an attempt to pump up Indians with positivity amid the testing times of coronavirus.
The Ministry of Health and Family Welfare on Friday informed that India's total number of COVID-19 positive cases now stands at 6,412.

Out of the total cases, 5,709 are active patients and 504 of them have been cured/discharged and migrated. With 30 new deaths reported in the last 12 hours, the death toll reached 199, according to the ministry.

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