Meet Niharika Singh, Bollywood's new 'Miss Lovely'

January 19, 2014

Niharika_SinghJan 19: She describes herself as being clueless and admits to feeling a little superficial in Cannes but former Miss India Niharika Singh may just have found her groove with her new, much talked about film Miss Lovely that sees her paired with Nawazuddin Siddiqui.

“I’ve always been this clueless girl, not too sure of the kind of movie I was a part of,” says Niharika.

“But, it’s been an interesting journey; every director has added some bit to this experimentation.”

After all, movies almost didn’t happen for the leggy model who came into the spotlight in 2005 when she won the Miss India pageant. The very next year, she bagged a 10-film contract with Raj Kanwar but the filmmaker died in 2012 and the Bollywood break never happened.

She then moved on to work in director John Matthew Mathan’s A New Love Ishtory, starring Himesh Reshammiya, that never got a theatrical release. And then there was Kannada director Anand Kumar’s Private Story that also never made it to the big screen.

Miss Lovely, which is directed by Ashim Ahluwalia and documents the lives of two brothers in the sleazy horror movie industry of Mumbai in the 1980s, has broken that jinx with its commercial release this Friday. It may be a tad early but not entirely wrong to say that the film, which went on to feature in the Un Certain Regard section at the Cannes Film Festival in 2012, will do away with the oblivion.

Niharika, who is from Dehradun, started modelling while she was studying commerce at the Shri Ram College of Commerce (SRCC) in Delhi University. “I was doing a slew of local shows in college. At 19, I left for Mumbai to pursue my modelling career. I started with commercials and videos. I was a geek and came from a family that had nothing to do with the movies. One thing led to another, and I was suddenly Miss India. That led me to the movies.”

“Working and Ashim and Nawazuddin (Siddiqui, her co-star in Miss Lovely) had a huge impact on me; it changed my perception of cinema. It opened me up to this alternate space I had never heard of. I took up a film appreciation course at FTII (in Pune). Once you’re aware, you can’t go back. It is a pity that our distribution system disallows different kinds of cinema — art house and regional movies,” says Niharika.

Niharika’s transformation from noob to passionate cinema student was also brought about by her experience in Cannes. “It was a fairytale for me. But the experience was quite polarising. I was happy with all the attention, but I felt foolish. Everybody was a cinephile, and I knew so little. I felt superficial,”

Director Ashim Ahluwalia is all praise for his heroine. Niharika’s beauty, feels Ashim, led her to the earlier choices in movies. “She is a beauty queen by accident. She is an intelligent actor aware of her work. In our country, actresses have very little space to manoeuvre. When I took Miss Lovely’s script to a few actresses, they freaked out. One actress threatened to file an FIR against me. So, when Niharika came into the picture I told her that this a sordid film that involves kissing.

She looked at me assuringly and said that I need not explain because she was already in love with the script. I knew we had found our Miss Lovely,” he says.

Wary of what she takes on after the critical acclaim her work in Miss Lovely has received, Niharika has reportedly turned down many Bollywood offers. “She’s been through the drill as Miss India; I think that helps her keep calm. She’s a convert today, no longer worried about the next big role,” says Ahluwalia.

Nawazuddin, the unassuming poster boy of the alternate cinema space, says he was quite taken by her calmness. “I had never worked with a model and was quite nervous about sharing screen space with her. But she is a fantastic co-star, there are no mechanical acting chops, no tantrums. She thinks a lot, but now that she’s become so passionate about the movies, it will be great to see what she will do in the future,” says Nawazuddin, who also shares screen space with Niharika in Buddhadeb Dasgupta’s yet-to-be-released Anwar Ka Ajab Kissa.

Not just Nawazuddin, even the audience is waiting to see what Niharika will do in the days to come.

Nawazuddin Siddiqui speaks

I had never worked with a model and was quite nervous about sharing screen space with her. But she is a fantastic co-star, there are no mechanical acting chops, no tantrums. She thinks a lot, but now that she’s become so passionate about the movies, it will be great to see what she will do in the future.

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News Network
February 19,2020

New Delhi, Feb 19: Deepika Padukone on Wednesday shared her much-awaited first look from the upcoming sports-drama '83' as Romi Dev, wife of cricket stalwart Kapil Dev. The actor also penned a message expressing gratitude for the iconic role.

The 'Chhapaak' actor shared the still on Twitter along with a caption that reads, "To play a small part in a film that captures one of the most iconic moments in sporting history has been an absolute honour!83 for me is an ode to every woman who puts her husband's dream before her own..."

In the absorbing first look, Deepika is seen sharing a smile along with Ranveer Singh, she is also seen sporting short hair. The star is seen wearing a high-neck top, while Ranveer is wearing team India's official blazer.

Previously, Ranveer shared the teaser of the flick in an event, which gave a glance of the lead characters of the flick featuring Tahir Raj Bhasin as Sunil Gavaskar, Jiiva as K Srikkanth, Saqib Saleem as Mohinder Amarnath, Jatin Sarna as Yashpal Sharma, Chirag Patil as Sandeep Patil, Dinker Sharma as Kirti Azad and Nishant Dahiya as Roger Binny, Harrdy Sandhu as Madan Lal, Sahil Khattar as Syed Kirmani, Ammy Virk as Balwinder Singh Sandhu and Addinath M Kothare as Dilip Vengsarkar, Dhairya Karwa as Ravi Shashtri and R Badree as Sunil Valson along with Pankaj Tripathi as PR Man Singh.

'83' is being co-produced by Madhu Mantena, Sajid Nadiadwala, and Reliance Entertainment. Helmed by Kabir Khan, the movie is slated for release on April 10.

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News Network
January 23,2020

Jan 23: Calling himself an optimist who believes in the goodness of people, director Kabir Khan says everything these days is being looked at through the prism of religion but India is about more than that.

The director of blockbusters such as Bajrangi Bhaijaan and Ek Tha Tiger said he is happy he has a platform as a filmmaker to present a counterpoint to the prevailing narrative based on religious fault lines.

"I’m an optimist who believes in the goodness of the people. But yes, there is a certain level of bigotry that has crept in. Everything is being looked at through the prism of religion but India is not about that.

"It sounds like a cliché but when I was growing up, I was not aware of my religion. That was the greatness of this country,” Kabir told news agency.

He said he is a product of a mixed marriage and is pained to see the social fabric being tattered.

“I have celebrated the best that Indian secularism has to offer. But to see the greatness of this country being simplified and broken down into religious fault lines is a painful experience,” he added.

According to Kabir, it is dangerous to see history through the prism of religion, whether in cinema or society. But it is important to revisit history to know what happened and one can always find something that is relevant for the present, he said.

The director, who started as a documentary filmmaker, returns to his roots for a five-episode series on Subhas Chandra Bose's Indian National Army, The Forgotten Army: Azaadi Ke Liye, on Amazon Prime, his most expensive project yet.

Asked whether this is a difficult time for filmmakers, Kabir said he believes art thrives in the time of strife and, as a storyteller, his politics will always reflect in his work.

“Every film has its politics and every filmmaker has to reflect his or her politics. Every film of mine will reflect my politics and it will never change according to the popular mood of the audience. But a film should not be just about that. Politics should be in the layers beneath," he said.

He terms his 2015 Salman Khan-starrer Bajrangi Bhaijaan an "extremely political" film. At face value, it can also be enjoyed as the story of a mute Pakistani girl who drifts into India and is taken back to her homeland by a Hanuman devotee. But there is so much more. The "chicken song", for instance, was a sly reference to the beef ban controversy at the time, he said.

"I won’t say it is a difficult time for me as a filmmaker. It is good that I have a platform where I can talk and present a counterpoint and I refuse to believe that the entire country believes the narrative that is being sent out. There are millions and millions of people, and perhaps the majority, that does not believe. And if I present the counterpoint, they will think about it.”

Discussing his new series, the director said it has always fascinated him that the sacrifice of the men and women who comprised the INA is just a forgotten footnote in history.

“I wanted to make something that stands the test of time. It goes down in posterity,” Khan, who first explored the subject in a Doordarshan documentary 20 years ago, said.

For the documentary, he traveled with former INA officers Captain Lakshmi Sahgal and Captain Gurbaksh Singh Dhillon from Singapore to India via erstwhile Burma, retracing the route that the INA followed.

“The documentary got me a lot of attention and acclaim but the story just never left me. It's actually the first script I ever wrote and I landed up with that script in Bombay from Delhi. I realised very soon that nobody's going to give me a budget of this size to make my first film.

"And then after every film, I would pick up the script and say, ‘Okay, this is the one I want to make’, because this is the story that made me want to become a filmmaker. On the way, I ended up making eight other films but this is really the story that I wanted to make,” he said.

Kabir is happy that the story has come out as a series, not a film, as it would have required to compromise with the budget and other elements.

"Without giving any numbers, this is the most expensive project I have ever worked on… It required that kind of budget."

Kabir believes the INA was responsible for bringing down the morale of the British establishment, which realised it would be impossible to keep the country colonised without the support of the local army.

"There are a lot of debates and discussions about what happened with the INA and the controversies around it. The whole point is that, if you want to judge what the Army did, sure that's your prerogative, but at least get to know what they did. Nobody knows what happened with the Army from 1942 to 1945."

He added that 55,000 men and women of the INA fought for independence and 47,000 of them died.

"Not a single person from that Army was ever taken back into the independent Army, which is such an amazing fact... the fact that the British called them traitors became the narrative and we also started assuming that they were traitors."

"They were the only women's regiment in the whole world 70 years ago. That's what they thought about women's importance in society. I don't know whether they will be happy with what the current situation is," he said.

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News Network
June 19,2020

New Delhi, Jun 19: After the recent sudden demise of Sushant Singh Rajput, actor Kangana Ranaut who went public slamming nepotism in the Hindi film industry, has now revealed that she faced similar struggles like that of Sushant.

In a new statement, the "Queen" actor alleged that she was asked to apologise to Hrithik Roshan's family in order to survive. Both Kangana and Hrithik had been in the public spotlight in the year 2016 over their alleged former relationship and legal battle.

The 'Queen' actor said: "Once Javed Akhtar had called me to his house and told me that Rakesh Roshan and his family are very big people. If you don't apologise to them, you will have nowhere to go. They will put you in jail, and eventually, the only path would be that of destruction...you will commit suicide. These were his words. Why did he think if I don't apologise to you will have nowhere to go. They will put you in jail, and eventually, the only path would be that of destruction...you will commit suicide. These were his words. Why did he think if I don't apologise to Hrithik Roshan, I would have to commit suicide? He shouted and yelled at me. I was shaking in his house,"

She further continued, "Were there people calling Sushant? Were there people putting such thoughts into his mind? I have no idea, but obviously, he was in a similar situation. In his interviews, he had said that nepotism cannot co-exist with talent because they don't allow the right talent to come up. I can relate to it, and hence I am raising questions. I want to know who played the catalyst in this situation?"

Kangana adds, "I know Sushant had a big fallout with Aditya Chopra also. When I refused Sultan, he had threatened he would never work with me. Ever since our industry ganged up on me. I remember so many times feeling really lonely and feeling what will happen to me..."

The 'Manikarnika' star also revealed that all this not only happened to her professionally but personally as well it hampered her relationships. "They are very insecure about things. Despite what they did to me, there was a guy who wanted to get married to me. But he distanced himself, they made sure he ran away. With no surety about my career, my love-life completely has gone awry, with six court-cases against me, they're still trying to put me in jail."

Kangana also talked about herself: "I'm a different person; I'm very expressive. I went out there, and I just vented it out. Sushant was not a person like that at all. He just bottled it up. Media too has played a considerable part in this--the kind of monster image that was given to him. Everybody who knew him closely agrees that he was a soft and emotional person. I think that after a point it really got to him. I can understand it because even I have been portrayed as a witch and as a stalker."

Sharing that the bullying and outbursts had a psychological impact on her life situations, Kangana says, "I remember initially when people used to come to my home, I felt so embarrassed to even offer them water. Forget having a relationship or going on a date post the disaster of a relationship I had. I can only imagine that even during Manikarnika what they did to me."

Talking about the 'Kai Po Che' star, she added, "But perhaps he was just not able to vent. In fact, all these constant jibes on these petty show that he should be killed and which rated him as the least efficient... his films have done more business than your Gully Boy. People like Salman Khan said who Sushant Singh Rajput? It was after M.S. Dhoni: The Untold Story, everybody knew who Sushant was. We need to stop these."

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