Native Bapa: A hip-hop song from Kerala challenges narrative on terrorism

[email protected] (Abdul Basith, TwoCircles)
January 7, 2013

Okulam

Kozhikode, Jan 7: The first hip-hop song of the band Mappila Lahala – Native Bapa - launched online on the New Year eve has been listed among the popular videos of Youtube with more than 100,000 views in just six days. The album quite effectively questions the global trend of branding anything and everything related to Muslim names to terror and vehemently criticises the media culture forming such a public consciousness.

It was in October 2008 four Muslim youths from Kerala were allegedly gunned down by security forces in Kupwara district of Jammu and Kashmir. It was soon after this that one among the mothers of these youths from the Kannur district of Kerala stated that - 'she doesn't want to see her son's body as he is a traitor'. The statement was since then widely celebrated by media and political parties in Kerala and in no time she turned into an icon of Kerala Muslim mothers.

It was years after that she expressed her inner pain before a few media sections in Kerala saying that, she had to make that statement under those testing circumstances, where police broke into her home late nights and even neighbours and relatives having an eye of suspicion over her. The grievous mother went on to state that no mother could have objected to having a final glance at her dear son and what she did was out of desperation.

The team Mappila Lahala, a Kozhikode based music movement formed out of the evening coffee discussions of a few friends; having set the dreams of doing music with a purpose and visuals with a vision decided to go ahead with their first project –a musical video album titled Native Bapa, by taking a revisit into this 2008 incident through the eyes of a father.

We are a musical movement engaging in multiple genres of music upholding collective self respect of the oppressed, says the team comprising academician, students and professionals. The work though has its cultural background in Malabar, is multi lingual with English lyrics and lyrics in Malayalam made special with the local Kozhikodan slang associated with the Mappilas of Malabar.

Mamu Koya well renowned in the Malayalam film industry for his genuine usage of the local Kozhikodan slangs plays the father's role in the album. The lyrics featuring him mock at the state machinery, media attempt to demonize anything and everything related to Islam. The album moves forward with the monologues of this poor father – the 'Native Bapa' ['Bapa' – a deglamorised way of addressing a father among the Mappila Muslims]. 'Native Bapa' played by Mamu Koya gets introduced into the album as a reluctant secularist and his words convey immense grief and anger against the stereotyping of Muslim lives with terror and he narrates it sarcastically through the story of his personal life.

He expresses his painful concerns and elements of doubt which forces him to think otherwise on the stories fed through media and police with regards to his son, Kunju, branded as a terrorist. Despite all these justifications in favour of his son, he too towards the end of the album quite unwillingly and filled with pain agrees to the general perceptions with regards to his son, saying that 'he too don't want to see his son's body as he is a traitor'. The actor Mamu Koya quite successfully brings to screen the mental and physical tortures meted up on the family by the state and the media, and ends the narratives registering his disagreement to the stereotypes by again sarcastically referring to the term 'bomb'.

The rap portion of the song is in English and so the team Mappila Lahala prefers to call their work by the name Mappila Hip hop. The whole song has its English sub titles and is the first of its kind in Kerala.

Hip hop has a history of resistance and so bringing in these rap elements in to the Mappila narratives, the team succeeds in putting up a formidable resistance against such stereotypes. So the album is not all about the narratives of the grievous father and instead features the voice of the youth, who believes that the 'Rebel is the only loyal'. The rap portion of the video album, with its immense energy and revolutionary content responds to the very same issues addressed by the father from the angle of a rebellious youth, who wants the peace to prevail.

The youth who hops with the rap portion of the music rejects terrorism saying that Islam is peace in the definition and asks us to take away all our prejudices based on what media feeds us. As the lines says,

Bombing innocents, I'll call you a terrorist

I don't care if you are an Al-Qaeda militant

or if the world calls you the US president…

The rap portion of the album is performed by a medical student Harris; part of the Kozhikode based 'Street Academics', whom with the Team Mappila Lahala collaborated to produce its first project Native Bapa.

The Album is directed by Muhsin Parari a graduate in English and Islamic Jurisprudence and he says, "Majority in the community meekly stomachs the police version because they fear any attempt to question the official story will land them in trouble. We want to assert that only a rebel is the real loyal”.

It was Muhsin who penned the poem titled “Native Bapa” which later grew into this song.

Muhsin told TwoCircles.net that the team Mappila Lahala's next project will be a rock version of K Satchithanandan's poem Kozhipanku and thoughts are on progress with regards to giving a hip hop treatment to Kambalathu Govindan Nair's Mappila song on the historical 1921 Malabar riots against the British invasion.

We are used to the Hip hop versions of films songs in languages like Hindi, Malayalam and Tamil and never in the history have they made use of the political possibilities of hip-hop. Native Bapa stands apart as the first of its kind on that regard.

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Agencies
July 24,2020

Pune, Jul 24: Agile and dexterous, 85-year-old Shantabai Pawar wields sticks with absolute ease as she displays 'lathi-kathi' on the streets of Pune.

A video of her, displaying her skills in the Indian martial art form for livelihood, has gone viral on social media.

Pawar told media persons that she learnt the art form when she was only eight and has been practising it since then. The ancient martial art s believed to be linked to Dombari community, a nomadic tribe in Maharashtra.

"I have been pursuing the art of lathi-kathi since I was eight. I have never left it. It is part of me and it is an honour to practice it. My father taught me this. He taught me to work hard," Pawar told media persons.

In the video, the sari-clad octogenarian takes a warrior-like stride and effortlessly rotates a stick several times in a second in her hand and around her head and then does it with two sticks together with a smile on her face. She also tosses a stick in the air and catches it with ease.

The assembled gathering is impressed and enthused.

"People come and say, 'Well done Daadi!' I practice it to earn money for my children and grandchildren," she said.

Pawar leaves her home in the morning in the conditions created by coronavirus and performs the art form on roads and streets.

"I go to various areas to perform the art form and people give money," she said.

The artiste also uses thali and stick to gather the attention of people as most of them are indoors due to conditions created by COVID-19.

Senior citizens have been advised against venturing out due to their greater susceptibility to coronavirus but Pawar said she is not afraid to step out.

"People do advise me to not go out due to fear of COVID-19 but I am not scared. Whenever I step out, I pray to my God and he has kept me safe so far," she said.

Aishwarya Kale, a dancer and the person who uploaded the video on social media, said that it is "only an artist who can understand what help another artist needs".

"I was in that area shopping for some items and it was then I saw her performing and thought that I should film her and upload her video on social media. But I never thought that the video would go viral and she would receive financial help not just from people in the country but overseas as well," Kale told media persons.

"She is now getting honour for her craft that she couldn't get in the last 85 years. I feel good that through my small video, her art form has become viral," she added. 

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News Network
April 28,2020

Los Angeles, Apr 28: People who experience loss of smell as one of the COVID-19 symptoms are likely to have a mild to moderate clinical course of the disease, according to a study which may help health care providers determine which patients require hospitalisation.

The findings, published in the journal International Forum of Allergy & Rhinology, follows an earlier study that validated the loss of smell and taste as indicators of infection with the novel coronavirus, SARS-CoV-2.

According to the scientists from the University of California (UC) San Diego Health in the US, patients who reported loss of smell were 10 times less likely to be hospitalised for COVID-19 compared to those without the symptom.

"One of the immediate challenges for health care providers is to determine how to best treat persons infected by the novel coronavirus," said Carol Yan, first author of the current study and rhinologist from the UC San Diego Health.

"If they display no or mild symptoms, can they return home to self-quarantine or will they likely require hospitalisation? These are crucial questions for hospitals trying to efficiently and effectively allocate finite medical resources," Yan said.

The findings, according to the researchers, suggest that loss of smell may be predictive of a milder clinical course of COVID-19.

"What's notable in the new findings is that it appears that loss of smell may be a predictor that a SARS-CoV-2 infection will not be as severe, and less likely to require hospitalisation," Yan said.

"If an infected person loses that sense, it seems more likely they will experience milder symptoms, barring other underlying risk factors," she added.

Risk factors for COVID-19 previously reported by other studies include age, and underlying medical conditions, such as chronic lung disease, serious heart conditions, diabetes, and obesity.

In the current study, the scientists made a retrospective analysis between March 3 and April 8 including 169 patients who tested positive for COVID-19 at UC San Diego Health.

They assessed olfactory and gustatory data for 128 of the 169 patients, 26 of whom required hospitalisation.

According to the researchers, patients who were hospitalised for COVID-19 treatment were significantly less likely to report anosmia or loss of smell -- 26.9 per cent compared to 66.7 per cent for COVID-19-infected persons treated as outpatients.

Similar percentages were found for loss of taste, known as dysgeusia, they said.

"Patients who reported loss of smell were 10 times less likely to be admitted for COVID-19 compared to those without loss of smell," said study co-author Adam S. DeConde.

"Moreover, anosmia was not associated with any other measures typically related to the decision to admit, suggesting that it's truly an independent factor and may serve as a marker for milder manifestations of Covid-19," DeConde said.

The researchers suspect that the findings hint at some of the physiological characteristics of the infection.

"The site and dosage of the initial viral burden, along with the effectiveness of the host immune response, are all potentially important variables in determining the spread of the virus within a person and, ultimately, the clinical course of the infection," DeConde said.

If the SARS-CoV-2 virus initially concentrates in the nose and upper airway, where it impacts olfactory function, that may result in an infection that is less severe and sudden in onset, decreasing the risk of overwhelming the host immune response, respiratory failure, and hospitalisation, the scientists added.

"This is a hypothesis, but it's also similar to the concept underlying live vaccinations," DeConde explained.

"At low dosage and at a distant site of inoculation, the host can generate an immune response without severe infection," he added.

Loss of smell, according to the study, might also indicate a robust immune response which has been localised to the nasal passages, limiting effects elsewhere in the body.

Citing the limitations of the study, the scientists said they relied upon self-reporting of anosmia from participants, which posed a greater chance of recall bias among patients once they had been diagnosed with COVID-19.

They added that patients with more severe respiratory disease requiring hospitalisation may not be as likely to recognise or recall the loss of smell.

So the researchers said more expansive studies are needed for validating the results.

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Agencies
March 7,2020

New Delhi, Mar 7: The Union government has issued a Global Invite for Expression of Interest for disinvestment in Bharat Petroleum Corporation Limited (BPCL) from prospective bidders with a minimum net worth of $10 billion as of Saturday.

The EoI submissions can be made till May 2, whereas investor queries will be entertained till April 4.

Another condition pertains to a maximum of four members are permitted in a consortium, and the lead member must hold 40 per cent in proportion. Other members of the consortium must have a minimum $1 billion net worth.

The EOI allows changes in the consortium within 45 days, though the lead member cannot be changed.

The GoI proposes to disinvest its entire shareholding in BPCL comprising 1,14,91,83,592 equity shares held through the Ministry of Petroleum and Natural Gas, which constitutes 52.98 per cent of BPCL's equity share capital, along with the transfer of management control to the strategic buyer (except BPCL's equity shareholding of 61.65 per cent in Numaligarh Refinery Limited (NRL) and management control thereon).

The shareholding of BPCL in NRL will be transferred to a Central Public Sector Enterprise operating in the oil and gas sector under the Ministry and accordingly is not a part of the proposed transaction.

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