My biopic will be boring: Anil Kapoor

Washington, Mar 23: Disgraced Hollywood mogul Harvey Weinstein has tested positive for the novel coronavirus, US media reported Sunday.

Harvey Weinstein, 68, is in prison in northern New York state after being sentenced to 23 years in jail for rape and sexual assault.

The fallen film producer's diagnosis was first reported Sunday evening by local paper the Niagara Gazette.

Harvey Weinstein's spokespeople have declined to comment to US media on the subject.

The New York state Department of Corrections did not respond when contacted by AFP for confirmation of the reports.

Harvey Weinstein was transferred Wednesday to a prison near Buffalo, 350 miles (560 kilometers) northwest of New York City.

Prior to his transfer, he stayed at Rikers Island prison and a Manhattan hospital, where he was treated for chest pains.

Crowded US prisons have the potential to become hotbeds for coronavirus infections. Last week, guards at Rikers and New York's Sing Sing prison tested positive for the virus, local media reported.

As of Sunday, the virus has killed 417 people in the US out of more than 33,000 cases, according to a tracker managed by Johns Hopkins University.

Harvey Weinstein was convicted in February of a criminal sexual act in the first degree and rape in the third degree, while being cleared of predatory sexual assault charges.

He was convicted of raping ex-actress Jessica Mann in 2013 and of forcibly performing oral sex on former production assistant Mimi Haleyi in 2006.

Nearly 90 women, including Angelina Jolie and Salma Hayek, have leveled sexual misconduct allegations against Harvey Weinstein, the Oscar-winning producer of "Shakespeare in Love" and numerous other critical and box office hits.

New Delhi, Jun 26: At a time when the nation has still not come to terms with Sushant Singh Rajput's death, a shocking case of 16-year-old TikTok star SIya Kakkar has shocked everyone. The social media sensation committed suicide on June 25 at her residence in Delhi. The reason behind her death is still unknown and, as per the latest reports, the police investigation is underway.

The tragic news has made her fans extremely sad and, condolences are pouring in across social media. "16 Year Old Tik Tok Star Siya Kakkar Commits Suicide.She had all the fame, over 1M followers on Tik Tok, a lakh followers on Insta. I just can't understand what is happening with people? Why would a 16 year old commit suicide? It is getting worse day by day. Om Shanti", wrote a Twitter user.

Another tweeted, "#siyakakkarSuicides are increasing day by day we have to put efforts to stop it.Please try to understand other peoples help them if they are worry Give them space if they http://need.Love selflessly".

She had over 1.1 million followers on TikTok and 113k followers on Instagram.

Just 11 days back, actor Sushant Singh Rajput;s suicide case shocked the nation. On June 14, the actor was found hanging in the bedroom of his rented accommodation in the Mount Blanc building off Carter Road at Bandra.

 

 

 

 

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And Its TIME to get knocked out by this lethal combination of an Epic Punjabi Song and an enchanting beauty. Watch the King of Desi Hip-Hop Bohemia, soulful singer JS Atwal along with Lola Gomez in the official video of Our Latest Single, "Sharaabi Teri Tor". The Most Awaited Song of 2020 is OUT !! Watch the Video Now. . . . @iambohemia @atwalinsta @lolitaxo__ @mbmusicco @meetbrosofficial @meet_bros_manmeet @harmeet_meetbros @shaxeoriah @urshappyraikoti @jaggisim @desihiphopking @touchblevins @raajeev.r.sharma @itsumitsharma @psycho_marketer @fameexpertz #SharaabiWalk #SharaabiWalkChallenge #SharaabiTeriTor #Bohemia #HipHop #Rap #Punjabi #JsAtwal #HappyRaikoti #intoxicating #MBMusic #sharaab #musicvideo #fameexpertz

A post shared by Siya Kakkar (@siya_kakkar) on Jun 19, 2020 at 2:38am PDT

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.