Nana Patekar’s NGO donates Rs 12.75 lakh to farm widows

February 6, 2016

Nashik, Feb 6: Actor Nana Patekar’s NGO NAAM Foundation has donated Rs 12.75 lakh to 85 families of drought-hit farmers of the district who allegedly committed suicide last year.

nanapatekarA cheque of Rs 15,000 each was handed over to the family members of 85 farmers who ended their lives due to crop failure and debt burden.

Narrating her ordeal at the function in Nashik on Friday, Sujata Bachchav, a young widow from Malegaon, said her husband ended his life unable to bear the huge debt and that she now has responsibility of looking after her in-laws and a daughter with no proper means of income to which Patekar assured her help.

The noted Hindi and Marathi actor urged people to help such families by contributing for the education of their children and assisting them through various means.

He informed that NAAM has started a medical card facility under which free medical services will be rendered to those who hold NAAM medical card.

Patekar urged hospitals to come forward and contribute in the cause. MVP Samaj’s Dr Vasantrao Pawar Medical College & Hospital on the occasion expressed its willingness to help by giving free medical aid to the beneficiaries.

Speaking on future plans of the foundation, Patekar said a programme of deepening of 350kms of river in the state will be undertaken and many big projects are in the offing for farmers to over come the crisis caused due to natural calamities. Marathi actor Makarand Anaspure, who is also associated with the foundation, was also present at the function.

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News Network
January 23,2020

Jan 23: Calling himself an optimist who believes in the goodness of people, director Kabir Khan says everything these days is being looked at through the prism of religion but India is about more than that.

The director of blockbusters such as Bajrangi Bhaijaan and Ek Tha Tiger said he is happy he has a platform as a filmmaker to present a counterpoint to the prevailing narrative based on religious fault lines.

"I’m an optimist who believes in the goodness of the people. But yes, there is a certain level of bigotry that has crept in. Everything is being looked at through the prism of religion but India is not about that.

"It sounds like a cliché but when I was growing up, I was not aware of my religion. That was the greatness of this country,” Kabir told news agency.

He said he is a product of a mixed marriage and is pained to see the social fabric being tattered.

“I have celebrated the best that Indian secularism has to offer. But to see the greatness of this country being simplified and broken down into religious fault lines is a painful experience,” he added.

According to Kabir, it is dangerous to see history through the prism of religion, whether in cinema or society. But it is important to revisit history to know what happened and one can always find something that is relevant for the present, he said.

The director, who started as a documentary filmmaker, returns to his roots for a five-episode series on Subhas Chandra Bose's Indian National Army, The Forgotten Army: Azaadi Ke Liye, on Amazon Prime, his most expensive project yet.

Asked whether this is a difficult time for filmmakers, Kabir said he believes art thrives in the time of strife and, as a storyteller, his politics will always reflect in his work.

“Every film has its politics and every filmmaker has to reflect his or her politics. Every film of mine will reflect my politics and it will never change according to the popular mood of the audience. But a film should not be just about that. Politics should be in the layers beneath," he said.

He terms his 2015 Salman Khan-starrer Bajrangi Bhaijaan an "extremely political" film. At face value, it can also be enjoyed as the story of a mute Pakistani girl who drifts into India and is taken back to her homeland by a Hanuman devotee. But there is so much more. The "chicken song", for instance, was a sly reference to the beef ban controversy at the time, he said.

"I won’t say it is a difficult time for me as a filmmaker. It is good that I have a platform where I can talk and present a counterpoint and I refuse to believe that the entire country believes the narrative that is being sent out. There are millions and millions of people, and perhaps the majority, that does not believe. And if I present the counterpoint, they will think about it.”

Discussing his new series, the director said it has always fascinated him that the sacrifice of the men and women who comprised the INA is just a forgotten footnote in history.

“I wanted to make something that stands the test of time. It goes down in posterity,” Khan, who first explored the subject in a Doordarshan documentary 20 years ago, said.

For the documentary, he traveled with former INA officers Captain Lakshmi Sahgal and Captain Gurbaksh Singh Dhillon from Singapore to India via erstwhile Burma, retracing the route that the INA followed.

“The documentary got me a lot of attention and acclaim but the story just never left me. It's actually the first script I ever wrote and I landed up with that script in Bombay from Delhi. I realised very soon that nobody's going to give me a budget of this size to make my first film.

"And then after every film, I would pick up the script and say, ‘Okay, this is the one I want to make’, because this is the story that made me want to become a filmmaker. On the way, I ended up making eight other films but this is really the story that I wanted to make,” he said.

Kabir is happy that the story has come out as a series, not a film, as it would have required to compromise with the budget and other elements.

"Without giving any numbers, this is the most expensive project I have ever worked on… It required that kind of budget."

Kabir believes the INA was responsible for bringing down the morale of the British establishment, which realised it would be impossible to keep the country colonised without the support of the local army.

"There are a lot of debates and discussions about what happened with the INA and the controversies around it. The whole point is that, if you want to judge what the Army did, sure that's your prerogative, but at least get to know what they did. Nobody knows what happened with the Army from 1942 to 1945."

He added that 55,000 men and women of the INA fought for independence and 47,000 of them died.

"Not a single person from that Army was ever taken back into the independent Army, which is such an amazing fact... the fact that the British called them traitors became the narrative and we also started assuming that they were traitors."

"They were the only women's regiment in the whole world 70 years ago. That's what they thought about women's importance in society. I don't know whether they will be happy with what the current situation is," he said.

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Agencies
August 4,2020

New Delhi, Aug 4: Almost two months after the demise of late Bollywood actor Sushant Singh Rajput, actor Preity Zinta on Tuesday watched his last film 'Dil Bechara' for the second time and said it was an 'emotional roller coaster'.

The 'Kal Ho Na Ho' actor shared a picture of one of the scenes from the film on Instagram and thanked film director Mukesh Chhabra for doing justice to the 'Kai Po Che!' actor's last film.

"Saw #Dilbechara again Thank you @castingchhabra for doing full justice to Sushant's last movie," she wrote in the caption.
"It was surreal, a tearjerker and an emotional roller coaster all the way," she added.

She also praised Sushant's co-actor Sanjana Sanghi for doing a "fab job" in the film which happens to be her debut flick.

"@sanjanasanghi96 U and the rest of the cast did a fab job. Congratulations to all of you. #Bittersweet #MissU," the 45-year-old actor further wrote.

Produced by Fox Star Studios, 'Dil Bechara' has been adapted from the famous John Green novel 'The Fault In Our Stars.'

Rajput was found dead at his Mumbai's Bandra residence on June 14.

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News Network
June 27,2020

Kochi, Jun 27: The Kerala government on Friday submitted an application in a local court requesting to stop the prosecution of ivory possession case against Malayalam film actor Mohanlal.

In the application for withdrawal of prosecution, the government has requested the court to stop the prosecution "immediately for the interest of justice".

''The legality of the possession of two elephant tusks by Mohanlal was accepted by the competent authority under the Wildlife (Protection) Act, 1972 by issuing him a certificate of ownership. The possession and custody of the elephant tusks thus become legal after the Chief Wildlife Warden (CWW) issued him the certificate," the state government said.

"Further conduct of the criminal trial may go against the good faith amongst the parties as far as the certificate of ownership issued to Mohanlal is concerned. One cannot go back from that ownership certificate and it was stopped from contradicting, deny or declare to be false the previous statement made by the actor in the court," it added.

"The government should not be allowed to revert from its promises in order to keep the faith of the people and in the interest of good governance," the government further said.

The case was registered by the forest department in 2012. The state government submitted the application in Kuruppampady Judicial Magistrate Court, which will hear the matter on July 24.

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