New mommy Kareena rules runway at LFW finale

February 6, 2017

Mumbai, Feb 6: With Bandra Fort as the backdrop, performance by live musicians and actress Kareena Kapoor Khan's return to the ramp just 45 days after giving birth to her son, the finale show of the Lakme Fashion Week presented by ace designer Anita Dongre was a night to remember.

kareena

Kareena, who is the brand ambassador for Lakme, was the muse for Dongre's Summer/Resort collection which was inspired by liquid gold/argan oil, which is the main component of the new range of lipsticks by the beauty company.

The 36-year-old actress, who welcomed her son Taimur Ali Khan Pataudi in December last year, says she never felt hesitant when she was approached to be show stopper for the show.

"I am walking the ramp just 45 days after giving birth to my son. I don't think that it was a big deal to do. I was happy when I was approached with the idea," Kareena told PTI.

The actress slayed the runway like a boss as she strutted her stuff wearing a white maxi dress teamed with a soft gold long jacket around the amphitheatre much to the delight of shutterbugs and guests.

Incidentally, the actress is also the face of Dongre's western wear brand And.

"I have a great association with Anita. She is very inspirational, not just to me but to all women across the country who relate to her clothes and wear her brand," she says.

Internationally acclaimed make-up artist Donald Simrock, whose client list includes name like Lady Gaga and Nicki Minaj, did Kareena's make-up for the show.

Kareena's designer friend Manish Malhotra, actress Sangeeta Bijlani, Diana Penty, Gul Panag, Shabana Azmi, Shriya Saran and Juhi Chawla were present duting the show to cheer the actress from the sidelines.

When asked why her husband Saif Ali Khan was not present at the show, Kareena says the actor is busy taking care of Taimur at home.

"I am lucky that I have such an amazing husband. He is very supportive. So whenever I am out working, he takes care of our baby."

For her latest collection titled Alchemy, Dongre has used hand-crafted embroidery, a portion of which has been done in Jaipur. She has also involved her signature gota-patti work and combined it with new detailing.

"I have kept it very light because it is summer and you don't want to be bogged down. There is embroidery but I have kept it minimal. It feel like you are wearing nothing. I have tried to use the traditional craft and contemporise it," Dongre says.

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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News Network
June 18,2020

New Delhi, Jun 18: Actor Priyanka Chopra Jonas on Thursday paid tribute to the Indian soldiers who were killed in clashes with Chinese troops in Ladakh's Galwan valley.

The 'Fashion' actor who is currently living in America with her singer husband Nick Jonas took to Twitter to extend support to the families of the fallen soldiers.

"My heart goes out to the soldiers and their families. May God give them the strength to cope with this irreparable loss," she tweeted.

Twenty Indian soldiers were killed in a violent face-off with Chinese troops on Monday at Galwan Valley in Ladakh.

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News Network
July 9,2020

Mumbai, Jul 8: Veteran Actor-comedian Jagdeep, best known for his role as Soorma Bhopali in "Sholay", died on Wednesday at his residence. He was 81.

The actor, whose real name is Syed Ishtiaq Ahmed Jafri, was not keeping well. "He passed away at 8: 30 pm at his residence in Bandra. He was not keeping well due to age related issues," producer Mehmood Ali, a close family friend, told news agency.

Jagdeep appeared in around 400 films but it is his role as Soorma Bhopali in 1975 film "Sholay" that is etched in audiences' minds even today. He also played memorable roles in "Purana Mandir" and in "Andaz Apna Apna" as Salman Khan's father.

Better known by his stage name Jagdeep, the actor also directed the movie "Soorma Bhopali" with his character as the protagonist. He is survived by two sons - Javed and Naved.

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