Niharika Singh shares her #MeToo account, calls out Nawazuddin Siddiqui, Sajid Khan, Bhushan Kumar

Agencies
November 10, 2018

Mumbai, Nov 10: Former Miss India and actor Niharika Singh opened up about her #MeToo experiences in entertainment industry calling out Bollywood biggies Nawazuddin Siddiqui, Sajid Khan and Bhushan Kumar.

The "Miss Lovely" actor's account was shared on Twitter by journalist Sandhya Mennon.

Niharika said she decided to write the piece "to expand my own understanding of what constitutes abuse, who we choose to punish and whom we are willing to forgive".

The actor said she has dealt with various forms of exploitation throughout her life and her main struggle started once she decided to move to Mumbai to make her name in the modelling and movie business.

Soon after her Miss India pageant win, Niharika said she was signed by Raj Kanwar for her Bollywood debut but the project got shelved and T-Series honcho Bhushan Kumar decided to launch her.

"Bhushan Kumar asked Kanwar to release me from his contract as a favour so I could be cast in his other film... Bhushan Kumar called me to his office to sign 'A New Love Ishtory' where he gave me an envelope as a signing amount for the film. It contained two 500 Rupee notes.

"I got a text from him later that night- 'I would love to know you more. Let's get together sometime'. I wrote back saying- 'Absolutely! Lets go on a double date. You bring your wife. I'll bring my boyfriend.' He never wrote to me again," she wrote.

The film got delayed and the actor claimed she never got paid for her work on the project.

In 2009, Niharika signed "Miss Lovely" opposite Nawazuddin Siddiqui. The actor wrote she and Nawazuddin came close during the making of the film and she developed a soft corner for him as she "found him real, after all the superficial 'filmy' interactions I'd had in the past years".

The actor revealed one morning she invited the "Manto" actor to her home for breakfast and he grabbed her.

"I tried to push him away but he wouldn't let go. After a little coercion, I finally gave in. I wasn't sure what to make of this relationship. He told me it was his dream to have a Miss India or an actress wife, just like Paresh Rawal and Manoj Bajpayee. I found his little confession funny but endearing...He often complained about how he was judged on his looks, skin colour and that he wasn't fluent in English. I tried to help him deal with his insecurities, but he was stuck in a state of victimisation."

The two started dating but according to Niharika she decided to split with Nawazuddin because of his frequent lies.

"I told him to clean up his mess, be honest with himself and everyone around him; also that I did not want to see him again."

 

Niharika and Nawazuddin met after three years when "Miss Lovely" got into the Cannes Film Festival in 2012. The actor said she wanted to be friends with him but "he tried to re-engage me sexually, begging me to be with him but I refused, saying I was happy to be his friend and nothing else".

In the post Niharika also called Nawazuddin a "sexually repressed Indian man whose toxic male entitlement grew with his success is hardly surprising. What is interesting to note that despite not identifying as a Hindu, he carries deep caste prejudices since he chose to protect the honour of his 'Brahmin' wife after their names came in CDR scam, while he felt very comfortable painting me as a seductress wearing faux fur in his book, who he could sexually exploit, for public imagination."

She blasted Nawazuddin's frequent collaborator, director Anurag Kashyap for continuously supporting him.

Niharika also claimed that she was briefly engaged to Mayank Singh Singhvi in 2011, but parted ways because he "was a sociopath".

Mayank later got married to Anissia Batra, who worked with a German airline. She had allegedly jumped from the terrace of her house in July and Mayank was arrested on the charge of dowry death.

In September it was revealed that a former Miss India had approached Delhi Police and recorded her statement in the Anissia Batra case. In her statement, she had told police that she called off her engagement after he threatened her and chased her with a knife.

"Violence against women may be a common feature faced by all women in India, but there is no denying the fact that certain kinds of violence are customarily reserved solely for Dalit women," Niharika said.

She said patriarchy has no gender nor does abuse.

"We can't forget the role of mothers and wives who are equally responsible in covering or enabling their sons' and husbands' crimes... It's time to realize that the pompous, neoliberal, savarna feminism is not going to liberate anyone," she added.

Niharika concluded her post by sharing her encounter with Sajid, who was recently dropped as the director of "Housefull 4" following sexual harassment allegations by multiple women.

"Filmmaker Sajid Khan, who I met a couple of times while he was dating an actress I knew years ago, made a few predictions when a close friend of ours was opening her second restaurant - 'This place will shut down within a year, mark my words.' To his actress girlfriend he said, 'She won't survive a day without me in Bollywood'. 'And, this one', looking at me straight, 'will soon commit suicide'.

"My restaurateur friend is opening her fourth restaurant. It is difficult to get a table at the other three. The actress' career skyrocketed after she dumped the filmmaker and I, have managed to stay alive," she wrote.

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News Network
June 9,2020

New Delhi, Jun 9: Multiplex operator PVR on Monday said it has cut salary across various levels, laid off employees and deferred increments during the lockdown to mitigate adverse impact of COVID-19 on the business.

The company said at present it is not generating any revenue from exhibition business and related activities as cinemas across the country are shut following the directions from the regulatory authorities.

According to the company, closure of screens during the lockdown will have a significant negative impact on profitability and liquidity.

PVR has taken measures to reduce its personnel cost, including salary cuts across various levels in the organisation during the lockdown along with "reduction in headcount by way of layoffs/retrenchment" to mitigate the adverse impact of COVID-19 on the business.

Moreover, the board of the company, in its meeting held on Monday has also approved plan to raise Rs 300 crore through rights issue.

"Since Cinema Exhibition is the only business segment, company is currently not generating any revenue from admissions, food and beverage sales or other revenue and cash flow from operations," said PVR in an update.

Beginning from March 11, PVR started closing its screens in accordance with the order passed by various regulatory authorities and within a few days most of our cinemas across the country were shut down, it added.

The company will continue to incur committed cash outflows, including employee salary pay-outs, other overheads as well as payments for older working capital.

"This has and will have a significant negative impact on profitability and liquidity during lockdown and even thereafter till business comes to normalcy," it added.

Further, once the cinemas are re-opened, we may not be able to run our cinemas at normal capacity utilisation levels on account of social distancing measures that cinemas may be required to follow as well as health concerns that the patrons may have, the multiplex operator said.

"On account of this, our revenue and cash flow generation may be impeded even once we are allowed to restart operations," it added.

The company has also deferred decision on on increments to reduce its cost, it added.

PVR has also written to developers for waiving rental and CAM (Common Area Maintenance) charges for the lockdown period.

It is in discussion with developers for reducing rentals post re-opening and has invoked force majeure clause in its agreements with them.

Besides, the company has raised additional borrowings from existing bankers to shore up liquidity.

"As of March 31, 2020 the company had cash and bank balance of Rs 316 crore. As on June 7, 2020 cash and bank balance is Rs 227 crore (including undrawn bank lines)," it added.

Over reopening of theatres, PVR said that the government has come out with a phase-wise schedule.

In these guidelines cinema halls have been kept in the third phase of re-opening, where dates will be decided based on assessment of the situation.

"We are in continuous engagement with all regulatory authorities and hope to receive the necessary permissions for restarting opening in the near future," it added.

Currently PVR operates 845 screens in 176 properties in 71 cities.

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News Network
February 9,2020

New Delhi, Feb 9: Senior Bharatiya Janata Party (BJP) leader LK Advani got emotional while watching the movie "Shikara: The Untold Story Of Kashmiri Pandits". It is a Hindi-language period film produced and directed by Vidhu Vinod Chopra, based on the exodus of Kashmiri Pandits from Kashmir.

In a video clip, the political veteran is seen trying to hold back his tears at the end of the film while Mr Chopra rushes to console him. Other people around them were also seen getting emotional and congratulating the filmmaker for the movie.

"Shikara" is about how Kashmiri Pandits were forced to flee from their houses in the Kashmir Valley in early 1990, in the wake of insurgency. The filmmaker said the film showcases how Kashmiri Pandits rebuilt their lives in the aftermath of the tragic event.

Featuring Aadil Khan and Sadia, Shikara released on February 7. Vidhu Vinod Chopra, who is from Kashmir, dedicates his movie to his mother, who died in 2007.

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Abdul Gaffar Bolar
 - 
Monday, 10 Feb 2020

Does this man know the trouble and pain of humans???

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Agencies
February 10,2020

Hollywood star Joaquin Phoenix finally ended his dry run at the Oscars as he picked up the best actor trophy for his performance in and as "Joker" at the 92nd Academy Awards.

The 45-year-old actor had earlier bagged a BAFTA, a Golden Globe and a Screen Actors Guild Award for his turn as a failed, unhinged stand-up comedian who descends into chaos.

In a lengthy and rambling speech, Phoenix touched upon racism, climate change and gender inequality. He also remembered his brother River Phoenix, who died of a drug overdose at the age of 23 in 1993.

"When he was 17, my brother wrote this lyric. He said, 'run to the rescue with love and peace will follow'," Phoenix said. At the Academy Awards and the entire Hollywood award season, Phoenix had emerged as an undisputed frontrunner even though he was up against the likes of Leonardo DiCaprio ("Once Upon a Time in Hollywood"), Adam Driver ("Marriage Story"), "Antonio Banderas ("Pain & Glory") and Jonathan Pryce ("The Two Popes").

An Oscar had eluded Phoenix for the most part of his career, despite his successful collaborations with Ridley Scott ("Gladiator"), James Mangold ("Walk The Line") and Paul Thomas Anderson ("The Master"), all of which had earned him nominations.

But as Arthur Fleck aka The Joker, Phoenix finally managed to break that jinx and became the second actor to win an Oscar for playing the DC comic book villain after the posthumous best supporting actor win to Heath Ledger in 2008.

As Joker, Phoenix took a deep dive into character, capturing its essence as well as maniacal spirit in both body and soul.

He lost 52 pounds to get into the physicality of Fleck and turned to a pathological disorder to get his distinct laughter right.

Phillips wrote the part keeping Phoenix in mind though the actor took some convincing to play the role.

Phoenix started the film's festival circuit tour on a positive note at Cannes last year that followed by stops at Venice and Toronto.

The film had also courted controversies, owing to its theme of gun violence in the movie as well as Phoenix's temperamental press tour that saw him walking out of an interview midway.

But critics and the fans loved the actor's riveting turn in the movie and his pointed speeches.

At the Golden Globes, he called out the industry for its insensitivity towards climate change and pulled up his peers for using private jets for travel, while at the SAGs, he joked how he would always lose a role to DiCaprio and asked Christian Bale to deliver a bad performance for once in his career.

In his acceptance speech at the BAFTAs, Phoenix acknowledged the lack of diversity in the nominations, calling himself a part of the problem. Phoenix's career most praised performances include "Signs ", "We Own the Night", "Two Lovers", "The Immigrant", "Her", "You Were Never Really Here" and "Inherent Vice".

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