Om Puri: My contribution will be visible once I leave this world

January 6, 2017

Mumbai, Jan 6: Did Om Puri have a premonition about his death when he spoke about it just a fortnight ago? In retrospect, it would seem so, because he talked about 'leaving the world' and that his legacy would be 'visible' once he departed.

OmPuriHis comments on leaving the world have become a reality too soon. In one of his last interviews, which took place at a hotel on December 23, 2016, Om Puri said: "My contribution as an actor will be visible once I leave this world and the young generation, especially film students will watch my films."

The 66 year-old actor died of a heart attack at his residence early morning on Friday. Today, as he leaves a void in the world of cinema with his untimely demise, the film fraternity is looking back at his vast contribution to showbiz. Theater, television, Indian and British films, Hollywood and Pakistani cinema -- he did it all and left a lasting impression. His legacy, celebrities said, will live on.

A lover of alternate cinema with socially relevant themes at its core, Om Puri said: "For me, the real hard-hitting cinema was between 1980s and 1990s where Shyam Benegal, Govind Nihalani, Basu Chatterjee, Mrinal Sen and Gulzar made some remarkable films."

He worked in multiple projects with Nihalani and Benegal -- films like 'Aakrosh', 'Ardh Satya' and 'Tamas' which catapulted him into the realm of great actors. Both the directors were overcome by emotions when contacted them after news of Om Puri's death broke. In shaky voices, both said it was too early to talk.

Just days earlier, he was happily interacting with young scribes to promote his upcoming political satire 'Rambhajan Zindabad'. Casually dressed in a pair of baggy jeans and a black shirt, he was, as was his style, devoid of any airs about his stardom -- a position not defined by fanatical, frenzied fans, but by the sheer following of his nuanced performances and undying passion for art.

He was -- as the biography by his former wife Nandita Puri -- rightly says, an 'Unlikely Hero". The veteran actor, a recipient of Padma Shri, started his journey as an actor with a Marathi film 'Ghashiram Kotwal' in 1972. If he featured in some intense dramas, he also balanced out his filmography with movies like 'Mirch Masala', 'Jaane Bhi Do Yaaro', 'Chachi 420', 'Hera Pheri', 'Malamaal Weekly' and more.

"There are two kinds of cinema -- one is just for entertainment, the other touches your heart. Both have their own purpose," Om Puri said. When he was chairman of the National Film Development Corporation, Om Puri was focused on encouraging meaningful films. The National School of Drama alumnus was also president of Cine and TV Artistes Association.

More recently, he featured in Bollywood films like 'Ghayal Once Again' and 'Mirzya', as well as in Pakistani film 'Actor In Law'. He even used his distinct baritone for the voice of black panther Bagheera in the Hindi dubbed version of Hollywood film 'The Jungle Book'.

Age did not slow him down. He was busy dabbling in multiple projects like 'Viceroy's House', 'Tubelight' and 'Manto'. The two-time National Film Award winner was bestowed the Padma Shri, India's fourth highest civilian award, in 1990.

His international career took off as early as 1982 when he featured in a small role in Oscar-winning film 'Gandhi'. It also set the stage for him to explore more on foreign shores -- his British films were 'My Son the Fanatic', 'East Is East' and 'The Parole Officer', and his Hollywood movies included 'City of Joy', 'Wolf', 'The Ghost and the Darkness' and 'The Hundred-Foot Journey'.

In 2004, he was made an honorary officer of the Order of the British Empire for services to the British film industry. While he had a glorious journey in the film world, his personal life went through turbulence. In 2013, his wife had filed a case against him, alleging domestic violence. They separated, leaving him with only visitation rights to their son, Ishaan.

He was frank and blunt about his views -- and just last year, he faced the brunt of it when a police complaint was filed against him for his comments that were found to be insulting to Indian soldiers. In 2015, he spoke on the issue of cow slaughter in India. In 2012, he had landed in a bit of a soup after he called Naxals 'fighters not terrorists'.

But Om Puri remained fearless till the end -- in his works and his words.

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June 6,2020

Indore, Jun 6: An FIR has been registered against television producer Ekta Kapoor and two others here in Madhya Pradesh on charges of spreading obscenity, hurting religious feelings, and improper use of national emblems in her web show 'Triple X season 2', police said on Saturday.

The FIR also mentions about a particular scene which allegedly portrays the Indian Army's uniform in a highly objectionable way, an officer said.

Besides Kapoor, the FIR names director of the web series Pankhudi Rodrigues and screenwriter Jessica Khurana, said Annapurna police station inspector Satish Kumar Dwivedi.

The complaint was lodged on Friday night by Valmik Sakaragaye and Neeraj Yagnik, both residents of Indore.

"Ekta Kapoor's OTT platform ALTBalaji streamed (erotic) web series 'Triple X season 2' which not only spread obscenity but also hurt religious feelings of a particular community," Dwivedi said quoting the complaint.

A scene in the web show portrayed the Indian Army's uniform in a highly objectionable manner and also disrespected the national emblems, he said.

Kapoor and others have been booked under sections 294 (obscene acts and songs) and 298 (Uttering, words, etc., with deliberate intent to wound the religious feelings of any person) of the Indian Penal Code, Information Technology (IT) Act, and the State Emblem of India (Prohibition of Improper Use) Act, 2005, Dwivedi said.

Mumbai-based Ekta Kapoor is the founder of ALTBalaji, which is owned by her production house, Balaji Telefilms.

Further investigation is underway, the police officer said.

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News Network
May 8,2020

London, May 8: Actor Florence Pugh says the most terrifying aspect of starring in the upcoming superhero film "Black Widow" was doing the Russian accent.

In the Marvel Cinematic Universe's stand-alone film, the Oscar-nominated actor plays Yelena Belova, a sister-figure to Scarlett Johansson's Natasha Romanoff/ the titular Black Widow who was trained in the Red Room.

"I was scared because my Russian accent was going to be out there and I didn't know what it sounded like.

"I'm also playing a character who no-one's seen before but they've read about her. I didn't know whether people were going to hate me!" Pugh told ELLE UK for its June issue.

The 24-year-old actor also said the idea of joining the MCU itself was quite "daunting".

"When you think of Marvel, it's big and daunting. Especially being a relatively small actor to look at it and go, 'Oh! I'm going to be a part of this', that's a big decision," she said.

"Black Widow", which was scheduled to hit the theatres on May 1, will now release on November 6 due to the coronavirus pandemic.

Directed by Cate Shortland, the film also stars David Harbour and Rachel Weisz.

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January 23,2020

Jan 23: Calling himself an optimist who believes in the goodness of people, director Kabir Khan says everything these days is being looked at through the prism of religion but India is about more than that.

The director of blockbusters such as Bajrangi Bhaijaan and Ek Tha Tiger said he is happy he has a platform as a filmmaker to present a counterpoint to the prevailing narrative based on religious fault lines.

"I’m an optimist who believes in the goodness of the people. But yes, there is a certain level of bigotry that has crept in. Everything is being looked at through the prism of religion but India is not about that.

"It sounds like a cliché but when I was growing up, I was not aware of my religion. That was the greatness of this country,” Kabir told news agency.

He said he is a product of a mixed marriage and is pained to see the social fabric being tattered.

“I have celebrated the best that Indian secularism has to offer. But to see the greatness of this country being simplified and broken down into religious fault lines is a painful experience,” he added.

According to Kabir, it is dangerous to see history through the prism of religion, whether in cinema or society. But it is important to revisit history to know what happened and one can always find something that is relevant for the present, he said.

The director, who started as a documentary filmmaker, returns to his roots for a five-episode series on Subhas Chandra Bose's Indian National Army, The Forgotten Army: Azaadi Ke Liye, on Amazon Prime, his most expensive project yet.

Asked whether this is a difficult time for filmmakers, Kabir said he believes art thrives in the time of strife and, as a storyteller, his politics will always reflect in his work.

“Every film has its politics and every filmmaker has to reflect his or her politics. Every film of mine will reflect my politics and it will never change according to the popular mood of the audience. But a film should not be just about that. Politics should be in the layers beneath," he said.

He terms his 2015 Salman Khan-starrer Bajrangi Bhaijaan an "extremely political" film. At face value, it can also be enjoyed as the story of a mute Pakistani girl who drifts into India and is taken back to her homeland by a Hanuman devotee. But there is so much more. The "chicken song", for instance, was a sly reference to the beef ban controversy at the time, he said.

"I won’t say it is a difficult time for me as a filmmaker. It is good that I have a platform where I can talk and present a counterpoint and I refuse to believe that the entire country believes the narrative that is being sent out. There are millions and millions of people, and perhaps the majority, that does not believe. And if I present the counterpoint, they will think about it.”

Discussing his new series, the director said it has always fascinated him that the sacrifice of the men and women who comprised the INA is just a forgotten footnote in history.

“I wanted to make something that stands the test of time. It goes down in posterity,” Khan, who first explored the subject in a Doordarshan documentary 20 years ago, said.

For the documentary, he traveled with former INA officers Captain Lakshmi Sahgal and Captain Gurbaksh Singh Dhillon from Singapore to India via erstwhile Burma, retracing the route that the INA followed.

“The documentary got me a lot of attention and acclaim but the story just never left me. It's actually the first script I ever wrote and I landed up with that script in Bombay from Delhi. I realised very soon that nobody's going to give me a budget of this size to make my first film.

"And then after every film, I would pick up the script and say, ‘Okay, this is the one I want to make’, because this is the story that made me want to become a filmmaker. On the way, I ended up making eight other films but this is really the story that I wanted to make,” he said.

Kabir is happy that the story has come out as a series, not a film, as it would have required to compromise with the budget and other elements.

"Without giving any numbers, this is the most expensive project I have ever worked on… It required that kind of budget."

Kabir believes the INA was responsible for bringing down the morale of the British establishment, which realised it would be impossible to keep the country colonised without the support of the local army.

"There are a lot of debates and discussions about what happened with the INA and the controversies around it. The whole point is that, if you want to judge what the Army did, sure that's your prerogative, but at least get to know what they did. Nobody knows what happened with the Army from 1942 to 1945."

He added that 55,000 men and women of the INA fought for independence and 47,000 of them died.

"Not a single person from that Army was ever taken back into the independent Army, which is such an amazing fact... the fact that the British called them traitors became the narrative and we also started assuming that they were traitors."

"They were the only women's regiment in the whole world 70 years ago. That's what they thought about women's importance in society. I don't know whether they will be happy with what the current situation is," he said.

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