The Oscar controversy thickens

Agencies
February 26, 2019

Los Angeles, Feb 26: The Oscars celebrated diversity with a string of wins for minority nominees, but the night's message was undermined by a bitter controversy simmering Monday over the best picture winner, civil rights dramedy ‘Green Book.’

The victory for Peter Farrelly's true-life story of a gay black pianist, who strikes up an unlikely friendship with his Italian-American driver in 1960s America lit up social media, sparking a savage backlash over what critics see as its "whitesplaining" racial politics.
 
Veteran African American filmmaker Spike Lee stormed briefly out of the auditorium as the top prize at the 91st Academy Awards was announced on Sunday, later hinting that he thought it was a historically poor choice.

Lee was dumbfounded back in 1990 when ‘Driving Miss Daisy,’ a movie deemed by many to be egregiously tone deaf on race, won best picture while his widely lauded ‘Do the Right Thing’ couldn't even muster a nomination.

Three decades later, Lee was in the running for best film with ‘BlacKkKlansman’ and appeared exasperated to lose to another film about race relations set largely in a car.

"I'm snakebit, every time someone's driving someone, I lose," Lee half-joked backstage, visibly frustrated despite taking home a consolation prize, an Oscar for screenwriting, his first in a competitive category.

An evening overshadowed by a controversy over race had a fitting coda when Lee, after pleading for US voters to "be on the right side of history" when they vote in the 2020 presidential election, took a Twitter beating from Donald Trump.

"Be nice if Spike Lee could read his notes, or better yet not have to use notes at all, when doing his racist hit on your President," Trump tweeted Monday, although he hadn't been named by the director.

The top prize, the third statuette of the night for 'Green Book', came after its star Mahershala Ali, an African American and two years ago the first Muslim to win an acting Oscar, bagged the prize for best supporting actor. The film, an audience favourite that has taken more than USD 140 million in box offices worldwide, it has been embroiled in controversy since its premiere.

The real-life family of Ali's character, the late pianist Don Shirley, denounced the film as a "symphony of lies" while others described it as yet another "white saviour movie." Ali's co-star Viggo Mortensen was hardly a balm to the roiling controversy when, during a Q&A on the film in November, he used the N-word.

On the surface, the academy's selections on Sunday looked about as diverse as could be expected, with superhero blockbuster "Black Panther," a movie with a mainly black cast, scooping three awards.

Three of the four acting prizes went to African Americans and an Egyptian first-generation American, while black women won in costume design and production design for the first time, both for "Black Panther."

Richard Brody argued in The New Yorker, however, that the "repellently obtuse" "Green Book" proved the academy had changed nothing meaningful since being berated over the 2016-17 #OscarsSoWhite controversy.

Peter Bradshaw of The Guardian found that the "well-intentioned white/black balance" came across as glib, while the London-based Independent website bemoaned its "relentless, almost uncanny mediocrity."

As is often the case, there was a backlash to the backlash, from commentators complaining of an industry crippled by its fear of offending audiences and an obsession with the appearance of political correctness rather than genuine reform.

Conservative entertainment blog Hollywood in Toto, which considers Tinseltown's liberals as something of a bete noire, described the bonding theme in "Green Book" as "noble." Toto evoked the allegedly faked recent hate attack on black "Empire" actor Jussie Smollett to argue that the US movie industry is often too quick to see racism where none exists.

"Saying movies like 'Green Book' make white movie goers feel better is insulting," said editor Christian Toto. "Why would you need to be white to enjoy a beautifully told story about moving past one's bigotry?"

The number of minority actors with lead roles in films increased from 13.9 per cent in 2016 to 19.8 per cent in 2017, a far from perfect statistic but a sizeable improvement, nonetheless. "It sounds absurd to suggest people who claim to be against racism, like woke liberals in and out of Hollywood, would be against a film that promotes racial healing," said Toto.

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News Network
June 2,2020

Kolkata, Jun 2: Artistes of the Bengali film industry are trying to get the best out of their creative side amid the lockdown, with many of them giving shape to innovative concepts and ideas to hook the audience.

A short film 'Grub Ne Bana Di Jodi', with RJ-actor Mir Afsar Ali in the lead, transcends boundaries to bring couples from around the world together on one platform, as they engage in discussions on food and culture.

The shot-at-home film, directed by Satrajit Sen, has Ali giving couples tasks to test their culinary skills.

"This is the time to try new concepts and that, too, without the usual technical support. There is no box office pressure, and people can take their own sweet time to watch the film on YouTube," he said.

Actor Vikram Chatterjee, who recently completed the shoot of 'Pabitra Puppies', a web series about seven friends bonding over video games, said it was an "altogether different experience" with no crew to assist him at home.

"The shooting process was complicated but we had a lot of fun. I was in Mumbai when the lockdown was imposed.

Coordinating with the director and other cast members wasn't easy, but this phase has taught us how to overcome challenges," Chatterjee said.

The series, also starring Sohini Sarkar and Saayoni Ghosh, will be streaming on Hoichoi soon.

Director Shieladitya Moulik's third outing on YouTube, amid the lockdown, has garnered good reviews.

The short film 'Eye Candy' tells the story of a blind couple who had been finding ways to connect with each other.

"I wanted to talk about long-distance relationships, and the problems faced by couples in the midst of the COVID-19 crisis, but not without a twist. I hope the viewers enjoy the short," Moulik said.

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News Network
February 6,2020

Los Angeles, Feb 6: U.S. silver screen legend Kirk Douglas, the son of Jewish Russian immigrants who rose through the ranks to become one of Hollywood's biggest stars, has died, his family said Wednesday. He was 103.

One of the last survivors of the golden age of cinema and the father of Oscar-winning actor and film-maker Michael Douglas, the Spartacus actor was renowned for the macho tough guy roles he took on in around 90 movies over a six-decade career.

"It is with tremendous sadness that my brothers and I announce that Kirk Douglas left us today at the age of 103," Michael Douglas said in a statement posted to Facebook.

"To the world he was a legend, an actor from the golden age of movies who lived well into his golden years, a humanitarian whose commitment to justice and the causes he believed in set a standard for all of us to aspire to."

Douglas was Oscar-nominated for his roles as a double-crossing and womanizing boxer in Champion (1949), a ruthless movie producer in The Bad and the Beautiful (1952) and tortured artist Vincent Van Gogh in Lust for Life (1956).

But his only Academy Award came in 1995 -- an honorary lifetime achievement statuette "for 50 years as a creative and moral force in the motion picture community."

Douglas is survived by second wife Anne Buydens, 100, and three sons. A fourth child, Eric, died of a drug overdose in his 40s, in 2004.

"(To) me and my brothers Joel and Peter he was simply Dad, to Catherine (Zeta-Jones), a wonderful father-in-law, to his grandchildren and great grandchild their loving grandfather, and to his wife Anne, a wonderful husband," said Michael.

"Kirk's life was well lived, and he leaves a legacy in film that will endure for generations to come, and a history as a renowned philanthropist who worked to aid the public and bring peace to the planet."

Kirk Douglas rose to the heights of Hollywood from an impoverished childhood as the son of Jewish Russian immigrants.

He was one of the last survivors of the golden age of cinema, often portraying the macho and not-always-likeable tough guy in around 90 movies over a six-decade career.

With charming dimples and a cleft chin, Douglas was a renowned ladies' man but also admitted to being angry into adulthood because of his difficult New York childhood.

"I still have anger in me," he said in a New York Times article in 1988 after the release of his first autobiography.

"I think I'm loath to let it go because I think that anger was the fuel I used in accomplishing what I wanted to do; you see it in my films, you see it in imitations people do of me."

Screen legend

The role that perhaps immortalized him as a star was that of a rebellious Roman Empire slave turned gladiator in the 1960 epic Spartacus.

Douglas also produced the film, which took four Oscars. He won praise for listing in the credits the real name of Hollywood screenwriter Dalton Trumbo, who was blacklisted for his Communist sympathies and wrote under a pen name.

There were Oscar nominations for his roles as a double-crossing and womanizing boxer in Champion (1949), a ruthless movie producer in The Bad and the Beautiful (1952) and of tortured artist Vincent Van Gogh in Lust for Life (1956).

But his only Oscar came in 1995 as an honorary lifetime achievement award "for 50 years as a creative and moral force in the motion picture community."

Other major acting roles were as a French private in a botched suicidal mission in World War I in Paths of Glory (1957) and American Western legend Doc Holliday in Gunfight at the O.K. Corral (1957).

"Often cast as a villain, amoral climber or self-obsessed grabber, Kirk Douglas took care to color his hard edges with suggestions of pain, wit and sympathy," says American Film Institute, which ranks him as 17th on its list of the greatest male screen legends.

In the 1970s he stood behind the camera, directing Scalawag (1973) and Posse (1975).

He also took up writing, penning his first autobiography The Ragman's Son in 1988 and following with around 10 other titles.

In the autobiography, Douglas writes: "I always worked in the theory that when you play a weak character, find a moment when he's strong. And if you're playing a strong character, find a moment when he's weak."

Tough childhood

Douglas was born in New York on December 9, 1916 to illiterate Jewish Russian immigrants, an only boy with six sisters.

He started out as Issur Danielovitch, later Izzy Demsky. It was tough, he recounted later, with the family poor, anti-Semitism rife and his distant alcoholic father forced to earn a living as a ragman.

"In a sense, I've always felt on the outside, looking in," he said in the New York Times article.

"It's my background, damn it. My father was an illiterate Russian immigrant, a ragman, the lowest rung on the economic scale."

His dream of a way out was through acting and he started in high school, eventually entering the American Academy of Dramatic Arts and changing his name along the way.

To survive he took jobs as a waiter, labourer and porter. In 1941 he hit Broadway but his budding career was interrupted by service in the Navy. After the war, he headed for Hollywood.

His romantic conquests were many, although he once said he had never counted, and included starls such as Rita Hayworth, Marlene Dietrich, Joan Crawford and Ava Gardner.

Douglas' four sons followed him into cinema.

Oscar-winning actor and producer Michael and Joel were from a marriage to actress Diana Webster, whom he divorced in 1951.

Three years later he married Belgian-American Anne Buydens, having Peter and then Eric, who died in 2004 from an accidental overdose.

Douglas has also brushed death: he survived a helicopter crash in 1991 and a massive stroke in 1996 that nearly robbed him of speech.

Around the time of his 100th birthday in 2016, he attributed his remarkable longevity to his second marriage.

"I was lucky enough to find my soulmate 63 years ago, and I believe our wonderful marriage and our nightly 'golden hour' chats have helped me survive all things," he said in celebrity magazine Closer Weekly.

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News Network
January 28,2020

Mumbai, Jan 28: A 33-year-old woman has written to the National Commission for Women (NCW) alleging that Bollywood choreographer Ganesh Acharya used to make her watch porn videos whenever she visited his office in Mumbai.

In a complaint filed with the police, the woman, an assistant choreographer, has alleged that Acharya and two women assaulted her during a function of the Indian Film and Television Choreographers Association (IFTCA) held in suburban Andheri on Sunday.

Besides Acharya, the complainant, Divya Kotian, has named Jayashree Kelkar and Preeti Lad in her complaint for assault, a police official said on Tuesday.

Calls made to Acharya for his reaction remained unanswered.

In her letter to the NCW, Kotian, a resident of suburban Bhayandar, claimed that Acharya forced her to watch adult videos whenever she visited his office.

In her complaint with Amboli police station, Kotian alleged that Acharya was demanding a commission from her for working in the film industry.

Kotian is also a member of the IFTCA.

Acharya, who was elected as a general secretary of the IFTCA, used to frequently call the complainant at the office in Andheri, the police official said quoting the complaint.

On January 26, when Kotian reached the IFTCA office, Acharya shouted at her and announced that she was being "suspended", he said.

Acharya grew furious after Kotian told him that she is a member of the IFTCA and allegedly asked his team member, Jayashree Kelkar, to slap her, the police official said.

"Kelkar and Preeti Lad hit me in public view which was captured on the CCTV," the complaint stated.

Police have registered a non-cognisable (NC) offence and investigating, the official added.

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