The Oscar controversy thickens

Agencies
February 26, 2019

Los Angeles, Feb 26: The Oscars celebrated diversity with a string of wins for minority nominees, but the night's message was undermined by a bitter controversy simmering Monday over the best picture winner, civil rights dramedy ‘Green Book.’

The victory for Peter Farrelly's true-life story of a gay black pianist, who strikes up an unlikely friendship with his Italian-American driver in 1960s America lit up social media, sparking a savage backlash over what critics see as its "whitesplaining" racial politics.
 
Veteran African American filmmaker Spike Lee stormed briefly out of the auditorium as the top prize at the 91st Academy Awards was announced on Sunday, later hinting that he thought it was a historically poor choice.

Lee was dumbfounded back in 1990 when ‘Driving Miss Daisy,’ a movie deemed by many to be egregiously tone deaf on race, won best picture while his widely lauded ‘Do the Right Thing’ couldn't even muster a nomination.

Three decades later, Lee was in the running for best film with ‘BlacKkKlansman’ and appeared exasperated to lose to another film about race relations set largely in a car.

"I'm snakebit, every time someone's driving someone, I lose," Lee half-joked backstage, visibly frustrated despite taking home a consolation prize, an Oscar for screenwriting, his first in a competitive category.

An evening overshadowed by a controversy over race had a fitting coda when Lee, after pleading for US voters to "be on the right side of history" when they vote in the 2020 presidential election, took a Twitter beating from Donald Trump.

"Be nice if Spike Lee could read his notes, or better yet not have to use notes at all, when doing his racist hit on your President," Trump tweeted Monday, although he hadn't been named by the director.

The top prize, the third statuette of the night for 'Green Book', came after its star Mahershala Ali, an African American and two years ago the first Muslim to win an acting Oscar, bagged the prize for best supporting actor. The film, an audience favourite that has taken more than USD 140 million in box offices worldwide, it has been embroiled in controversy since its premiere.

The real-life family of Ali's character, the late pianist Don Shirley, denounced the film as a "symphony of lies" while others described it as yet another "white saviour movie." Ali's co-star Viggo Mortensen was hardly a balm to the roiling controversy when, during a Q&A on the film in November, he used the N-word.

On the surface, the academy's selections on Sunday looked about as diverse as could be expected, with superhero blockbuster "Black Panther," a movie with a mainly black cast, scooping three awards.

Three of the four acting prizes went to African Americans and an Egyptian first-generation American, while black women won in costume design and production design for the first time, both for "Black Panther."

Richard Brody argued in The New Yorker, however, that the "repellently obtuse" "Green Book" proved the academy had changed nothing meaningful since being berated over the 2016-17 #OscarsSoWhite controversy.

Peter Bradshaw of The Guardian found that the "well-intentioned white/black balance" came across as glib, while the London-based Independent website bemoaned its "relentless, almost uncanny mediocrity."

As is often the case, there was a backlash to the backlash, from commentators complaining of an industry crippled by its fear of offending audiences and an obsession with the appearance of political correctness rather than genuine reform.

Conservative entertainment blog Hollywood in Toto, which considers Tinseltown's liberals as something of a bete noire, described the bonding theme in "Green Book" as "noble." Toto evoked the allegedly faked recent hate attack on black "Empire" actor Jussie Smollett to argue that the US movie industry is often too quick to see racism where none exists.

"Saying movies like 'Green Book' make white movie goers feel better is insulting," said editor Christian Toto. "Why would you need to be white to enjoy a beautifully told story about moving past one's bigotry?"

The number of minority actors with lead roles in films increased from 13.9 per cent in 2016 to 19.8 per cent in 2017, a far from perfect statistic but a sizeable improvement, nonetheless. "It sounds absurd to suggest people who claim to be against racism, like woke liberals in and out of Hollywood, would be against a film that promotes racial healing," said Toto.

Comments

Add new comment

  • Coastaldigest.com reserves the right to delete or block any comments.
  • Coastaldigset.com is not responsible for its readers’ comments.
  • Comments that are abusive, incendiary or irrelevant are strictly prohibited.
  • Please use a genuine email ID and provide your name to avoid reject.
News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

Comments

Add new comment

  • Coastaldigest.com reserves the right to delete or block any comments.
  • Coastaldigset.com is not responsible for its readers’ comments.
  • Comments that are abusive, incendiary or irrelevant are strictly prohibited.
  • Please use a genuine email ID and provide your name to avoid reject.
News Network
January 24,2020

Jaipur, Jan 24: Actor Sonali Bendre has said that she came into the movies to make money but fell in love with the profession where she discovered herself and found her family and friends. The 45-year-old actor said she owed a lot to Bollywood which is the most wonderful place to be, both mentally as well as creatively.

"I came into movies to make money and I fell in love with the profession. It was the most wonderful place to be, mentally and creatively," she said.

"I found myself there, found my friends and family over there. I owe a lot to Bollywood. It was one of the most wonderful things that happened to me," Sonali said here on Thursday.

The actor said her entry into movies by purely because she happened to be at the right place and at the right time.

Sonali added when acting offers came her way she knew that in no other field could she have made as much money, and as quickly, as she did in movies.

"Basically, I got into this because it was great money," she said.

The actor was speaking at the Jaipur Literature Festival and also talked about books and how her book club named ‘Sonali's Book Club' came into being.

Sonali, who has been convalescing after undergoing treatment for cancer in the US, said that books gave her strength and kept her afloat while she was going through one of the toughest phases of her life.

The actor was diagnosed with high grade cancer in July 2018 and underwent treatment for it in New York.

"Books were my friends other than my sisters while I was growing up. I'm nowhere remotely connected to movies. I have a very middle class Maharashtrian upbringing. When I got into movies, it was like being on another planet. Again in this world where it was easy to feel the peer pressure and do certain things or not do certain things, or look a certain way, books kept me grounded," she said.

"'A Gentleman in Moscow' (a 2016 novel by Amor Towles) was uplifting and I got so much strength from that book during my treatment in New York," Sonali said.

The actor, who often shares posts about books and authors on social media, said one should stop feeling guilty about not completing a book.

"Sometimes you start judging yourself by not completing a book, but I have reached a stage where I understand that I'm a book-lover, but that doesn't mean I will like all the books. It's okay if you don't like a book," she said.

Sonali also said that nobody wanted to know about the intellectual capacity of Bollywood stars as it was not "entertainment enough or gossipy enough".

Earlier before her session, Sonali launched author Ashwin Sanghi's latest book ‘The Vault of Vishnu', the sixth book in the Bharat series, at the 13th edition of the festival.

Comments

Advisor
 - 
Sunday, 26 Jan 2020

Please read the religious books once in your life time specially the QURAN which tells lot about this life and its journey and to recognize the true ONE GOD who has no partners and the creator of all that Exists . God asks us to use our intellect and find logical answers for many of our life's query which is a guidance to HUMANITY.  READ with a OPEN HEART without bias... Good LUCK

Add new comment

  • Coastaldigest.com reserves the right to delete or block any comments.
  • Coastaldigset.com is not responsible for its readers’ comments.
  • Comments that are abusive, incendiary or irrelevant are strictly prohibited.
  • Please use a genuine email ID and provide your name to avoid reject.
News Network
June 2,2020

Kolkata, Jun 2: Artistes of the Bengali film industry are trying to get the best out of their creative side amid the lockdown, with many of them giving shape to innovative concepts and ideas to hook the audience.

A short film 'Grub Ne Bana Di Jodi', with RJ-actor Mir Afsar Ali in the lead, transcends boundaries to bring couples from around the world together on one platform, as they engage in discussions on food and culture.

The shot-at-home film, directed by Satrajit Sen, has Ali giving couples tasks to test their culinary skills.

"This is the time to try new concepts and that, too, without the usual technical support. There is no box office pressure, and people can take their own sweet time to watch the film on YouTube," he said.

Actor Vikram Chatterjee, who recently completed the shoot of 'Pabitra Puppies', a web series about seven friends bonding over video games, said it was an "altogether different experience" with no crew to assist him at home.

"The shooting process was complicated but we had a lot of fun. I was in Mumbai when the lockdown was imposed.

Coordinating with the director and other cast members wasn't easy, but this phase has taught us how to overcome challenges," Chatterjee said.

The series, also starring Sohini Sarkar and Saayoni Ghosh, will be streaming on Hoichoi soon.

Director Shieladitya Moulik's third outing on YouTube, amid the lockdown, has garnered good reviews.

The short film 'Eye Candy' tells the story of a blind couple who had been finding ways to connect with each other.

"I wanted to talk about long-distance relationships, and the problems faced by couples in the midst of the COVID-19 crisis, but not without a twist. I hope the viewers enjoy the short," Moulik said.

Comments

Add new comment

  • Coastaldigest.com reserves the right to delete or block any comments.
  • Coastaldigset.com is not responsible for its readers’ comments.
  • Comments that are abusive, incendiary or irrelevant are strictly prohibited.
  • Please use a genuine email ID and provide your name to avoid reject.