Padmavati Row: India Cutting Sorry Figure With Threats to Artists, Says Bombay HC

Agencies
December 8, 2017

Mumbai, Dec 8: A democratic country like India is cutting a very sorry figure with open threats being given to artists and others and with attacks on people for voicing their opinions, the Bombay High Court said on Thursday.

The high court, while referring to the Sanjay Leela Bhansali's controversy-hit film "Padmavati", observed that the director has not been able to release his film and an actress is facing death threats.

The HC also pulled up the CBI and the state CID, which are investigating the murder cases of rationalists Narendra Dabholkar and Govind Pansare respectively, over the failure to arrest the main suspects in these cases so far.

The strong remarks were made by a division bench of Justices S C Dharmadhikari and Bharti Dangre while hearing the petitions filed by family members of Dabholkar and Pansare seeking court supervision on their murder probe.

"In this country, we have come to a situation where people cannot voice their opinions. Everytime a person says he or she wants to voice their opinion, somebody or a fringe group says they would not allow it. This does not augur well for the state," Justice Dharmadhikari said.

"In which other country do you see threats given to artists and performers? It is distressing to know that a person makes a feature film and several people work tirelessly towards it, but is not able to release the film because of continued threats. What have we come to?" he said.

"Today, somebody says I will give a reward to anyone who kills an actress. Such open threats! People are taking pride in saying we will give reward to those, who will kill an actress. And even chief ministers are saying they will not allow the release of the movie in their states," Justice Dharmadhikari said referring to some states banning the release of "Padmavati".

He added that if such things are happening to people with financial backings, what will happen to poor people.

The court noted that this was censorship of a different kind and it was damaging India's image.

"What concerns us is India's image and reputation as a democratic country. We are the largest democracy. We cannot take pride in the happenings of such incidents day in and day out. We are cutting a very sorry figure," Justice Dharmadhikari said.

Referring to the recent case where a foreign couple was attacked in Uttar Pradesh, he said, "Somebody visits this country as tourists and they are attacked."

The bench noted that states like Maharashtra and Karnataka are known for their "progressive and modern thinking".

"Maharashtra and Karnataka are known for social reformers and thinkers and with such incidents these states are cutting a sorry figure politically too," the court said.

It added that in other countries when any major incident occurs, the suspect is apprehended, dead or alive, within hours.

"However, our country's agencies have not learnt anything from past incidents like the attack on Parliament and the Prime Minister," Justice Dharmadhikari said.

The court said Dabholkar was killed in 2013 and Pansare in 2015, but till date the investigating agencies (CBI and state CID) have not been able to arrest the main suspects.

"We cannot allow such serious matters to linger for years. We cannot allow constitutional rights to be taken away. Enough damage has been caused already. Has any senior official from the two agencies bothered to find out why the probe is not getting any headaway?" the court asked.

It said even after these two attacks, there are persons, who are openly and boldly voicing their opinions, are being threatened.

"At the core of these two crimes is the bold attempts being made by fringe groups to attack those who voice their rational views, thoughts, feelings and expressions," the court said.

"Hence, we feel that it is time to call upon the CBI and the CID to involve their superiors. If the senior officials do not wish to be summoned to court, then they should meet with the counsels appearing in court and take stock of the situation," Justice Dharmadhikari said.

The court directed a meeting to be convened with secretary of state home department, Director General of Police (DGP) and Joint Director of CBI with Additional Solicitor General Anil Singh and Ashok Mundargi, who appears for CID in the matter.

The bench has now posted the matter for further hearing on December 21.

While the CBI is probing the Dabholkar case, the Pansare murder case is being investigated by a Special Investigation Team of the CID.

Dabholkar was murdered in Pune on August 20, 2013 and Pansare was shot on February 16, 2015 in Kolhapur. He died on February 20 in a hospital.

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Agencies
January 11,2020

Washington, Jan 11: Fresh off his win at the Golden Globes, actor Joaquin Phoenix participated in a climate change protest and was arrested by the police.

The "Joker" star took part in the weekly protests against climate change, started by Hollywood veteran Jane Fonda.

According to Variety, the 45-year-old actor also addressed the crowd of close to 300 people.

In his short speech, he took aim at the meat and dairy industry for being the third leading cause of the climate crisis.

"Sometimes we wonder what can we do in this fight against climate change, and there is something that you can do today and tomorrow, by making a choice about what you consume," Phoenix said.

"There are things I can't avoid. I flew a plane here today, or last night rather, but one thing I can do is change my eating habits," he added.

Besides Phoenix, veteran Hollywood star Martin Sheen also turned up for the protest and got arrested by the police. Actors Maggie Gyllenhaal and Susan Sarandon were also present.

Capitol Police said it arrested 147 people who were charged with crowding, obstructing or incommoding. All the protestors were later released.

Fonda, who was on stage with Phoenix, called him "one of the greatest living actors today".

She has been protesting weekly as part of her "Fire Drill Fridays" initiative since announcing she was moving to Washington "to be closer to the epicenter of the fight for our climate." Her participation has ended in multiple arrests.

Earlier this month, Phoenix had talked about climate change at the Golden Globes ceremony, asking Hollywood to walk the talk on the issue.

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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News Network
January 13,2020

Mumbai, Jan 13: On the ongoing protests against new Citizenship Law, Bollywood actor Zeeshan Ayub said that everyone has been exposed and the common man has understood everything and the right-wing people cannot make a fool out of them by giving vague statements.

Talking to ANI, Zeeshan said, "Law is supposed to give the citizenship but the way in which the criteria have been changed is the trouble here."

Disagreeing to the continuous statements put forward by the BJP government that CAA is not a hindrance to the citizenship, the actor further said, Things are clear now, people have now understood the facts, the people and the intention behind are now exposed,.. they can't make a fool out of common people any more."

Zeeshan said it actually the other way round, those people are the ones who are misleading the general public by fluctuating their own statements. "Home minister said something, the next day something else is being said in the Ram leela..people are getting confused., the 'Ranjahanna' actor added.

He further said, "Earlier it was Hindu-Muslim propaganda, but that didn't work, so now you are making it a case between two political parties.. basically you are changing your own statements." When asked about his take on the ongoing JNU Violence, the actor said the members of the alleged political party itself have come out and explained their part in the case and yet no action has been taken.

The actor finally said that people should develop a sense of humanity.

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