Pakistani artistes come here on visa, not illegally: Om Puri

October 3, 2016

Mumbai, Oct 3: Veteran actor Om Puri and director Nagesh Kukunoor have come out in support of Pakistani actors, saying art and politics should be kept separate and banning the artistes will not change the situation.

OmpuPuri said Pakistani artistes are not working illegally here and if they are sent back, Indian producers, who have signed them for their films, will suffer heavy losses.

"When the government is taking an action, we all should stay quiet. It hardly matters if we send back the artists from Pakistan, who are working here, or let them stay. I have been to Pakistan six times and have met people from all strata," the 65-year-old actor said here.

"I have always received love and warmth. If the Pakistani actors leave the projects they are doing here in middle, then people in India (filmmakers) will also face financial loss. Hence, this is insignificant. The actors have not come here through any illegal way. They have valid visa. But, if the government will ask them to leave, then it is different," he said.

Filmmaker Nagesh Kukonoor said though the situation between India and Pakistan is complex, he believes art should be kept away from politics.

"I have always believed that art should stand alone. Even if you take the worst periods in a nation's history, World War II, art still had its voice. I don't think the two should be mixed.

"Having said that, the India-Pakistan situation is an extremely complex one. We are all part of the same country. 60-70 years is a very short period to actually find some kind of peaceful common ground."

Their remarks came days after superstar Salman Khan opposed the ban on Pakistani actors, saying they are artistes not terrorists.

The film industry has been divided on the issue of banning Pakistani artistes in the wake of Uri attack. Actor Randeep Hooda, filmmakers Ashoke Pandit, Anupam Kher are among those who have backed the ban.

Hooda tweeted that Pakistan should be culturally isolated.

"We are trying to isolate Pakistan economically & diplomatically so the cultural isolation must follow #BanPakArtists #IndiaComesFirst #India," he wrote.

Filmmaker Madhur Bhandarkar said though he believes that art has no boundaries, the situation right now is such that nothing is bigger than the country.

He also said that Pakistani artistes, who have worked in India should condemn the Uri attack.

"Definitely the artists are not terrorists, and I believe

that art has no boundary but the situation today is very different. When you see our 19 soldiers have been killed, and when we see the whole scenario... I feel a lot of Pakistani artists who work here they should have condemned the attacks on India over the years.

"When they can condemn US attack, when they can condemn Istanbul, Paris (attacks), all those attacks then why not India? My problem is that. When Peshawar (attack) happened, everybody in India condemned. So, if the Pakistani actors feel it (the attack) is happening over here, they should at least tweet about it. Right now I think nothing is bigger than the country.

Actor Nawazuddin Siddiqui, when asked if Pakistani actors should be allowed to do work in India, refused to be drawn into the controversy.

"This is our government's job. Our government has a lot of expertise who look after these matters and policies. Being an artist I have no opinion on this controversy. This is not my job. Government decides it and it is their duty," he told reporters at an event in the capital.

The debate began after Maharashtra Navnirman Sena demanded the ouster of the artistes from the neighbouring country.

Recently, the Indian Motion Picture Producers Association also announced ban on the actors and technicians from the neighbouring country till things don't get normal between the two nations.

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News Network
February 12,2020

London, Feb 12: Oscar-winning British director Steve McQueen is returning to his art roots with a series of short films at London's Tate Modern art gallery, offering a sensory exploration of black identity.

McQueen, who became the first black director to win the best picture Academy Award in 2014 for "12 Years a Slave", is now based between London and Amsterdam and is focused on championing diversity in the film industry.

Visitors to his new exhibition will be greeted by "Static", a film of New York's Statue of Liberty, scrutinising the iconic symbol from every possible angle at very close range against a deafening backdrop of the helicopter from where the footage was filmed.

"What interests Steve is our view of the world, how humans are trying to represent Liberty," said Fiontan Moran, assistant curator of the exhibition.

"7th Nov, 2001" features a still shot of a body while McQueen's cousin Marcus tells of how he accidentally killed his brother, a particularly traumatic experience for the artist.

"Western Deep" is another visceral work, giving a sense through sights and sounds in an interactive installation of the experiences of miners in South Africa, following them to the bottom of the mine.

"Ashes", meanwhile, is a tribute to a young fisherman from Grenada, the island where McQueen's family originated.

The images of beauty and sweetness filmed from his boat are tragically reversed on the other side of the projection screen, which shows a grave commissioned by McQueen for the eponymous young fisherman, who was killed by drug traffickers.

African-American singer, actor and civil rights activist Paul Robeson (1898-1976) is honoured in "End Credits".

The film shows censored FBI documents detailing the agency's surveillance of Robeson, read by a voice-over artist, for five hours.

"He is... testing the limits of how people can be documented in an era of mass surveillance," said Moran.

In a similarly militant vein, the exhibition features the sculpture "Weight", which was first shown in the prison cell where the writer and playwright Oscar Wilde was imprisoned.

It depicts a golden mosquito net draped over a metal prison bed frame, addressing the theme of confinement and the power of the imagination to break free.

The show runs alongside an exhibition of McQueen's giant portraits of London school classes, many of which appeared on the streets of London last year.

"I remember my first school trip to Tate when I was an impressionable eight-year-old, which was really the moment I gained an understanding that anything is possible," said McQueen, adding it was "where in some ways my journey as an artist first began".

He recently told the Financial Times newspaper the difference between his art films and his feature films was that the former were poetry, the latter like a novel.

"Poetry is condensed, precise, fragmented," he said. "The novel is the yarn".

The exhibition opens on February 13 and runs until May 11.

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Agencies
July 11,2020

New Delhi, Jul 11: The COVID-19 triggered restrictions on cinema exhibition industry have not only disheartened movie goers, but axed several thousand jobs and costed the industry an estimated ₹ 5,000 crore in revenue.

The sector has been one of the hardest hit due to COVID-19 pandemic and the subsequent restrictions implemented to curb its spread.

Presently, cinemas and multiplexes continue to remain in the list of prohibited activities under the Centre's Unlock 2.0 Guidelines.

In an interview to media persons, movie exhibition major Inox Leisure's Chief Executive Alok Tandon said, "The industry on an average collects about ₹ 1,000 crore a month of 'Box Office' and on an average generates about ₹ 500 crore a month of ancillary revenues."

"Keeping in mind that the lockdown has been effective for more than 100 days now, which is about 3.5 months, the cinema exhibition industry would have accumulated losses worth ₹ 5,000 crore so far."

According to Tandon, associated businesses such as pre and post-production, make-up artistes, graphics, film set fabrication, film crew, events, marketing, F&B services have all been impacted due to the restrictions.

"With the production and exhibition of movies coming to a halt, the industry was bound to witness some job losses," he said without divulging any estimates.

As per industry data, the multiplex industry in India employs more than 200,000 people directly and accounts for nearly 60 % of revenues of the film business.

On the way forward, Tandon elaborated that the industry expects to regain business momentum and sentiment post resumption of operations.

"We believe it will be a matter of a couple of blockbusters, and we will be back to our usual operational numbers," he said.

"We are rightfully relying on the unshakeable passion of the Indian movie lovers, who are yearning to step out and spend time enjoying the giant screen experience."

Furthermore, he cited that industry has sent representation to the Centre for immediate re-commencement of operations and a support package.

"We have requested for financial support in the form of salary subsidies during the lockdown period, interest-free loans for three years, exemptions from various taxes and duties, like 'GST, Show tax, LBETs and Property taxes' for a period of one year from the date of operations, waiver on electricity minimum demand charges for one year and auto renewal of licenses and permits for the next one year," he said.

"We have been talking to our mall developer partners and are working together with them to see through this phase."

However, even after re-commencement, the industry anticipates at least 3-6 months before things return anywhere close to normal.

"The cinema ecosystem is such that we will need all the aspects of the business to swing into action and fire together for us to see a resurgence, and we are highly optimistic about the same," he said.

In terms of global experience, Tandon pointed out that cinemas have started operating in more than 25 major countries, and some of those markets are witnessing a healthy response.

"India is a massive movie market and we are confident that the passionate and responsible movie lovers will turn up in huge numbers to enjoy their favourite form of entertainment and also follow the prevention guidelines at the same time, ensuring a safe and steady revival of the cinema exhibition sector," Tandon said.

The film exhibition industry in India is mainly comprised of single screen and multiplexes.

At present there are around 9,527 cinemas across the country, including 6,327 single and 3,200 multiplex screens.

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News Network
July 3,2020

Mumbai, Jun 3: Investigators will subject the cloth allegedly used by actor Sushant Singh Rajput to hang himself to "tensile strength" analysis to determine whether it can bear the weight similar to that of the filmstar, as part of probe into his death, an official said on Friday.

Rajput (34) was found hanging at his suburban Bandra residence on June 14.

According to the investigators, the actor ended his life by hanging himself from the ceiling using a green coloured night gown made of cotton.

No suicide note was found from the spot, the police had said then.

Besides viscera from the actors body, the police also sent the gown for chemical and forensic analysis at the Forensic Science Laboratory (FSL) in suburban Kalina, he said.

It will take at least three more days to get final forensic report, the official said.

To ascertain the exact cause of death, forensic experts will check pattern of ligature marks around the actors neck and also determine the strength of the gown with the help of "tensile strength" analysis, he said.

The tensile strength test will technically establish whether the cloth can bear around 80kg, the weight of the actor, he said.

The test will help determine if there was any foul play, the official said.

Tensile strength is maximum load that a material can support without fracture when being stretched.

Viscera analysis will help in checking whether there were any traces of chemical, poisonous or narcotics substance in his body, the official said.

"Usually, it takes eight to ten working days to get s report from the FSL in regular cases. But since this case is sensitive, experts are taking more precautions to avoid any kind of error in their analysis," the official said.

The forensic report of the actors mobile phone is also awaited, he said.

Recently, the police received the final post-mortem report of the actor from Cooper Hospital, which mentioned the cause of the death as asphyxia due to hanging"

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