People Refused to Work with Me Because I Was a Woman: Leena Yadav

Agencies
November 28, 2018

Mumbai, Nov 28: Leena Yadav on Monday said that there have been instances where people have refused to work with her because she was a woman filmmaker.

The director, who started her career as an editor, recounted an incident where clients not only cast a doubt on her ability but also asked her to prove her proficiency.

"I had lots of people refusing to work with me because I was a woman. I remember one incident where those days we used to work on high band (camera). These clients walked in and I was hired as a freelance editor. They looked at me and said, You are the editor?' I said I am'.

They said, Then you should know everything' and took off all the wires. He said, Then you should also know the wiring of this place'. And I did the wiring and I did know it. Then I said, You know what? I don't want to work with you.' And I walked out," Leena said.

The director was speaking at the in-conversation session Calling The Shots: Women Directors in Indian Cinema', moderated by director Shashank Khaitan at the International Film Festival of India (IFFI).

Also part of the panel were directors Gauri Shinde and Meghna Gulzar.

Leena said after this incident, she stopped caring about people who practised discrimination as she believes it was their problem, not hers.

She said she has never had any issues with the actors she has worked with since, adding they know that I know their characters better than them.

The director, who has worked with acting greats such as Amitabh Bachchan and Ben Kingsley in Teen Patti, recounted an incident from the sets of the 2010 thriller.

"I remember Ben Kingsley said this, Do you realise she knows the character better than we will ever know even after we finish the film. So I think we should just quietly listen to her'," she recalled.

Leena also shared how she never thought her directorial debut, Shabd in 2005 was a film that was suited for stars. The cast included Aishwarya Rai, Sanjay Dutt and Zayed Khan.

"I didn't think 'Shabd' was a film for stars. It was a very independent kind of film. But my producer Pritish Nandy felt that we should. Then we went to narrate it to the stars and they agreed, which was a shock to me. While making the film, I realised even the actors were not ready for a film like that. My characters were all grey and somewhere they (actors) started getting a bit panicky and started crying in the film to get sympathy," she said.

She got an instant PhD into film industry politics when the film bombed at the box office, she said.

"I was literally asked to leave town for various reasons. It was heart-breaking and I had never experienced anything like that. Then for six months, I could not function. It was like I was standing naked on the road and everyone was whipping me from all over the place. Then I kind of focused my mind to writing my second film, which I thought nobody would produce. I got to make my next. I realised that's what the journey is.

"I thought making the first film will be the toughest but it gets tougher and tougher. First film is the purest. Even you're not trying to cater or censor, it comes from a place of beautiful innocence that I'm constantly trying to go back to,said the filmmaker, whose next Rajma Chawal is slated to release on Netflix Friday.

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News Network
June 17,2020

Jerusalem, Jun 17: Calling Sushant Singh Rajput as "a true friend", Israel has expressed its deepest condolences at the passing away of the young Bollywood star.

Rajput, 34, was found dead in his Bandra apartment on Sunday.

On Tuesday, Gilad Cohen, deputy director-general of Israel's foreign ministry, took to Twitter to mourn the actor's sudden demise.

"Sending my deepest condolences on the passing of Sushant Singh Rajput, a true friend of Israel. You will be missed!" Cohen wrote while sharing the link of the song "Makhna" from the actor's last film "Drive".

Sushant and his co-star Jacqueline Fernandez had shot the song in Israel as part of its ongoing efforts to bring Bollywood to the country.

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News Network
June 9,2020

Bengaluru, Jun 9: There’s no denying the fact that Sudeep is one of the most popular and sought-after names in Kannada cinema. The versatile actor has won the love of fans due to his ‘pan-India’ look and impressive selection of roles. A self-made star, he paid his dues before making it big in Sandalwood. The Bachchan actor had, some time ago, told Film Companion that his initial years in the industry were anything but easy.

 The mass hero revealed that his first two movies never saw the light of the day as they were abandoned midway. Following the setback, he finally made his Kannada debut with V Umakanth’s Thayavva and began a new chapter in life. Sadly, the film sank without a trace and was removed from theatres within three days of its release.

“My first two films did not see the light of the day while the third one did not see people,” he added.

Sudeep ultimately tasted success with the 2001 release Huchcha and the rest is history. Over the years, ‘Deepanna’ has starred in several commercially successful movies and proved that he is a certified ‘A-lister’. The star has also made an impact in non-Kannada movies like Rann and Eega, expanding his fanbase big time.

Coming to the present, Sudeep was last seen in the Bollywood biggie Dabangg 3 that did decent business at the box office. The actioner saw him share screen space with Salman Khan, giving fans a reason to rejoice. The cast included Arbaaz Khan and Sonakshi Sinha.

He will be turning his attention to the Kannada biggie Kotigobba 3, the third instalment of the Kotigobba series. The film, directed by Shiva Karthik, is one of the biggest movies of the year. It features Shraddha Das, Madonna Sabastian and Aftab Shivdasani in key roles.  He  will also be seen in the Anup Bhandari-directed Phantom.

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News Network
January 24,2020

Paris, Jan 24: Rahul Mishra and Imane Ayissi made history on Thursday by becoming the first Indian and black African designers to show their clothes on the elite Paris haute couture catwalk.

Only a little more than a dozen of the world's most prestigious luxury labels -- including Dior, Chanel and Givenchy -- have a right to call their clothes haute couture.

All the clothes must be handmade -- and go on to sell for tens of thousands of euros (dollars) to some of the richest and most famous women in the world.

Mishra, an advocate of ethical "slow fashion" who blames mechanisation for much of the world's ills, said "it felt amazing and very surreal to be the first Indian to be chosen." "They see a great future for us -- which will make us push ourselves even harder," the 40-year-old told AFP after his debut show was cheered by fashionistas.

Both Mishra and Cameroon-born Ayissi, 51, are champions of traditional fabrics and techniques from their homelands and are famous for their classy lines.

Ayissi said his selection was "immense" both for Africa and himself.

"I am so proud that I can show my work and showcase real African fabrics and African heritage," he told AFP backstage as celebrities, including the chic head of Unesco, Audrey Azoulay, congratulated him.

Mishra broke through on the Paris ready-to-wear scene after winning the International Woolmark Prize in 2014, the top award that also launched the careers of such greats as Karl Lagerfeld and Yves Saint Laurent.

The purity of his often white creations with their detailed but understated embroidery has won him many fans, including Vogue's legendary critic Suzy Menkes.

The doyenne of fashion's front row called him an Indian "national treasure".

But this time, Mishra turned up the colour palette somewhat with dresses that subtly evoked the jungle paradises and pristine underwater world off the Maldives he worries that one day we might lose.

Appalled by the smoke and pollution that meant he had to keep his four-year-old daughter indoors in Delhi for nearly 20 days in November, Mishra said he imagined a "pure virginal and untamed planet... with ecosystems crafted out of embroidered flora and fauna".

"I am very emotional about it. Sometimes it makes me cry. All our children should be growing up in a better world," he added.

"When I take Aarna (his daughter) to the foothills of the Himalayas and the sky turns blue, she is so happy.

"Once, when she saw the River Ganges, she said: 'Can you please clean it for us so can go for a swim?'"

Mishra said he was reducing the quantity of clothes he was producing while at the same time increasing their quality, with humming birds, koalas and other animals hidden in the hundreds of hand worked embroidered leaves and flowers of his "jungle dresses".

The designer has won ethical and sustainability awards for his work supporting local crafts people in rural India.

"My objective is to create jobs which help people in their own villages," Mishra said.

"If villages are stronger, you will have a stronger country, a stronger nation, and a stronger world," he added.

Ayissi takes a similar stand, refusing to use wax prints popular in West Africa which he dismisses as "colonial".

Dutch mills flooded Africa with cotton printed with colourful patterns borrowed from Indonesian batik in the 19th century, and still dominate the market.

"When we talk about African fashion, it's always wax, which is a real pity," he told AFP, "because it's killing our own African heritage."

Ayissi, a former dancer who worked with singers such as Sting and Seal, told AFP he wanted to open up "a new path for Africa" and find an "alternative way of doing luxury fashion".

He has gone back to using prestigious local materials, like the strip fabric kente woven by the Akan people of Ghana and the Ivory Coast, which was originally worn only by nobles.

The son of an undefeated African boxing champ and a former Miss Cameroon, he also uses appliqued techniques from Benin and Ghana.

Haute couture shows only take place in Paris and the criteria to enter and remain in fashion's elite club are strictly enforced by French law.

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