'People used to tell me I don't look like Deepika Padukone or Katrina Kaif': Fatima Sana Shaikh

Agencies
March 25, 2019

Mumbai, Mar 25: She made a stunning debut with Dangal, but Fatima Sana Shaikh says getting a perfect launch pad was not a cakewalk as people told her she did not have the "looks" of a heroine like Deepika Padukone and Katrina Kaif.Fatima, who started her journey in the movies as a child actor with Kamal Haasan's 1997 film Chachi 420, says the rejections shifted her focus from waiting for a conventional lead role to searching for a good character.

"I have been a child actor. I quit but making a comeback after that was difficult. I was not getting any work. People used to tell me I don't look like Deepika Padukone or Katrina Kaif. They said, since I didn't have the looks of a heroine, I should do whatever I'm offered. There have been many incidents where I was told that I was not good enough," Fatima Sana Shaikh said in an interview.

The actor says her desire to perform in front of the camera was so strong that she did not pay heed to what people thought of her. "I only had acting on my mind. The reason why I used to go for every audition was because I would get to perform in front of the camera, even if the set-up was small."

The success of Aamir Khan-starrer Dangal, however, made things easier for Fatima as it gave her the option to choose. "Before 'Dangal', I never had the chance to choose my projects. I even did 'Dangal' because that was my only option at that time. Every actor goes through this. That's how things function. But I am happy that post the film and especially after 'Thugs of Hindostan', I have the space to choose," she says.

Citing an example of Rajkummar Rao, her co-star from Anurag Basu's upcoming anthology, the actor says there is no formula for success. "There is no single rule that applies to everyone. But now there are so many opportunities because of Netflix, Amazon and other platforms. Influx of different mediums has given actors a lot more options."

Fatima says even though her aim is to establish herself as a sought-after performer, she does not believe in planning "too much". "Where I want to reach it might take two or maybe six years. But I am happy that at least I'm on my way. Before 'Thugs...' I was a very competitive person I would keep a check on who is wearing what and what they were doing. But I realised everybody has a different fate and there is no point in following anyone's journey," she adds.

The actor says like every artiste in the showbiz, she craves for the love of the audience, but believes it is close to impossible to be a "superstar" in the current times. "The superstar era ended way back. After the 'Khans', I don't think we will ever have superstars. Now we all are accessible but earlier the stars were not. We could not search them on social media or follow their lives. We were able to connect with them through their films and interviews," she says.

Fatima adds the only way the actors of her generation could survive is by doing good work. "The moment we do good work, we get appreciation and when we don't things go the other way. Actors like Deepika have been in the industry for so long, but it is now that people have realised she is a very good actor because of her choices."

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News Network
February 12,2020

London, Feb 12: Oscar-winning British director Steve McQueen is returning to his art roots with a series of short films at London's Tate Modern art gallery, offering a sensory exploration of black identity.

McQueen, who became the first black director to win the best picture Academy Award in 2014 for "12 Years a Slave", is now based between London and Amsterdam and is focused on championing diversity in the film industry.

Visitors to his new exhibition will be greeted by "Static", a film of New York's Statue of Liberty, scrutinising the iconic symbol from every possible angle at very close range against a deafening backdrop of the helicopter from where the footage was filmed.

"What interests Steve is our view of the world, how humans are trying to represent Liberty," said Fiontan Moran, assistant curator of the exhibition.

"7th Nov, 2001" features a still shot of a body while McQueen's cousin Marcus tells of how he accidentally killed his brother, a particularly traumatic experience for the artist.

"Western Deep" is another visceral work, giving a sense through sights and sounds in an interactive installation of the experiences of miners in South Africa, following them to the bottom of the mine.

"Ashes", meanwhile, is a tribute to a young fisherman from Grenada, the island where McQueen's family originated.

The images of beauty and sweetness filmed from his boat are tragically reversed on the other side of the projection screen, which shows a grave commissioned by McQueen for the eponymous young fisherman, who was killed by drug traffickers.

African-American singer, actor and civil rights activist Paul Robeson (1898-1976) is honoured in "End Credits".

The film shows censored FBI documents detailing the agency's surveillance of Robeson, read by a voice-over artist, for five hours.

"He is... testing the limits of how people can be documented in an era of mass surveillance," said Moran.

In a similarly militant vein, the exhibition features the sculpture "Weight", which was first shown in the prison cell where the writer and playwright Oscar Wilde was imprisoned.

It depicts a golden mosquito net draped over a metal prison bed frame, addressing the theme of confinement and the power of the imagination to break free.

The show runs alongside an exhibition of McQueen's giant portraits of London school classes, many of which appeared on the streets of London last year.

"I remember my first school trip to Tate when I was an impressionable eight-year-old, which was really the moment I gained an understanding that anything is possible," said McQueen, adding it was "where in some ways my journey as an artist first began".

He recently told the Financial Times newspaper the difference between his art films and his feature films was that the former were poetry, the latter like a novel.

"Poetry is condensed, precise, fragmented," he said. "The novel is the yarn".

The exhibition opens on February 13 and runs until May 11.

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News Network
April 29,2020

Mumbai, Apr 29: Irrfan Khan, one of India's finest and most versatile actors, lost his battle with a rare form of cancer and died in a Mumbai hospital on Wednesday, a statement from his family said. He was 54

Irrfan, who was diagnosed with neuroendocrine tumour in 2018, is survived by his wife Sutapa and his sons Babil and Ayaan.

It is the second tragedy for the family in less than a week. The ?Maqbool? actor lost his mother, 95-year-old Saeeda Begum, in Jaipur just four days ago and could not attend the funeral because of the nationwide lockdown.

Irrfan, that rare actor who straddled multiple worlds, making his mark in both international and Indian cinema in roles intense and light-hearted, was admitted to the intensive care unit of the Kokilaben Dhirubhai Ambani Hospital with a colon infection

?It's saddening that this day, we have to bring forward the news of him passing away. Irrfan was a strong soul, someone who fought till the very end and always inspired everyone who came close to him. After having been struck by lightning in 2018 with the news of a rare cancer, he took life soon after as it came and he fought the many battles that came with it,? the statement from his family said

?Surrounded by his love, his family for whom he most cared about, he left for heavenly abode, leaving behind truly a legacy of his own. We all pray and hope that he is at peace. And to resonate and part with his words he had said, 'As if I was tasting life for the first time, the magical side of it',? it added.

The news of his death was first confirmed by his "Piku" director Shoojit Sircar who sent his condolences to the family and doffed his hat to the actor's fighting spirit

"My dear friend Irfaan. You fought and fought and fought. I will always be proud of you.. we shall meet again.. condolences to Sutapa and Babil.. you too fought, Sutapa you gave everything possible in this fight. Peace and Om shanti. Irfaan Khan salute," the director said on Twitter.

Irrfan's death came the morning after news that he had been admitted to the ICU with a colon infection.

The self-effacing National Award winner, who acted in films as diverse as ?Life of Pi?, ?The Namesake? and ?Haasil?, had stayed away from the public eye after his diagnosis in 2018 when he went to the UK for treatment.

He returned home in 2019 and shot for "Angrezi Medium", the sequel to his 2017 hit "Hindi Medium". However, his health condition prevented him from promoting the movie, which hit the theatres in March just before the lockdown that began on March 25.

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News Network
May 1,2020

May 1: Rubbishing reports of hospitalisation, veteran actor Naseeruddin Shah on Thursday said he was "fine" and at home observing the nationwide lockdown.

Shah, 69, in a Facebook post, thanked people for their concern and reassured them about his health.

"I thank all those enquiring after my health and reassure them I am fine," he said.

"I'm at home and observing the lockdown. Please don't believe any rumours," he added.

"A Wednesday" actor's younger son Vivaan Shah also dismissed rumours about his father's health.

"He's alright. These are just rumours," Vivaan said.

Reports about Shah's health started surfacing on social media as the industry was coming to terms with the deaths of Irrfan Khan and Rishi Kapoor.

Rishi Kapoor, aged 67, died on Thursday in a hospital here after a two year-long battle with lukaemia, while Irrfan, 54, passed away on Wednesday due to neuroendocrine tumour, a rare form of cancer.

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