Peter O'Toole, hellraising star of 'Lawrence of Arabia'

December 17, 2013

Peter_OTooleLondon, Dec 17: Famed for his blazing blue eyes and drunken escapades, Peter O'Toole was a giant of the screen and stage whose performance in "Lawrence of Arabia" is often hailed as one of the greatest of all time.

In a career spanning half a century, the Irish-born actor, who died on Saturday aged 81, lent his rich voice to the roles of kings and military heroes, as well as colourful hard-drinkers whose lives were rather closer to his own.

He had characteristically announced his retirement with typical cheerfulness in July 2012, saying it was time to "chuck in the sponge" at the age of 79.

"The heart for it has gone out of me: it won't come back," he said. "I bid the profession a dry-eyed and profoundly grateful farewell."

He had been forced to cut back dramatically on his drinking after a near-fatal illness in the 1970s resulted in the partial removal of his stomach and pancreas.

O'Toole was rising swiftly on the Shakespearean theatre scene when his big break arrived in David Lean's 1962 epic "Lawrence of Arabia".

The starring role, as gallant British army officer T.E. Lawrence, would win him the first of eight Oscar nominations.

"His voice had a crack like a whip," wrote his friend and later co-star Richard Burton. "Most important of all, you couldn't take your eyes off him."

Devastatingly handsome with his piercing eyes, fair hair and flowing Arab robes, O'Toole was apparently once told by the playwright Noel Coward: "If you had been any prettier, it would have been Florence of Arabia."

The son of an Irish bookmaker, O'Toole was born in 1932 and raised in northern England.

After working briefly as a journalist and a radioman for the Royal Navy he went to study at the prestigious Royal Academy of Dramatic Art, in a class that included future stars Albert Finney, Alan Bates and Richard Harris.

Few young actors could have had such an opportunity to shine as O'Toole was given in "Lawrence of Arabia", with its dramatic desert setting.

The next two Oscar nominations came as he played the role of England's king Henry II twice -- first in 1964's "Becket" opposite Burton, and then in "The Lion in Winter", co-starring Katherine Hepburn, in 1968.

Typical of new breed of hellraisers

Both O'Toole and Burton happily admitted that they were drunk for much of the shooting of "Becket", typical of the new breed of hell-raising Hollywood stars.

They were legendary for their wild nights with other booze-loving actors -- O'Toole maintained that he once went for a drink in Paris and woke up in Corsica.

In a memorable television appearance on the US talk show of host David Letterman he entered the stage, dishevelled but snappily-dressed, onboard a camel.

Dismounting, he slurred: "Excuse me, but my noble transport is a little thirsty," and gave the animal a can of beer.

"I do not regret one drop," O'Toole said of his drinking career in a 2007 interview with the Guardian newspaper.

"We were young people who'd been children throughout the war -- well, you can imagine what it felt like in 1945 to be free -- not to be bombed, not to be rationed, not to be restricted.

"There was a tremendous amount of enthusiasm. We weren't solitary, boring drinkers, sipping vodka alone in a room. No, no, no -- we went out on the town, baby, and we did our drinking in public!"

The late nights took their toll on his marriage. He had two daughters with Welsh actress Sian Phillips, but they divorced in 1979 after twenty turbulent years together. He had a son with model Karen Brown in 1983.

Despite having to cut back on his own drinking, O'Toole played alcoholics well, winning another Oscar nomination for his 1982 role as a washed-up actor in "My Favorite Year" and further acclaim as a drunken journalist in the stage and TV movie version of "Jeffrey Bernard is Unwell".

He made periodic returns to the stage and remains the holder of the most Oscar nominations without a win.

The Academy of Motion Picture Arts and Sciences gave him an honorary Oscar in 2003 although O'Toole famously almost refused the prize, insisting: "I am still in the game and might win the lovely bugger outright."

A final brush with Oscar glory came in 2006 for his portrayal of an elderly actor besotted with a young girl in "Venus".

He was planning to spend his retirement finishing a third volume of memoirs, covering the "meat" of his acting career.

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News Network
July 5,2020

Nalgonda,  Jul 5: Bollywood filmmaker Ram Gopal Varma has been booked in connection with his upcoming film 'Murder' which is based on Pranay Kumar's murder in Nalgonda district.

Ram Gopal Varma was booked following Nalgonda court's directive on a petition filed by father of a man who was killed in an alleged honour killing incident in Miryalaguda in 2018.

"We have booked filmmaker Ram Gopal Varma following a court order for his upcoming movie 'Murder', which is based on sensational caste-based Pranay Kumar's murder that occurred in Miryalguda, Nalgonda District in September 2018, " Police said.

On June 21, the filmmaker has released the poster of 'Murder', based on a true story.
Police said, "Pranay's father Balaswamy has filed a petition in Nalgonda Court stating that the film will affect the on-going trial of Pranay's murder case and the film should be stalled."

"We've registered a case under relevant section of SC/ST (Prevention of Atrocities) Amendment Act and taken up investigation."

"The court has ordered Nalgonda police to register a case against the film director Ram Gopal Varma and the producer," added the police.

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Agencies
August 4,2020

New Delhi, Aug 4: Almost two months after the demise of late Bollywood actor Sushant Singh Rajput, actor Preity Zinta on Tuesday watched his last film 'Dil Bechara' for the second time and said it was an 'emotional roller coaster'.

The 'Kal Ho Na Ho' actor shared a picture of one of the scenes from the film on Instagram and thanked film director Mukesh Chhabra for doing justice to the 'Kai Po Che!' actor's last film.

"Saw #Dilbechara again Thank you @castingchhabra for doing full justice to Sushant's last movie," she wrote in the caption.
"It was surreal, a tearjerker and an emotional roller coaster all the way," she added.

She also praised Sushant's co-actor Sanjana Sanghi for doing a "fab job" in the film which happens to be her debut flick.

"@sanjanasanghi96 U and the rest of the cast did a fab job. Congratulations to all of you. #Bittersweet #MissU," the 45-year-old actor further wrote.

Produced by Fox Star Studios, 'Dil Bechara' has been adapted from the famous John Green novel 'The Fault In Our Stars.'

Rajput was found dead at his Mumbai's Bandra residence on June 14.

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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