Peter O'Toole, hellraising star of 'Lawrence of Arabia'

December 17, 2013

Peter_OTooleLondon, Dec 17: Famed for his blazing blue eyes and drunken escapades, Peter O'Toole was a giant of the screen and stage whose performance in "Lawrence of Arabia" is often hailed as one of the greatest of all time.

In a career spanning half a century, the Irish-born actor, who died on Saturday aged 81, lent his rich voice to the roles of kings and military heroes, as well as colourful hard-drinkers whose lives were rather closer to his own.

He had characteristically announced his retirement with typical cheerfulness in July 2012, saying it was time to "chuck in the sponge" at the age of 79.

"The heart for it has gone out of me: it won't come back," he said. "I bid the profession a dry-eyed and profoundly grateful farewell."

He had been forced to cut back dramatically on his drinking after a near-fatal illness in the 1970s resulted in the partial removal of his stomach and pancreas.

O'Toole was rising swiftly on the Shakespearean theatre scene when his big break arrived in David Lean's 1962 epic "Lawrence of Arabia".

The starring role, as gallant British army officer T.E. Lawrence, would win him the first of eight Oscar nominations.

"His voice had a crack like a whip," wrote his friend and later co-star Richard Burton. "Most important of all, you couldn't take your eyes off him."

Devastatingly handsome with his piercing eyes, fair hair and flowing Arab robes, O'Toole was apparently once told by the playwright Noel Coward: "If you had been any prettier, it would have been Florence of Arabia."

The son of an Irish bookmaker, O'Toole was born in 1932 and raised in northern England.

After working briefly as a journalist and a radioman for the Royal Navy he went to study at the prestigious Royal Academy of Dramatic Art, in a class that included future stars Albert Finney, Alan Bates and Richard Harris.

Few young actors could have had such an opportunity to shine as O'Toole was given in "Lawrence of Arabia", with its dramatic desert setting.

The next two Oscar nominations came as he played the role of England's king Henry II twice -- first in 1964's "Becket" opposite Burton, and then in "The Lion in Winter", co-starring Katherine Hepburn, in 1968.

Typical of new breed of hellraisers

Both O'Toole and Burton happily admitted that they were drunk for much of the shooting of "Becket", typical of the new breed of hell-raising Hollywood stars.

They were legendary for their wild nights with other booze-loving actors -- O'Toole maintained that he once went for a drink in Paris and woke up in Corsica.

In a memorable television appearance on the US talk show of host David Letterman he entered the stage, dishevelled but snappily-dressed, onboard a camel.

Dismounting, he slurred: "Excuse me, but my noble transport is a little thirsty," and gave the animal a can of beer.

"I do not regret one drop," O'Toole said of his drinking career in a 2007 interview with the Guardian newspaper.

"We were young people who'd been children throughout the war -- well, you can imagine what it felt like in 1945 to be free -- not to be bombed, not to be rationed, not to be restricted.

"There was a tremendous amount of enthusiasm. We weren't solitary, boring drinkers, sipping vodka alone in a room. No, no, no -- we went out on the town, baby, and we did our drinking in public!"

The late nights took their toll on his marriage. He had two daughters with Welsh actress Sian Phillips, but they divorced in 1979 after twenty turbulent years together. He had a son with model Karen Brown in 1983.

Despite having to cut back on his own drinking, O'Toole played alcoholics well, winning another Oscar nomination for his 1982 role as a washed-up actor in "My Favorite Year" and further acclaim as a drunken journalist in the stage and TV movie version of "Jeffrey Bernard is Unwell".

He made periodic returns to the stage and remains the holder of the most Oscar nominations without a win.

The Academy of Motion Picture Arts and Sciences gave him an honorary Oscar in 2003 although O'Toole famously almost refused the prize, insisting: "I am still in the game and might win the lovely bugger outright."

A final brush with Oscar glory came in 2006 for his portrayal of an elderly actor besotted with a young girl in "Venus".

He was planning to spend his retirement finishing a third volume of memoirs, covering the "meat" of his acting career.

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News Network
July 9,2020

Mumbai, Jul 8: Veteran Actor-comedian Jagdeep, best known for his role as Soorma Bhopali in "Sholay", died on Wednesday at his residence. He was 81.

The actor, whose real name is Syed Ishtiaq Ahmed Jafri, was not keeping well. "He passed away at 8: 30 pm at his residence in Bandra. He was not keeping well due to age related issues," producer Mehmood Ali, a close family friend, told news agency.

Jagdeep appeared in around 400 films but it is his role as Soorma Bhopali in 1975 film "Sholay" that is etched in audiences' minds even today. He also played memorable roles in "Purana Mandir" and in "Andaz Apna Apna" as Salman Khan's father.

Better known by his stage name Jagdeep, the actor also directed the movie "Soorma Bhopali" with his character as the protagonist. He is survived by two sons - Javed and Naved.

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News Network
January 23,2020

Mumbai, Jan 23: Actor Tiger Shroff is set to share the screen with his father and veteran actor Jackie Shroff for the first time in "Baaghi 3", the makers announced on Thursday.In the third installment of action-drama, directed by Ahmed Khan, Jackie will play the on-screen father of Tiger and his co-star Riteish Deshmukh's characters.

In a cameo appearance, the 62-year-old actor will essay the role of a police inspector in "Baaghi 3", producer Sajid Nadiadwala said.

"Everyone has been waiting to see Tiger team up with his 'Hero' father Jackie since we launched him. There have been plenty of speculations and no one has been able to bring them together in the last six years as the duo was categorical they would only share the screen when a film and role merited their presence.

"Ahmed and I feel the story line required Jackie to be a part of them film and I believe our visions matched to understand how it's a pivotal role in the film," Nadiadwala said in a statement.

The producer said having Jackie on board will add to the film's expectations.

"... I am confident no one will be disappointed by this double dose of Shroffs and will stand as a strong USP," Nadiadwala added.

Jackie started shooting for the film on Wednesday.

Also starring Shraddha Kapoor and Ankita Lokhande, "Baagi 3" is scheduled to be released on March 6.

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News Network
June 16,2020

Mumbai, Jun 16: Filmmaker Dibakar Banerjee remembers Sushant Singh Rajput as a dance loving 'chhokra' from an engineering college who, having made it in Bollywood, was “enthused, sincere and totally focused” on his craft.

Banerjeee said the actor always had “a book or two” with him and took pride in the fact that he had an “inner intellectual life away from the shallower aspects of showbiz”.

Rajput was found dead in his Bandra apartment on Sunday at the age of 34, leaving his friends, colleagues and collaborators in a state of shock.

The Patna-born actor and the director worked together in 2015 film "Detective Byomkesh Bakshy!" when Rajput was a relative newcomer in the industry. Banerjee says it was Rajput's vulnerability and willingness to do different that made him stand out for the role.

In an interview with news agency, the filmmaker looks back at Rajput's sincerity, his love for science and astronomy and how an outsider has to work harder than a "mediocre, unmotivated and entitled establishment elite" to succeed in Bollywood.

Excerpts:

You worked with Sushant when he was less than two-year-old in the film industry. What struck you the most in him to cast as Detective Byomkesh Bakshy?

Banerjee: His vulnerability and intensity and the ambition to do different things than the usual Bollywood stuff.

What were your memories of Sushant- the actor and the person?

Banerjee: As an actor he would tense himself up for the scene and then completely plunge in take after take. He would put a lot of value on preparation. He would be up the previous night of the shoot, reading the scene and making notes and land up on the sets all raring to go.

He would be on, ready and give his hundred per cent throughout the shoot of Byomkesh - no matter how hard or long the day. The unit did not really have to worry about him - considering he was the star. That's what I remember - a total pro, enthused, sincere and totally focused.

As a person, he seemed to me a happy dance loving 'chhokra' from an engineering college who had made it in showbiz and now was serious about acting. He was deeply nostalgic about his carefree student days in Delhi. We used to laugh a lot - I remember that quite clearly.

Sushant's friends say that he spoke more about books and his love for astronomy than films and their fate, which is rare for an actor in the industry. Do you also remember him that way?

Banerjee: Totally true. He was a science and astronomy nut. Always had a book or two with him - and was proud of the fact that he had an inner intellectual life away from the shallower aspects of showbiz. I recognized it as a reflex, protective action to prevent the Bollywood swamp sucking him in totally. And also an identity he wanted to protect and project.

Sushant's death has brought to the fore the struggles of outsiders and the alienation they often face from the nepotistic culture of the industry. Did you feel that Sushant was also fighting this battle despite being a successful actor?

Banerjee: We all fight it, day in and out - whether successful or failing. But the trick is to define that success and failure ourselves and not let the narrative constantly forced by the establishment to get to you. Those who know this weather the storm and ultimately survive and thrive.

The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite.

The media colludes in this by wallowing in family, coterie and celebrity worship. This leads to deep anger and frustration. Those who can let this slide survive. Those who can't - those who hurt a little more or are vulnerable and impressionable - they are at risk.

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