In Quantico, Bollywood's Priyanka Chopra Seeks an American Foothold

September 20, 2015

Montreal, Sep 20: The golden hour on this late September afternoon was anything but. The air was hot and hazy, the sky the colour of the industrial concrete buildings doubling as the set of the FBI Academy.

QuanticoThen Priyanka Chopra sauntered out of her trailer, a vision in mirrored shades and towering gold stilettos. And suddenly, as if by divine intervention, setting sunbeams pierced through the clouds.

"The sun opened up, right?" she said with a squeal and a kick. "I said" - she crooked a finger toward the sky - "'Come to me.'"

That the sun should oblige this Bollywood actress might not seem unreasonable to her fans in India, where she is one of that nation's highest-profile celebrities. But in North America, she remains a virtual unknown outside South Asian communities. Now Priyanka, 33, is banking on television to help her crack Hollywood.

"After being in movies for 13 years in India, I'm suddenly a debutante all over again," she said. "I'm scared and nervous - petrified, actually."

In ABC's new drama Quantico," which debuts September 27, Priyanka plays Alex Parrish, a half-Indian, half-white FBI trainee suspected of masterminding the biggest attack on New York since September 11. The series, which has been described as Homeland meets Grey's Anatomy (with a bit of How to Get Away With Murder," because of its many flashbacks), places Priyanka front and centre in an ethnically varied cast.

It's part of ABC's continued drive to promote diversity on screen through casting and outreach efforts. In 2012 Priyanka and her manager, Anjula Acharia-Bath, met Keli Lee, executive vice president for talent and casting for ABC Entertainment Group, at a dinner party. As Lee named some of the actors she'd helped place through the company's diversity efforts - Sofia Vergara in Modern Family, Sandra Oh in Grey's Anatomy and Kerry Washington in Scandal - Acharia-Bath remarked, "Well, you haven't done a South Asian yet, and we're one-fifth of the population." Afterward, she sent Lee some of her's movies, and the next thing she knew, a deal was in the making.

"I flew to India to convince Priyanka to work at ABC," Lee wrote in an email. "I wasn't going to let distance be a barrier to making a deal." The one-year commitment required ABC either to develop a project for Chopra or cast her in an existing project. She ultimately read 26 scripts; Quantico was her favourite. (Also Read: Priyanka Chopra Tweets Eight-Minute Preview of Quantico)

Her audition for the role was her first - ever - and Joshua Safran, the show's creator, wasn't sure what character Priyanka intended to read for when she arrived wearing a designer dress and carrying a designer handbag. "She walked in the room, and it was like the molecules shifted in that way that superstars have," he recalled. "I was very confused because I didn't know who she was, but we all sat up straighter."

"Ah, I love that, when it happens at hello," she said, giggling at the anecdote. "I make sure my walk is a good entrance. My heels and my hair."

Mr Safran had imagined a protagonist hardened by tragedy and aloof. He hadn't quite envisioned Alex as a bombshell.

"One of the things we talked about was, 'Is she so glamorous that she can't play this regular person?'" said Mark Gordon, one of the show's executive producers. "What we quickly came to realize is that she's a huge star internationally, but she's actually quite regular. She's very accessible both to women and to men, and that's especially important at ABC, where a large percentage of the audience is women."

Off screen Priyanka is somehow unthreatening despite an entourage of assistants and stylists. There are 22 people on "Team PC": 11 in Mumbai, India, where she owns a home and is a ubiquitous presence on the city's billboards, and 11 in North America, where a recent pool party at her rental house here gave rise to a spontaneous Bollywoodesque water ballet to Major Lazer's Lean On.

The child of an Indian army doctor and a gynaecologist, Priyanka moved with her parents every two years until 12, when she decided to live with an aunt in the United States, bouncing among Cedar Rapids, Iowa, New York and Newton, Massachusetts.

A dutiful daughter, she planned to become an engineer. Returning to Bareilly, India, the end of her junior year, she was studying for her university boards when her mother, pleased by her swanlike transformation, sent photos to the Miss India pageant. She won that title and six months later, at 17, was crowned Miss World 2000 - after which her mother wailed, "Who's going to study now?"

In 2002, Chopra entered the realm of Bollywood, a term she dislikes for its dismissiveness. "Hindi movies are an amalgamation of culture, of emotions, of drama, of music, of dance - which is why Hindi movies are an experience," she said. "We make about a thousand movies a year and are expanding into markets in Japan and Germany and Russia. We premiere our movies at the Berlinale and Cannes. It's an amazing time."

Priyanka has made nearly 50 movies, winning a National Film Award (the Indian equivalent of an Oscar) for her portrayal of a small-town girl turned supermodel in Fashion and lesser prizes for her turn as a 19-year-old autistic woman in Barfi!

That role, for which she had to prove to the director that she could believably subvert her innate allure, is among those of which she's proudest. "The most challenging thing in India is for her to come out of her glamour zone," said Irrfan Khan, an occasional co-star and the Indian actor with perhaps the most familiarity in America, with films like The Amazing Spider-Man and Jurassic World.

"Hindi commercial cinema tries to incorporate a beautiful girl in the same roles over and over, but if you're smart enough you learn to expose your personality. She understands her persona and keeps experimenting in different genres."

When asked where home is these days, Priyanka replied, "On a plane," noting she'd spent Labour Day weekend filming in India and would briefly return in October. "I just want to go where my work takes me."

But for the moment, she's hoping it's in the United States. "I simply want the opportunity to show people what I bring with me. They might like it, they might hate it. I don't know. I just hope that people are inquisitive."

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News Network
June 16,2020

Mumbai, Jun 16: Filmmaker Dibakar Banerjee remembers Sushant Singh Rajput as a dance loving 'chhokra' from an engineering college who, having made it in Bollywood, was “enthused, sincere and totally focused” on his craft.

Banerjeee said the actor always had “a book or two” with him and took pride in the fact that he had an “inner intellectual life away from the shallower aspects of showbiz”.

Rajput was found dead in his Bandra apartment on Sunday at the age of 34, leaving his friends, colleagues and collaborators in a state of shock.

The Patna-born actor and the director worked together in 2015 film "Detective Byomkesh Bakshy!" when Rajput was a relative newcomer in the industry. Banerjee says it was Rajput's vulnerability and willingness to do different that made him stand out for the role.

In an interview with news agency, the filmmaker looks back at Rajput's sincerity, his love for science and astronomy and how an outsider has to work harder than a "mediocre, unmotivated and entitled establishment elite" to succeed in Bollywood.

Excerpts:

You worked with Sushant when he was less than two-year-old in the film industry. What struck you the most in him to cast as Detective Byomkesh Bakshy?

Banerjee: His vulnerability and intensity and the ambition to do different things than the usual Bollywood stuff.

What were your memories of Sushant- the actor and the person?

Banerjee: As an actor he would tense himself up for the scene and then completely plunge in take after take. He would put a lot of value on preparation. He would be up the previous night of the shoot, reading the scene and making notes and land up on the sets all raring to go.

He would be on, ready and give his hundred per cent throughout the shoot of Byomkesh - no matter how hard or long the day. The unit did not really have to worry about him - considering he was the star. That's what I remember - a total pro, enthused, sincere and totally focused.

As a person, he seemed to me a happy dance loving 'chhokra' from an engineering college who had made it in showbiz and now was serious about acting. He was deeply nostalgic about his carefree student days in Delhi. We used to laugh a lot - I remember that quite clearly.

Sushant's friends say that he spoke more about books and his love for astronomy than films and their fate, which is rare for an actor in the industry. Do you also remember him that way?

Banerjee: Totally true. He was a science and astronomy nut. Always had a book or two with him - and was proud of the fact that he had an inner intellectual life away from the shallower aspects of showbiz. I recognized it as a reflex, protective action to prevent the Bollywood swamp sucking him in totally. And also an identity he wanted to protect and project.

Sushant's death has brought to the fore the struggles of outsiders and the alienation they often face from the nepotistic culture of the industry. Did you feel that Sushant was also fighting this battle despite being a successful actor?

Banerjee: We all fight it, day in and out - whether successful or failing. But the trick is to define that success and failure ourselves and not let the narrative constantly forced by the establishment to get to you. Those who know this weather the storm and ultimately survive and thrive.

The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite.

The media colludes in this by wallowing in family, coterie and celebrity worship. This leads to deep anger and frustration. Those who can let this slide survive. Those who can't - those who hurt a little more or are vulnerable and impressionable - they are at risk.

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News Network
January 10,2020

Mumbai, Jan 10: Superstar Salman Khan on Friday announced that his Eid 2021 release will be titled "Kabhi Eid Kabhi Diwali".

The 54-year-old actor took to Twitter to announce the movie which will be written and produced by filmmaker Sajid Nadiadwala.

"Housefull 4" helmer Farhad Samjhi will be directing the film.

"Announcing my next film... 'Kabhi Eid Kabhi Diwali'. Story and produced by Sajid Nadiadwala. Directed by Farhad Samji. Eid 2021," Salman tweeted.

The actor, whose last release "Dabangg 3" performed moderately at the box office, will next be seen in Prabhudheva's "Radhe". The film will hit the theatres on Eid this year.

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News Network
July 5,2020

Nalgonda,  Jul 5: Bollywood filmmaker Ram Gopal Varma has been booked in connection with his upcoming film 'Murder' which is based on Pranay Kumar's murder in Nalgonda district.

Ram Gopal Varma was booked following Nalgonda court's directive on a petition filed by father of a man who was killed in an alleged honour killing incident in Miryalaguda in 2018.

"We have booked filmmaker Ram Gopal Varma following a court order for his upcoming movie 'Murder', which is based on sensational caste-based Pranay Kumar's murder that occurred in Miryalguda, Nalgonda District in September 2018, " Police said.

On June 21, the filmmaker has released the poster of 'Murder', based on a true story.
Police said, "Pranay's father Balaswamy has filed a petition in Nalgonda Court stating that the film will affect the on-going trial of Pranay's murder case and the film should be stalled."

"We've registered a case under relevant section of SC/ST (Prevention of Atrocities) Amendment Act and taken up investigation."

"The court has ordered Nalgonda police to register a case against the film director Ram Gopal Varma and the producer," added the police.

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