Rape rows risk taking sheen off Venice film festival

Agencies
August 19, 2019

Venice, Aug 19: The star-studded Venice film festival opens on Wednesday with a row raging about the inclusion of controversial directors Roman Polanski and Nate Parker.

With only two women directors out of 21 in the running for its Golden Lion top prize, campaigners have lashed the festival -- now the launchpad for the Oscars.

Director Alberto Barbera said last year that he would rather quit the 11-day event -- where three of the last five Oscar best picture winners were premiered -- than give in to pressure for quotas.

But feminist critics have only upped their attacks, accusing the festival of "almost comically scant levels of self-awareness".

"1 rapist. 2 women directors in competition at Venice. What else am I missing?" tweeted Women and Hollywood founder Melissa Silverstein, referring to Polanski's conviction for the statutory rape of a 13-year-old in 1978.

She was equally scathing about the late addition of US director Parker's film "American Skin" to a sidebar section.

"Good job Venice," she tweeted caustically, adding a reference to a rape trial the actor-turned-director was embroiled in while still at university.

Parker's 2016 debut film about a slave revolt, "The Birth of a Nation", was derailed after it emerged that he was accused of raping a fellow student, who later killed herself.

Although Parker was acquitted, he later admitted that when "I look back on that time as a teenager and can say without hesitation that I should have used more wisdom".

Fellow black American director Spike Lee has vowed to travel to Venice to support "brave" Parker.

"I haven't been affected by a film like this... in a long, long time," he said in a statement about the movie in which a Marine veteran whose son is killed by the police takes justice into his own hands.

But it is the premiere of 85-year-old Polanski's historical thriller about the persecution of the French Jewish army officer Alfred Dreyfus, "An Officer and a Spy", which is likely to make most headlines.

With Polanski suing the Academy of Motion Pictures for stripping him of his membership, Screen Daily's chief critic Fionnuala Halligan was withering about his selection.

She imagined festival director "Barbera, wandering the Lido hopelessly, singing the same mournful refrain... he can't find a female film director.

"So this year he's going to programme the new film by (a) convicted child rapist."

The message was "crystal clear", she added: "You don't cut it, ladies."

Halligan wrote such "gender imbalance... shouldn't be acceptable and Polanski is just like rubbing salt into that."

She also deplored the decision to add the director's cut of French director Gasper Noe's controversial 2002 rape shocker "Irreversible" to the line-up.

"Time to turn over," she argued.

Barbera defended his selections insisting that "numerous films this year deal with the theme of the feminine condition in the world which, even when directed by men, reveal a new sensitivity".

He said this was "proof that the scandals of recent years have left their mark on our culture".

The rows threaten to take some of the sheen off a staggeringly starry selection that features Brad Pitt, Johnny Depp, Kristen Stewart, Meryl Streep, Scarlett Johansson, and Mick Jagger.

Adam Driver, Penelope Cruz, and Robert De Niro are also due on the red carpet where the curtain will also come up on the new DC Comics blockbuster, "The Joker".

Trailers for the film starring Joaquin Phoenix, which traces the origins of Batman's nemesis, have already been viewed more than 80 million times.

Steven Soderbergh's take on the Panama Papers investigation, "The Laundromat", will also be premiered while Pitt plays an astronaut in James Gray's highly-anticipated sci-fi drama.

Japan's Hirokazu Kore-eda -- who won the best film at Cannes last year with "Shoplifters" -- opens the festival Wednesday with his French-set family story, "The Truth", starring Catherine Deneuve, Juliette Binoche, and Ethan Hawke.

The two female directors vying for the top prize are Saudi Arabia's Haifaa al-Mansour, the maker of the acclaimed "Wadjda", with "The Perfect Candidate", and the Australian comedy "Babyteeth" by newcomer Shannon Murphy.

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News Network
January 23,2020

Jan 23: Calling himself an optimist who believes in the goodness of people, director Kabir Khan says everything these days is being looked at through the prism of religion but India is about more than that.

The director of blockbusters such as Bajrangi Bhaijaan and Ek Tha Tiger said he is happy he has a platform as a filmmaker to present a counterpoint to the prevailing narrative based on religious fault lines.

"I’m an optimist who believes in the goodness of the people. But yes, there is a certain level of bigotry that has crept in. Everything is being looked at through the prism of religion but India is not about that.

"It sounds like a cliché but when I was growing up, I was not aware of my religion. That was the greatness of this country,” Kabir told news agency.

He said he is a product of a mixed marriage and is pained to see the social fabric being tattered.

“I have celebrated the best that Indian secularism has to offer. But to see the greatness of this country being simplified and broken down into religious fault lines is a painful experience,” he added.

According to Kabir, it is dangerous to see history through the prism of religion, whether in cinema or society. But it is important to revisit history to know what happened and one can always find something that is relevant for the present, he said.

The director, who started as a documentary filmmaker, returns to his roots for a five-episode series on Subhas Chandra Bose's Indian National Army, The Forgotten Army: Azaadi Ke Liye, on Amazon Prime, his most expensive project yet.

Asked whether this is a difficult time for filmmakers, Kabir said he believes art thrives in the time of strife and, as a storyteller, his politics will always reflect in his work.

“Every film has its politics and every filmmaker has to reflect his or her politics. Every film of mine will reflect my politics and it will never change according to the popular mood of the audience. But a film should not be just about that. Politics should be in the layers beneath," he said.

He terms his 2015 Salman Khan-starrer Bajrangi Bhaijaan an "extremely political" film. At face value, it can also be enjoyed as the story of a mute Pakistani girl who drifts into India and is taken back to her homeland by a Hanuman devotee. But there is so much more. The "chicken song", for instance, was a sly reference to the beef ban controversy at the time, he said.

"I won’t say it is a difficult time for me as a filmmaker. It is good that I have a platform where I can talk and present a counterpoint and I refuse to believe that the entire country believes the narrative that is being sent out. There are millions and millions of people, and perhaps the majority, that does not believe. And if I present the counterpoint, they will think about it.”

Discussing his new series, the director said it has always fascinated him that the sacrifice of the men and women who comprised the INA is just a forgotten footnote in history.

“I wanted to make something that stands the test of time. It goes down in posterity,” Khan, who first explored the subject in a Doordarshan documentary 20 years ago, said.

For the documentary, he traveled with former INA officers Captain Lakshmi Sahgal and Captain Gurbaksh Singh Dhillon from Singapore to India via erstwhile Burma, retracing the route that the INA followed.

“The documentary got me a lot of attention and acclaim but the story just never left me. It's actually the first script I ever wrote and I landed up with that script in Bombay from Delhi. I realised very soon that nobody's going to give me a budget of this size to make my first film.

"And then after every film, I would pick up the script and say, ‘Okay, this is the one I want to make’, because this is the story that made me want to become a filmmaker. On the way, I ended up making eight other films but this is really the story that I wanted to make,” he said.

Kabir is happy that the story has come out as a series, not a film, as it would have required to compromise with the budget and other elements.

"Without giving any numbers, this is the most expensive project I have ever worked on… It required that kind of budget."

Kabir believes the INA was responsible for bringing down the morale of the British establishment, which realised it would be impossible to keep the country colonised without the support of the local army.

"There are a lot of debates and discussions about what happened with the INA and the controversies around it. The whole point is that, if you want to judge what the Army did, sure that's your prerogative, but at least get to know what they did. Nobody knows what happened with the Army from 1942 to 1945."

He added that 55,000 men and women of the INA fought for independence and 47,000 of them died.

"Not a single person from that Army was ever taken back into the independent Army, which is such an amazing fact... the fact that the British called them traitors became the narrative and we also started assuming that they were traitors."

"They were the only women's regiment in the whole world 70 years ago. That's what they thought about women's importance in society. I don't know whether they will be happy with what the current situation is," he said.

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News Network
July 25,2020

Bhubaneswar, Jul 25: The COVID-19 pandemic has hit many people hard, and the latest victim of the pandemic is Bollywood actor Kartika Sahoo from Odisha. With the entertainment industry almost non-functional and most productions on hold, the actor is forced to sell vegetables for a living.

Sahoo, who hails from the from Garadpur block of the Kendrapada district in Odisha, said that he went to Mumbai to try his luck in Bollywood at the age of 17. For many years he worked as a bodyguard to film stars and cricketers such as Amitabh Bachchan and Sachin Tendulkar, among others.

Lady luck shone on him in 2018, and he landed noticeable roles in the action sequences of many movies, he said while speaking with news agency. He also has a fight sequence with Akshay Kumar in his upcoming film 'Sooryavanshi'.

Just before the nationwide lockdown which started on March 22, Sahoo had returned home to Odisha after shooting a fight sequence in Jaipur. Since then, with no work, the actor has been living off his savings to sustain his family. But, after four months of no work, and a medical emergency, a major part of his savings was drained.

To find work, he moved to state capital Bhubaneswar, but to no avail. In the end, Sahoo had to resort to selling vegetables in Rasulgad there.

Sahoo is still hopeful and said that he'll again try his luck in Bollywood once the situation is back to normal, till then he'll struggle, like others, for survival.

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News Network
April 29,2020

Mumbai, Apr 29: Irrfan Khan, one of India's finest and most versatile actors, lost his battle with a rare form of cancer and died in a Mumbai hospital on Wednesday, a statement from his family said. He was 54

Irrfan, who was diagnosed with neuroendocrine tumour in 2018, is survived by his wife Sutapa and his sons Babil and Ayaan.

It is the second tragedy for the family in less than a week. The ?Maqbool? actor lost his mother, 95-year-old Saeeda Begum, in Jaipur just four days ago and could not attend the funeral because of the nationwide lockdown.

Irrfan, that rare actor who straddled multiple worlds, making his mark in both international and Indian cinema in roles intense and light-hearted, was admitted to the intensive care unit of the Kokilaben Dhirubhai Ambani Hospital with a colon infection

?It's saddening that this day, we have to bring forward the news of him passing away. Irrfan was a strong soul, someone who fought till the very end and always inspired everyone who came close to him. After having been struck by lightning in 2018 with the news of a rare cancer, he took life soon after as it came and he fought the many battles that came with it,? the statement from his family said

?Surrounded by his love, his family for whom he most cared about, he left for heavenly abode, leaving behind truly a legacy of his own. We all pray and hope that he is at peace. And to resonate and part with his words he had said, 'As if I was tasting life for the first time, the magical side of it',? it added.

The news of his death was first confirmed by his "Piku" director Shoojit Sircar who sent his condolences to the family and doffed his hat to the actor's fighting spirit

"My dear friend Irfaan. You fought and fought and fought. I will always be proud of you.. we shall meet again.. condolences to Sutapa and Babil.. you too fought, Sutapa you gave everything possible in this fight. Peace and Om shanti. Irfaan Khan salute," the director said on Twitter.

Irrfan's death came the morning after news that he had been admitted to the ICU with a colon infection.

The self-effacing National Award winner, who acted in films as diverse as ?Life of Pi?, ?The Namesake? and ?Haasil?, had stayed away from the public eye after his diagnosis in 2018 when he went to the UK for treatment.

He returned home in 2019 and shot for "Angrezi Medium", the sequel to his 2017 hit "Hindi Medium". However, his health condition prevented him from promoting the movie, which hit the theatres in March just before the lockdown that began on March 25.

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