Rape rows risk taking sheen off Venice film festival

Agencies
August 19, 2019

Venice, Aug 19: The star-studded Venice film festival opens on Wednesday with a row raging about the inclusion of controversial directors Roman Polanski and Nate Parker.

With only two women directors out of 21 in the running for its Golden Lion top prize, campaigners have lashed the festival -- now the launchpad for the Oscars.

Director Alberto Barbera said last year that he would rather quit the 11-day event -- where three of the last five Oscar best picture winners were premiered -- than give in to pressure for quotas.

But feminist critics have only upped their attacks, accusing the festival of "almost comically scant levels of self-awareness".

"1 rapist. 2 women directors in competition at Venice. What else am I missing?" tweeted Women and Hollywood founder Melissa Silverstein, referring to Polanski's conviction for the statutory rape of a 13-year-old in 1978.

She was equally scathing about the late addition of US director Parker's film "American Skin" to a sidebar section.

"Good job Venice," she tweeted caustically, adding a reference to a rape trial the actor-turned-director was embroiled in while still at university.

Parker's 2016 debut film about a slave revolt, "The Birth of a Nation", was derailed after it emerged that he was accused of raping a fellow student, who later killed herself.

Although Parker was acquitted, he later admitted that when "I look back on that time as a teenager and can say without hesitation that I should have used more wisdom".

Fellow black American director Spike Lee has vowed to travel to Venice to support "brave" Parker.

"I haven't been affected by a film like this... in a long, long time," he said in a statement about the movie in which a Marine veteran whose son is killed by the police takes justice into his own hands.

But it is the premiere of 85-year-old Polanski's historical thriller about the persecution of the French Jewish army officer Alfred Dreyfus, "An Officer and a Spy", which is likely to make most headlines.

With Polanski suing the Academy of Motion Pictures for stripping him of his membership, Screen Daily's chief critic Fionnuala Halligan was withering about his selection.

She imagined festival director "Barbera, wandering the Lido hopelessly, singing the same mournful refrain... he can't find a female film director.

"So this year he's going to programme the new film by (a) convicted child rapist."

The message was "crystal clear", she added: "You don't cut it, ladies."

Halligan wrote such "gender imbalance... shouldn't be acceptable and Polanski is just like rubbing salt into that."

She also deplored the decision to add the director's cut of French director Gasper Noe's controversial 2002 rape shocker "Irreversible" to the line-up.

"Time to turn over," she argued.

Barbera defended his selections insisting that "numerous films this year deal with the theme of the feminine condition in the world which, even when directed by men, reveal a new sensitivity".

He said this was "proof that the scandals of recent years have left their mark on our culture".

The rows threaten to take some of the sheen off a staggeringly starry selection that features Brad Pitt, Johnny Depp, Kristen Stewart, Meryl Streep, Scarlett Johansson, and Mick Jagger.

Adam Driver, Penelope Cruz, and Robert De Niro are also due on the red carpet where the curtain will also come up on the new DC Comics blockbuster, "The Joker".

Trailers for the film starring Joaquin Phoenix, which traces the origins of Batman's nemesis, have already been viewed more than 80 million times.

Steven Soderbergh's take on the Panama Papers investigation, "The Laundromat", will also be premiered while Pitt plays an astronaut in James Gray's highly-anticipated sci-fi drama.

Japan's Hirokazu Kore-eda -- who won the best film at Cannes last year with "Shoplifters" -- opens the festival Wednesday with his French-set family story, "The Truth", starring Catherine Deneuve, Juliette Binoche, and Ethan Hawke.

The two female directors vying for the top prize are Saudi Arabia's Haifaa al-Mansour, the maker of the acclaimed "Wadjda", with "The Perfect Candidate", and the Australian comedy "Babyteeth" by newcomer Shannon Murphy.

Comments

Add new comment

  • Coastaldigest.com reserves the right to delete or block any comments.
  • Coastaldigset.com is not responsible for its readers’ comments.
  • Comments that are abusive, incendiary or irrelevant are strictly prohibited.
  • Please use a genuine email ID and provide your name to avoid reject.
News Network
July 18,2020

Mumbai, Jul 18: Actor Aishwarya Rai Bachchan and daughter Aaradhya Bachchan on Friday were shifted to a city hospital, almost a week after they were tested positive for COVID-19. Aishwarya, 46 and eight-year-old Aaradhya were diagnosed with coronavirus on Sunday, a day after the actor’s father-in-law, megastar Amitabh Bachchan, and husband Abhishek Bachchan tested positive for the COVID-19.

The mother-daughter duo was self-quarantining at home till now.

“Both Aishwarya and Aaradhya were admitted to Nanavati hospital today. They are fine,” hospital source said.

Aishwarya needed medical attention, another insider said.

Amitabh, 77, and Abhishek, 44, both are already in the isolation ward of Nanavati hospital.

Since his diagnosis, Amitabh has been regularly updating his admires about his health on social media.

“In happy times, in times of illness, you our near and dear, our well wishers, our fans have ever given us unstinting love , affection care and prayer .. we express our bountiful gracious gratitude to you all .. in these circumstances hospital protocol, restrictive,” the screen icon tweeted on Friday evening.

According to Brihanmumbai Municipal Corporation (BMC), coronavirus cases in Mumbai rose to 98,979 with 1,228 new patients being reported on Friday.

Death toll due to the pandemic rose to 5,582 with 62 new fatalities being recorded.

Comments

Add new comment

  • Coastaldigest.com reserves the right to delete or block any comments.
  • Coastaldigset.com is not responsible for its readers’ comments.
  • Comments that are abusive, incendiary or irrelevant are strictly prohibited.
  • Please use a genuine email ID and provide your name to avoid reject.
News Network
June 16,2020

Mumbai, Jun 16: Filmmaker Dibakar Banerjee remembers Sushant Singh Rajput as a dance loving 'chhokra' from an engineering college who, having made it in Bollywood, was “enthused, sincere and totally focused” on his craft.

Banerjeee said the actor always had “a book or two” with him and took pride in the fact that he had an “inner intellectual life away from the shallower aspects of showbiz”.

Rajput was found dead in his Bandra apartment on Sunday at the age of 34, leaving his friends, colleagues and collaborators in a state of shock.

The Patna-born actor and the director worked together in 2015 film "Detective Byomkesh Bakshy!" when Rajput was a relative newcomer in the industry. Banerjee says it was Rajput's vulnerability and willingness to do different that made him stand out for the role.

In an interview with news agency, the filmmaker looks back at Rajput's sincerity, his love for science and astronomy and how an outsider has to work harder than a "mediocre, unmotivated and entitled establishment elite" to succeed in Bollywood.

Excerpts:

You worked with Sushant when he was less than two-year-old in the film industry. What struck you the most in him to cast as Detective Byomkesh Bakshy?

Banerjee: His vulnerability and intensity and the ambition to do different things than the usual Bollywood stuff.

What were your memories of Sushant- the actor and the person?

Banerjee: As an actor he would tense himself up for the scene and then completely plunge in take after take. He would put a lot of value on preparation. He would be up the previous night of the shoot, reading the scene and making notes and land up on the sets all raring to go.

He would be on, ready and give his hundred per cent throughout the shoot of Byomkesh - no matter how hard or long the day. The unit did not really have to worry about him - considering he was the star. That's what I remember - a total pro, enthused, sincere and totally focused.

As a person, he seemed to me a happy dance loving 'chhokra' from an engineering college who had made it in showbiz and now was serious about acting. He was deeply nostalgic about his carefree student days in Delhi. We used to laugh a lot - I remember that quite clearly.

Sushant's friends say that he spoke more about books and his love for astronomy than films and their fate, which is rare for an actor in the industry. Do you also remember him that way?

Banerjee: Totally true. He was a science and astronomy nut. Always had a book or two with him - and was proud of the fact that he had an inner intellectual life away from the shallower aspects of showbiz. I recognized it as a reflex, protective action to prevent the Bollywood swamp sucking him in totally. And also an identity he wanted to protect and project.

Sushant's death has brought to the fore the struggles of outsiders and the alienation they often face from the nepotistic culture of the industry. Did you feel that Sushant was also fighting this battle despite being a successful actor?

Banerjee: We all fight it, day in and out - whether successful or failing. But the trick is to define that success and failure ourselves and not let the narrative constantly forced by the establishment to get to you. Those who know this weather the storm and ultimately survive and thrive.

The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite.

The media colludes in this by wallowing in family, coterie and celebrity worship. This leads to deep anger and frustration. Those who can let this slide survive. Those who can't - those who hurt a little more or are vulnerable and impressionable - they are at risk.

Comments

Add new comment

  • Coastaldigest.com reserves the right to delete or block any comments.
  • Coastaldigset.com is not responsible for its readers’ comments.
  • Comments that are abusive, incendiary or irrelevant are strictly prohibited.
  • Please use a genuine email ID and provide your name to avoid reject.
News Network
April 6,2020

New Delhi, Apr 6:  In an attempt to pump up Indians with positivity amid the testing times of coronavirus, Bollywood's most prominent actors like Akshay Kumar, Kartik Aaryan, Tiger Shroff, Taapsee Pannu, Kiara Advani, joined hands and launched a hope anthem - 'Muskurayega India.'

The song is set on the optimistic theme that sends out the message that the country will smile again if the country supports each other in the current crisis situation.

An initiative of Akshay Kumar's Cape of Good Films, the video of the song features all the lead actors of the industry including Ayushmann Khurrana, Bhumi Pednekar, Sidharth Malhotra, Vicky Kaushal, Raj Kumar Rao, Ananya Panday, Kriti Sanon, Jacky Bhagnani, and Rakul Preet.
Curated by Jackky Bhagnani's music label JJust Music and composed and sung by the talented Vishal Mishra, 'Muskurayega India' is a symbol of India's spirit of solidarity, battling against the coronavirus pandemic.

The soulful song penned by Kaushal Kishore also features cricketer Shikhar Dhawan and famous Mumbai based Radio Jockey Malishka.
The video of the song starts with Prime Minister Narendra Modi's televised address in which he is seen assuring the country that every Indian will come out victorious from the coronavirus crisis.

The video then features all the prominent faces of the cinema industry giving out the message of hope from their balconies, terrace and other spots of their houses.

The song urges people to stay home and support the people who are working to combat the virus, like police officials, and medical practitioners on duty amid the lockdown.

A locked-down view of some of the most prominent spots in the country like the India Gate, Hawa Mahal, and Mumbai's beaches are also featured in the video.

The song also spreads the message of social distancing and washing of hands to keep the infection away.

The video ends with a rhythm of the national anthem with the celebrities standing still to honour it and finally fades away with the Indian national flag.

As the country battles the novel coronavirus, the song is an attempt to uplift the spirit of togetherness of every Indian during the unprecedented crisis.

Comments

Add new comment

  • Coastaldigest.com reserves the right to delete or block any comments.
  • Coastaldigset.com is not responsible for its readers’ comments.
  • Comments that are abusive, incendiary or irrelevant are strictly prohibited.
  • Please use a genuine email ID and provide your name to avoid reject.