Salman Khan gives media a crash course on Journalism, promises towel dance

July 24, 2014

Salman towel danceMumbai, Jul 24: "The journalists are writing anything these days, there is no social responsibility,” said Salman Khan in a recent press interaction organised to promote his upcoming film, Kick. While we appreciate Khan's insights, it’s odd to hear him talk about “social responsibility”. After all with two criminal cases pending against him, he doesn't really come across as a contender for the Most Responsible Citizen of the Year award.

Despite these scandals, Salman Khan is one of India’s most adored superstars and in the eyes of his fans, the actor can do no wrong. It takes a simple Google search to find controversies surrounding Khan – from being accused of beating up his ex-girlfriends, misbehaving with the press and having links with the underworld, it’s all there – Khan is the bhai of the downtrodden and underprivileged (much like the characters he often plays on screen).

For example, when I was in a cab returning from the press conference at which Khan gave all of us in attendance a crash course in journalism, the cabbie overheard me criticizing the actor (I was talking to a friend on my phone). He turned around and told me, "Meri gadi mein Bhai ke bare mein bura mat boliye madam." (“Don’t say bad things about Bhai in my car.”) He told me he loves Khan because the actor is one of the few who acknowledges “men like me”. "Bhai ko bulao toh woh aise haath dekhate hai balcony se,” he explained. (“If you call out his name, he waves at you from his balcony.”) That, apparently, is all it takes.

My cabbie isn’t alone. Khan’s fan following extends to Bollywood's youth brigade, from Arjun Kapoor, Varun Dhawan to Sonakshi Sinha and Katrina Kaif, all of whom have acknowledged Khan's contribution to their careers. It's not his acting or even the hits that have made Khan a star; it's his public persona.

And that’s why it becomes doubly ironic that Khan is complaining about the state of entertainment journalism in the country because his persona is almost entirely because the media helped him project himself as the star with a golden heart. Sure, his relationships have been the fodder of many gossip columns and he has been panned by critics, but Khan’s public appearances have also received glowing coverage.

Several stories of Khan's generosity are shared on a daily basis, whether it is the actor playing Santa to the cleaning staff at Film City or taking a rickshaw home like the rest of us. He has set himself up as a philanthropist with his NGO, Being Human, and that’s entirely the result of a publicity and media campaign. Being Human is more of a lifestyle brand than a non-profit organisation and there are many NGOs that do far greater service to society.

You could sneer at the press for carrying such stories, but in a country that’s hungry for Bollywood news, what else can the media do, especially since there’s a fortress of PR firms standing between much of the press and actors? That said, there’s no denying the fact that professionalism does often go flying out of the window when it comes to entertainment journalism. This was on view at the Kick press conference, where journalists showed up with kids and family members, and jostled like groupies to get photographs with Khan after the official interaction was over.

Given this ringside view that Khan has been given by journalists themselves, it is perhaps not surprising that Khan began his Journalism 101 lecture with this statement: "It (journalism) has become a joke. This is not journalism anymore, this has become entertainment". He went on to lament that “there is no national responsibility, there are just TRPs TRPs TRPs". This is true, but again, it’s ironic that Khan, whose filmography includes cerebral hemorrhages like No Entry, Dabangg, Wanted, was criticizing anyone about content that is only concerned with making money.

Especially since he’s promoting himself as an actor and a philanthropist, one could argue that he should be the one making socially responsible entertainment. It would immediately help the state of Indian journalists – if we didn’t have to watch or write those terrible films, we’d definitely seem like less of a joke.

It quickly became evident that Khan’s understanding of what a journalist does is based on films like Page 3. "As a reporter, if you do not report but give your opinion, if you hear something, and instead of reporting what you have heard, you go ahead and confirm the news depending upon your bias on whether you like the person or not, if you like the person, you give positive view and if you don't, you give negative view, then the case is over," he said in a sentence that could drive any self-respecting copy editor to the bottle.

Contrary to Khan’s belief, hearsay doesn’t qualify as reportage. If a journalist is reporting on a subject, they don’t simply report “what you have heard”, but they get information – and usually cross check it – from those who can be credibly considered sources or experts. Also, journalists are entitled to write their opinions. That’s what op-eds and reviews are all about and to take a stance on a particular issue is not laziness or favouritism when it's an informed perspective.

Khan also complained that the fourth estate is becoming corrupt. "Jahan par aap paise deke article likha sakte ho tab to khatam hi hoga case,” he said. (“When you can pay to get a piece of news printed, the case is closed.”) It’s a valid point and a shameful fact that there are some publications that are, effectively, entirely for sale. It makes the rest of us look bad and we have to work much harder to establish our credibility.

It would help, though, if Khan and other Bollywood bigwigs didn’t encourage the practice by paying for fluffy publicity pieces, favouring certain sycophantic journalists and freezing out those who have anything critical to say about an actor or a film. When was the last time Khan gave an interview to a publication that wasn’t part of a publicity or film promotion campaign?

Of course the reason Khan wanted to educate us was the recent boycott declared by the press photographers association. This happened after an incident at Royalty Bar, in Mumbai, where an ugly brawl broke out between the photographers and the bar’s bouncers and Khan's bodyguards. The photographers who were there claim the bouncers and bodyguards pushed them around for no reason, which led to the fight. Khan chose not to intervene.

All he did was take a microphone and announced, "Jinko yahan rehena hai woh rahe and jinhe nahi rehna woh ja sakte hai." (“Those who wish to stay here, should stay. Those who don’t, they can leave.”) It wasn’t the response expected of the hero who supposedly always champions the little guy’s cause.

Later, Khan said Royalty's bouncers were compelled to hit the photographers because the latter were trying to mob him. Leaving aside the question of whether bouncers versus photographers – who, aside from not being buff, have to protect their cameras and so would be less inclined to get physical – is a fair fight, there’s a distinction that needs to be made between paparazzi and press photographers. Paparazzi is what Hollywood and Europe have – people with cameras who will cheerfully invade privacy and disregard good taste in order to get an embarrassing photograph. India has nothing of the sort.

Here, we have a cluster of press photographers who rarely click the kind of candid photographs that are staple fare in foreign tabloids. Indian press photographers cluster around stars at public events, where they’ve usually been invited by organizers, and take photos of those in attendance. Paparazzi in our country is, at best, a photographer showing up to take photos when celebrities go out for dinner to a restaurant or come out of another celebrity’s home. The last thing a press photographer wants is to upset the people they photograph because that could mean not getting access to the next event, which in turn threatens their livelihood.

While the press photographers association is sticking to its boycott for now, they’re not happy about having to take this stand. A photographer spoke to Firstpost on the condition of anonymity and said that the association was hoping that there would be a resolution soon. At a recent charity football match, the photographers in attendance took photos of everything but the prize-giving ceremony because Salman Khan was handing out the prizes. Aamir Khan was also there and he asked why they weren’t taking photographs. When he heard the whole story, he said he’d talk to Salman and try sort the matter out.

However, as much as they’d like things to return to normal, the photographers are not happy about Khan attacking them on social media and in interviews. Sure, they have some power – no press photographs means less coverage for Khan. (Have you noticed how Khan’s face isn’t showing up all over the place even though Kick is set to release on Friday?) But ultimately, Khan is the star, and both he and the photographers know this.

That’s why Khan could make light of the boycott at the Kick press conference: “Now I can come in front of you and do the towel dance and you can't click those pictures,” he said gleefully. He then added, “There are photographers who will take my pictures, they will travel with me and release (only) those pictures for my fans.”

How ironic that this same person was, just minutes ago, saying the media shouldn’t carry ‘paid news’.

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News Network
June 30,2020

Mumbai, Jun 30: Actor Aamir Khan on Tuesday issued a statement and confirmed that some of his staff members have tested positive for COVID-19, while the rest of his family members have tested negative.

Khan also announced that he was taking his mother for a COVID-19 test and urged his fans to pray for her test to come out as negative.

The '3 Idiots' star put out the statement on Instagram and said, "This is to inform you that some of my staff have tested positive. They were immediately quarantined, and BMC officials were very prompt and efficient in taking them to a medical facility."

Thanking the Brihanmumbai Municipal Corporation (BMC) for their precautionary steps, he added, "I would like to thank the BMC for taking such good care of them, and for fumigating and sterilising the entire society."

Informing about the health of his family members, the 'Thugs of Hindostan' actor added, "The rest of us have all been tested and found negative," and informed that, "Right now I am taking my mother to get her tested. She is the last person in the loop. Please pray that she is negative."

Thanking the BMC, and hospital authorities for their swift prompt, he added, "I would, once again, like to thank the BMC for the prompt, professional and caring manner in which they helped us. And a big thank you to Kokilaben Hospital and the doctors, nurses and staff there. They were very caring and professional with the testing process."

Aamir also urged his fans to be safe amid the coronavirus outbreak.

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News Network
May 10,2020

New Delhi, May 10: While people across the country have been spending a lot of time at home owing to the lockdown, superstar Shah Rukh Khan on Saturday provided a unique platform for all the aspiring filmmakers to produce some 'fun, creative and... spooky' video.

The 54-year-old actor shared a statement on Instagram, detailing about the opportunity for the filmmakers to channel their inner "filmmaking ghost to make a scary indoor film with an element of horror in it."

Taking it to the captions, the 'Don' actor wrote: "Since we've all got a bit of time on our hands in quarantine, thought I can get us all to work a bit... in a fun, creative and... spooky way!"

In the post, titled with a hashtag 'SpookSRK,' the actor has listed down the rules to be followed while making the video and shared the email link to submit their work.

The 'Dilwale' actor also announced that the selected "three winners" will get a chance to video call the star himself.

Wrapping the post on a lighter note, he added: "I will be sending in my film as well...P.S - Ghosts are welcome to send their entries too."

This comes a day after the first trailer launch of Shah Rukh's new Netflix horror series 'Betaal'.

SRK's Red Chillies Entertainment is producing the horror-thriller. The new series also stars Vineet Kumar, Aahana Kumra, Suchitra Pillai, Jitendra Joshi, Manjiri Pupala, and Syna Anand.

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Agencies
July 8,2020

Mumbai: The 11th edition of KASHISH Mumbai International Queer Film Festival is going virtual this year due to the COVID-19 lockdown. The festival is coming up with a full-slate of 157 films from 42 countries.

Tipped as South Asia's biggest LGBTQIA+ film festival, it is the first Indian film festival to come up with a slate of new programs for this year.

The slate of films include 30 films from India, as well as films from countries like Belarus, Iran, Iceland, Lebanon, Macedonia, Malaysia, Puerto Rico, Tunisia, etc.

"We are extremely delighted to launch the registration for the KASHISH 2020 Virtual with a full slate of films as well as panel discussions, filmmaker Q&As, etc, almost replicating the ground event. Only this year not only Mumbaikars but people across India and the world can participate in the festival and enjoy amazing LGBTQIA+ films, discussions and performances!", said Sridhar Rangayan, festival director.

"We are thrilled by almost 95 per cent of the filmmakers whose films were selected to screen at the ground festival, agreeing to screen with us at our online festival. We are overwhelmed by the response from the filmmakers, and we are really glad to reach their films out to the world. This speaks a lot about their trust and support towards the festival", said Saagar Gupta, Director, Programming.

The registrations to attend the festival is now open and details can be viewed at the festival website http://mumbaiqueerfest.com/attend/ along with information about the film line-up. There are early-bird full-festival passes at a modest price in India and outside India. The early-bird offer will be open for a week.

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