Salman Khan turns 50: With the world at his feet, he is no longer the enfant terrible of yore

December 27, 2015

Mumbai, Dec 27: Salman Khan at 50 is different from Salman at 40, even 45. He has mellowed. He is subdued. Fate has forced him to iron out the rough edges of his personality.

salman

Earlier he was quite the enfant terrible. One would never know what he would say at the most inopportune moment. Right before a television interview to promote one of his recent films, Salman had heckled and taunted a leading film critic making the most objectionable remarks and observations about the journalist’s personal life.

The entire episode is on camera. But even if Salman knows this he wouldn’t care. He would do exactly what he wants. He typifies what the distinguished Harivansh Rai Bachchan wrote—Mann ka ho toh achcha na ho toh zyada achcha. If Salman gets what he wants, fine. If not even better.

When the honourable judge announced his acquittal in the hit-and-run case, Salman showed no emotion. He was prepared either way. He is not in the mood to celebrate his 50th birthday in a bigger way than usual just because he is lighter at heart after the court verdict.

Salman never changes. He is exactly the same during his reign of superstardom as he was when he went through a lean patch from 2004 to 2008, when almost all his films flopped. Salman was exactly the same then as he is now. What has changed is his penchant for losing his cool at the drop of a hat, for creating a scene, without caring about whom he embarrasses.

I was at the receiving end of his aggressive attention-seeking behaviour several years ago in the presence of Sanjay Leela Bhansali and Kareena Kapoor. Salman drank non-stop the entire evening. He created a scene at a club where we stopped for dinner. Then he insisted on accompanying us back to my hotel where I just wanted to crawl under the sheets and never show my face again. But Salman insisted on coming up to my room. I had to finally ask him to leave. He pretended to leave, hid behind the exit door then returned with a grin.

Child or tormentor?

When I narrated this to Katrina Kaif, she was quiet and then she answered, “He was doing it to rattle you.”

That was Salman back on those days. He was his own man and if you insisted on getting uptight about the way he was, he would give you more of the same until you squirmed and recoiled. Now Salman has done away with the sharp edges of his personality. He is a lot mellower now than he was 10 years ago, and a lot more tolerant (oops, that forbidden word) of people who are not on the same wavelength as he is.

At 50, Salman has the world at his feet. His career is at its zenith. Anything he touches turns into gold. But is he happy? Doubtful. Salman has been extremely lucky with his family life and career, but singularly unfortunate in love. Almost every woman he loved he wanted to marry. But they had other plans.

It would appear as if Salman is a lonely man. He wants a wife and kids. But he isn’t sure if such a routine existence can be accommodated into his life. Salman loves children, but at 50, he is too much of child to take up the responsibilities of fatherhood.

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Agencies
July 11,2020

New Delhi, Jul 11: The COVID-19 triggered restrictions on cinema exhibition industry have not only disheartened movie goers, but axed several thousand jobs and costed the industry an estimated ₹ 5,000 crore in revenue.

The sector has been one of the hardest hit due to COVID-19 pandemic and the subsequent restrictions implemented to curb its spread.

Presently, cinemas and multiplexes continue to remain in the list of prohibited activities under the Centre's Unlock 2.0 Guidelines.

In an interview to media persons, movie exhibition major Inox Leisure's Chief Executive Alok Tandon said, "The industry on an average collects about ₹ 1,000 crore a month of 'Box Office' and on an average generates about ₹ 500 crore a month of ancillary revenues."

"Keeping in mind that the lockdown has been effective for more than 100 days now, which is about 3.5 months, the cinema exhibition industry would have accumulated losses worth ₹ 5,000 crore so far."

According to Tandon, associated businesses such as pre and post-production, make-up artistes, graphics, film set fabrication, film crew, events, marketing, F&B services have all been impacted due to the restrictions.

"With the production and exhibition of movies coming to a halt, the industry was bound to witness some job losses," he said without divulging any estimates.

As per industry data, the multiplex industry in India employs more than 200,000 people directly and accounts for nearly 60 % of revenues of the film business.

On the way forward, Tandon elaborated that the industry expects to regain business momentum and sentiment post resumption of operations.

"We believe it will be a matter of a couple of blockbusters, and we will be back to our usual operational numbers," he said.

"We are rightfully relying on the unshakeable passion of the Indian movie lovers, who are yearning to step out and spend time enjoying the giant screen experience."

Furthermore, he cited that industry has sent representation to the Centre for immediate re-commencement of operations and a support package.

"We have requested for financial support in the form of salary subsidies during the lockdown period, interest-free loans for three years, exemptions from various taxes and duties, like 'GST, Show tax, LBETs and Property taxes' for a period of one year from the date of operations, waiver on electricity minimum demand charges for one year and auto renewal of licenses and permits for the next one year," he said.

"We have been talking to our mall developer partners and are working together with them to see through this phase."

However, even after re-commencement, the industry anticipates at least 3-6 months before things return anywhere close to normal.

"The cinema ecosystem is such that we will need all the aspects of the business to swing into action and fire together for us to see a resurgence, and we are highly optimistic about the same," he said.

In terms of global experience, Tandon pointed out that cinemas have started operating in more than 25 major countries, and some of those markets are witnessing a healthy response.

"India is a massive movie market and we are confident that the passionate and responsible movie lovers will turn up in huge numbers to enjoy their favourite form of entertainment and also follow the prevention guidelines at the same time, ensuring a safe and steady revival of the cinema exhibition sector," Tandon said.

The film exhibition industry in India is mainly comprised of single screen and multiplexes.

At present there are around 9,527 cinemas across the country, including 6,327 single and 3,200 multiplex screens.

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News Network
June 6,2020

Indore, Jun 6: An FIR has been registered against television producer Ekta Kapoor and two others here in Madhya Pradesh on charges of spreading obscenity, hurting religious feelings, and improper use of national emblems in her web show 'Triple X season 2', police said on Saturday.

The FIR also mentions about a particular scene which allegedly portrays the Indian Army's uniform in a highly objectionable way, an officer said.

Besides Kapoor, the FIR names director of the web series Pankhudi Rodrigues and screenwriter Jessica Khurana, said Annapurna police station inspector Satish Kumar Dwivedi.

The complaint was lodged on Friday night by Valmik Sakaragaye and Neeraj Yagnik, both residents of Indore.

"Ekta Kapoor's OTT platform ALTBalaji streamed (erotic) web series 'Triple X season 2' which not only spread obscenity but also hurt religious feelings of a particular community," Dwivedi said quoting the complaint.

A scene in the web show portrayed the Indian Army's uniform in a highly objectionable manner and also disrespected the national emblems, he said.

Kapoor and others have been booked under sections 294 (obscene acts and songs) and 298 (Uttering, words, etc., with deliberate intent to wound the religious feelings of any person) of the Indian Penal Code, Information Technology (IT) Act, and the State Emblem of India (Prohibition of Improper Use) Act, 2005, Dwivedi said.

Mumbai-based Ekta Kapoor is the founder of ALTBalaji, which is owned by her production house, Balaji Telefilms.

Further investigation is underway, the police officer said.

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News Network
July 25,2020

Bhubaneswar, Jul 25: The COVID-19 pandemic has hit many people hard, and the latest victim of the pandemic is Bollywood actor Kartika Sahoo from Odisha. With the entertainment industry almost non-functional and most productions on hold, the actor is forced to sell vegetables for a living.

Sahoo, who hails from the from Garadpur block of the Kendrapada district in Odisha, said that he went to Mumbai to try his luck in Bollywood at the age of 17. For many years he worked as a bodyguard to film stars and cricketers such as Amitabh Bachchan and Sachin Tendulkar, among others.

Lady luck shone on him in 2018, and he landed noticeable roles in the action sequences of many movies, he said while speaking with news agency. He also has a fight sequence with Akshay Kumar in his upcoming film 'Sooryavanshi'.

Just before the nationwide lockdown which started on March 22, Sahoo had returned home to Odisha after shooting a fight sequence in Jaipur. Since then, with no work, the actor has been living off his savings to sustain his family. But, after four months of no work, and a medical emergency, a major part of his savings was drained.

To find work, he moved to state capital Bhubaneswar, but to no avail. In the end, Sahoo had to resort to selling vegetables in Rasulgad there.

Sahoo is still hopeful and said that he'll again try his luck in Bollywood once the situation is back to normal, till then he'll struggle, like others, for survival.

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