'Sanju script changed to create empathy for Dutt'

Agencies
September 13, 2018

Mumbai, Sep 13: Filmmaker Rajkumar Hirani revealed he shot additional portions for "Sanju", his biographical drama on Sanjay Dutt, to create empathy for the actor after people "hated" him in test screenings.

Hirani said the initial edit featured the actor's story as it was and thus was not liked by people.

"During the shoot I felt 'What am I doing, I'm going wrong.' In fact, when the first edit was ready and we screened for people, they hated him. They said we don't like this man, we don't want to watch him," he said.

"Because I wanted to do a true story, I didn't create any empathy towards him. I said lets not create empathy and show (him) as he is. But later I understood that he is our hero, we need some empathy for him," the director added.

Hirani said he had to add a certain scene in the film to create empathy for its lead character, which was not there earlier.

"The scene where he tries to kill himself after the verdict is out; which he had mentioned to me but we didn't put in the film, I shot it later. It was not in the original script. I thought through this some empathy will come...

"The initial test reactions were like 'naah we don't like this guy...' Every film is a journey. Some things work and some don't. I still see flaws in the film but you try your best and hope your best is good enough."

The director was in conversation with writer Anjum Rajabali at Indian Film and TV Directors Association's (IFTDA) special masterclass on Wednesday.

Hirani said Dutt's story was so vast, anyone could have picked an event of his life and made a standalone film. The director feels filmmaker Anurag Kashyap, for instance, would have made a great "Sanju".

"Everyone view the story through their own perspective. Someone would've made 'Sanju' only on the chapter of how he acquired the gun, destroyed it, and then the case. It could have been a film of it's own. But I thought everyone knew this. The father-son equation interested me more.

"I was blown away by 'Black Friday'. If Anurag would have heard the story, he may have been attracted to the gun angle and would have made that story. He would have made a great film with that."

The "3 Idiots" director is aware of the criticism that film never questions Dutt's intentions as each time it was either with good intentions that the bad choices were made or he was victim of certain pressure.

But Hirani says he is critical of Dutt's actions, though he believes the actor could be flawed but always harmless.

"He goes and sleeps with his best friend's girlfriend but there isn't any reason. Their friendship was almost jeopardised... The other scene where he puts the commode seat on a girl he wants to marry, I am not defending that! It's a terrible action.

"My perception of Sanju was that he has done so many weird things but he is not a bad man... I felt he had an innocence, he is naughty but he doesn't harm anyone. He didn't pick up the gun, scared people or fired a shot. He made a mistake," he added.
The director once again dismissed the criticism that he has "whitewashed" Dutt's life.

"We made a commentary about certain section of the media and the term 'whitewashed' came into play. Everywhere I go people say I have whitewashed him but I haven't. A journalist asked me, why did you whitewash Sanju and I asked what was Sanju's crime?

"I am not defending the man but myself and the film. He kept a gun, destroyed it too, lied to his father and was arrested. I showed it all, his drug phase and the way he treated people. So where have I whitewashed?" Hirani asked.

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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Agencies
June 22,2020

Mumbai, Jun 22: After he recently took a dig at a Bollywood actor, without taking name, alleging power play and alleging that the music industry is run like the mafia, Sonu Nigam has now come down on T-Series chairman and MD, Bhushan Kumar.

Sonu has shared a new Instagram video on Monday morning, which he captioned: "Laaton ke mafia baaton se nahi maante (you cannot reason with the uncouth mafia with words)."

In the video, the singer says in Hindi: "Bhushan Kumar, ab toh tera naam lena hi padega mujhe. Aur ab tu tu ke layak hai. Tune galat admi se panga le liya (Bhushan Kumar, now I have to mention your name. And now, you deserve being addressed without respect. You have messed with the wrong person)."

Sonu Nigam is one of the finest singer of Indian film industry.
I can't believe bollywood Mafia's are targeting him 😣

T series Bhushan Kumar has support of Ajay devgn and Salman khan. And they are trying to end career of Sonu Nigam. 😣

I Support Sonu Nigam.#SonuNigam pic.twitter.com/MWwfrshcJZ

— Sic Mindus मसलु (@SarcasticFire) June 22, 2020
"Tu bhul gaya woh time jab tu mere ghar pe aake… ‘bhai bhai meri album kar do. Bhai 'Deewana' kar do. Bhai, Smita Thackeray se milwa do, Bal Thackeray se milwa do. Abu Salem se bacha lo. Abu Salem galiyaan de raha hai'... yaad hai na? Yaad hai ki nahi yeh sab cheezein? Main tujhe keh raha hoon mere muh mat lagna ab tu bas. (Do you remember the time when you used to come to my home requesting me… ‘brother record an album for me. Brother, record Deewana for me. Brother, introduce me to Smita Thackeray and Bal Thackeray. Save me from Abu Salem. Abu Salem is abusing me'… do you remember? Don't mess with me, I am warning you)."

"Marina Cover yaad hai na? Woh kyon boli, woh kyon back out kiya yeh mujhe nahi pata. Media ko pata hai mafia kis tarah function karta hai. Uska video mere paas padha hai. Ab agar tune mere se panga liya, toh woh video main apni YouTube channel mein dal dunga. Samjha? Mere mooh mat lagna (Do you remember Marina Cover? I don't know no why they spoke and why they backed out, but media knows how the mafia functions. I still have that video with me. Now if you mess with me, I will upload that video on my YouTube channel. So don't mess with me)."

In a recent video posted on Instagram, Sonu Nigam had appealed to music companies (without taking names) to be a little kind towards newcomer artistes, saying otherwise more people will commit suicide. He had mentioned in his previous video that currently two companies rule the music industry. He had also claimed falling prey to power play by a Bollywood actor.

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Agencies
June 6,2020

Hollywood star Angelina Jolie feels discrimination and impunity cannot be justified in any way, and says she hopes people in the US can come together to "address the deep structural wrongs in our society".

The Oscar-winning star, who turned 45 on Thursday, also donated $200,000 to the NAACP Legal Defense Fund, reports people.com.

"Rights don't belong to any one group to give to another. Discrimination and impunity cannot be tolerated, explained away or justified. I hope we can come together as Americans to address the deep structural wrongs in our society," Jolie said.

"I stand with the NAACP Legal Defense Fund in their fight for racial equality, social justice, and their call for urgent legislative reform," she added.

Meanwhile, the actress celebrated her birthday amid lockdown with her six children -- Maddox, 18, Pax, 16, Zahara, 15, Shiloh, 14, and 11-year-old twins Knox and Vivienne.

The actress and activist has been active since the COVID-19 pandemic spread around the world and has donated to different organisations.

Jolie previously donated $1 million to No Kid Hungry, the organisation working to feed children during the COVID-19 pandemic.

"I knew that there were problems in America, that there was poverty, but I could not believe when I realised how many school children in America were dependent on a meal to not go hungry. I was so disgusted that we have gotten to this point as a country and that we would let the most vulnerable be in such a state. I can't imagine what it feels like for those parents," she said while opening up about her reason to get associated with the organisation.

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