SC orders Rajinikanth's wife to face trial for fraud

Agencies
July 10, 2018

New Delhi, Jul 10: The Supreme Court on Tuesday paved the way for criminal proceedings against superstar Rajinikanth's wife Latha Rajinikanth, on a complaint by an advertising agency, by setting aside a Karnataka High Court order quashing the process.

The agency had alleged in its private complaint that they had ventured in the post-production of the 2014 film 'Kochadaiiyaan', which was produced by Mediaone Global Entertainment Ltd, on Latha's personal guarantee and had funded Rs 10 crore for it. She was a director of the production company.

A bench headed by Justice Ranjan Gogoi said the high court was "not justified" in quashing the proceedings against Latha, which were initiated following a trial court's order on the complaint by the advertising agency, AD-Bureau Advertising Pvt Ltd.

"This is a case which should have gone for trial. You (Latha) can apply for discharge at an appropriate stage," the bench, also comprising Justices R Banumathi and Navin Sinha, said.

The court's order came on a plea filed by the advertising agency against the March 10, 2016 order of the Karnataka High Court quashing the proceedings against Latha.

The advertising agency had claimed that Mediaone Global Entertainment Ltd was required to refund Rs 10 crore plus Rs 1.2 crore being the "guaranteed profit", but the amount was not refunded.

During the hearing today, Latha's counsel told the bench that they had argued before the high court about "breach of agreement" by the agency since they had agreed to pay Rs 20 crore to Mediaone Global Entertainment Ltd but later paid only Rs 10 crore.

"Just because they (agency) did not give you Rs 20 crore, will you retain whatever they had given you," the bench asked.

At the outset, the counsel for the agency told the bench that Latha had not paid the money to them as per the undertaking given by her in the apex court earlier.

To this, the bench said, "We have closed that chapter. We will now decide it on merits. You tell us what was the complaint and on what grounds the high court had quashed it".

The advertising agency's counsel read out the order of the high court and said the proceedings were quashed on the ground that the dispute was of "civil nature".

The bench, while setting aside the high court's order, told Latha's counsel that under the Code of Criminal Procedure (CrPC), there were different stages in a matter and she has the right to approach the court for appropriate remedy.

On July 3, the apex court had pulled up Latha for not complying with her undertaking given before the court to pay Rs 6.2 crore to the advertising agency.

Mediaone Global Entertainment Ltd had earlier denied liability on its part and Latha had said that the undertaking given by her counsel in the court was without instructions.

On February 20, the apex court had said if Mediaone did not pay the dues to the advertising agency AD-Bureau Advertising Pvt Ltd within three months, then Latha would have to pay the amount as per undertaking given by her.

Latha had earlier approached the high court after a trial court had referred the private complaint to the police for investigation.

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News Network
March 19,2020

New Delhi, Mar 19: As a precautionary measure to combat the spread of coronavirus, Bollywood actors including Preity Zinda, Sidharth Malhotra, and Shraddha Kapoor are maintaining their social distance, while calling on fans to follow health guidelines and maintain good hygiene.

Joining others in sharing what to do while practicing self-isolation at home, Preity Zinda on Thursday took to Instagram and shared a video where she is giving an oil massage to her mother.

In the shared video, the 45-year-old actor was seen at the comforts of her home, giving a good nice 'Champi' to her mom.

She also encouraged everyone to try 'Champi' at home as she suggested it is good for one's hair.

"To keep our heads cool during this home quarantine it felt right to give mom the classic Champi Making the most of staying home & bonding kyuki sir jo tera chakraye, ya dil dooba jaaye- aaja pyaare paas hamare, kahe ghbraye. This too shall pass #day8 #homequarantine #staysafe #oilmassage #covid19 #Staypositive #Ting," the caption read.

On the other hand, actor Sidharth Malhotra is using the self-isolation period to focus this on things one always wanted to do but could not due to time restrictions.

"It's time to take some time off and focus on things we've always wanted to do but never had enough time for. Let's read, reinvent and live our hobbies, spend time with our family and just try to do all we can to stay safe and keep others around us safe too!"

The 35-year-old actor also urged everybody to take measures to avoid the spread of the disease.

"I love you guys, so please take good care of yourself, stay at home, wash your hands and avoid unnecessary travel," he added.

Meanwhile, Shraddha Kapoor has been posting a series of pictures right from the time of her being at home as a precautionary measure from the spread of the virus.

From reading to having a home-made meal to sharing balcony pictures, the 33-year-old actor has made her presence felt online.

On Thursday, the 'Baaghi' actor shared a picture of Bamboo toothbrush, promoting the use of eco-friendly products.

"Being home #BambooToothbrush #Ecofriendly #MorningRitual," the caption read.

According to official data provided by the Ministry of Health, the country has 169 reported cases of COVID-19.

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News Network
February 12,2020

London, Feb 12: Oscar-winning British director Steve McQueen is returning to his art roots with a series of short films at London's Tate Modern art gallery, offering a sensory exploration of black identity.

McQueen, who became the first black director to win the best picture Academy Award in 2014 for "12 Years a Slave", is now based between London and Amsterdam and is focused on championing diversity in the film industry.

Visitors to his new exhibition will be greeted by "Static", a film of New York's Statue of Liberty, scrutinising the iconic symbol from every possible angle at very close range against a deafening backdrop of the helicopter from where the footage was filmed.

"What interests Steve is our view of the world, how humans are trying to represent Liberty," said Fiontan Moran, assistant curator of the exhibition.

"7th Nov, 2001" features a still shot of a body while McQueen's cousin Marcus tells of how he accidentally killed his brother, a particularly traumatic experience for the artist.

"Western Deep" is another visceral work, giving a sense through sights and sounds in an interactive installation of the experiences of miners in South Africa, following them to the bottom of the mine.

"Ashes", meanwhile, is a tribute to a young fisherman from Grenada, the island where McQueen's family originated.

The images of beauty and sweetness filmed from his boat are tragically reversed on the other side of the projection screen, which shows a grave commissioned by McQueen for the eponymous young fisherman, who was killed by drug traffickers.

African-American singer, actor and civil rights activist Paul Robeson (1898-1976) is honoured in "End Credits".

The film shows censored FBI documents detailing the agency's surveillance of Robeson, read by a voice-over artist, for five hours.

"He is... testing the limits of how people can be documented in an era of mass surveillance," said Moran.

In a similarly militant vein, the exhibition features the sculpture "Weight", which was first shown in the prison cell where the writer and playwright Oscar Wilde was imprisoned.

It depicts a golden mosquito net draped over a metal prison bed frame, addressing the theme of confinement and the power of the imagination to break free.

The show runs alongside an exhibition of McQueen's giant portraits of London school classes, many of which appeared on the streets of London last year.

"I remember my first school trip to Tate when I was an impressionable eight-year-old, which was really the moment I gained an understanding that anything is possible," said McQueen, adding it was "where in some ways my journey as an artist first began".

He recently told the Financial Times newspaper the difference between his art films and his feature films was that the former were poetry, the latter like a novel.

"Poetry is condensed, precise, fragmented," he said. "The novel is the yarn".

The exhibition opens on February 13 and runs until May 11.

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News Network
March 11,2020

Washington, Mar 11: Pop star Selena Gomez made some revelations about her personal life in a recent interview.

While explaining the lyrics of her song "Rare" on the 'Genius' YouTube channel, the 27-year-old said that there are times when she feels that she will ever be able to find a suitable partner for herself, reported Fox News.

"Some days when I wake up and I am annoyed and I am like, 'I am going to be alone forever.' But after that 15 minutes go away, I say to myself, 'I know that there is someone for everybody," the singer told in the seven-and-a-half minute long video.

However, she remains optimistic as she is still young and "this isn't the end all be all".

Elaborating upon the chorus of her song, Gomez opened up and said, "self-esteem and confidence is a constant struggle".

"It's getting better with time and age, but it will always be something that I'm working on," she added while explaining the lyrics further.

"So what I think is so important about this chorus is that it's acknowledging, 'Hey, I don't have it all. I'm not saying I'm perfect, but I do know that I'm special,' and I think that is a humble approach of saying, 'Why don't you see that I am different?'" the singer added as reported by Fox News.

Touching upon her experiences from past relationships, she commented: "In certain relationships, I've heard and I've experienced and whatnot, I think men and women do it -- especially teenagers and young people in love -- is there's this satisfaction out of hurting someone because you know that they care. Purposefully putting someone down because they want to keep them at a level. I've had someone actually say that to me before".

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