Shocking: Uttaran actress Tinaa Dattaa molested on flight; recounts the horrifying experience

December 10, 2016

Mumbai, Dec 10: TV actress Tinaa Dattaa, who is best remembered as Ichcha from Colors' show Uttaran', had a horrifying experience on a flight enroute to Rajkot last morning (December 9).

tina-dattaSeated on a Jet Airway plane, Tinaa claims she was sexually harrassed by a co-passenger, who tried to touch her inappropriately. This left the actress shell-shocked and much to her dismay, the staff wasn't of much help either.

Upon narrating what had ensued, the casual attitude towards the whole incident by the staff members didn't go down well with her, as they just changed the seat of the passenger and cited that such cases keep happening.

Tinaa had a tough time all through her journey and in a lengthy post on Facebook, has recounted the entire experience.

This is what she had to say:

YESTERDAY morning I was travelling to Rajkot with Jet Airways 9W 7001, departure time 10:25am from Mumbai. I have experienced a horrible experience which I would like to narrate and go viral about it.

I boarded my flight and was allotted seat no 30A and my manager was seated on 30C, we were discussing some work related topic when suddenly I felt that someone was trying to sneak their hands through the sides. A passenger seated on seat 31A by the name of Rajesh tried to fiddle with me and started touching me inappropriately, at first I thought it's a kid but when I turned behind I was horrified to see it was a full grown man, I yelled at him and he was stammering and was ashamed and apologised. I called for the air hostess Ms. Pooja & Mr. Abhijeet to intervene in the matter, but they were not at all helpful instead they had the audacity to tell me such things happen and they will change the mans seat. I demanded for the man to be deported but I was told that I should also deport to file a complaint, I demanded to speak to the captain after much persuasion was I allowed to speak to him, Mr. Jagjeevan Singh was not friendly his reaction was one of a disgusted person, his reply to the whole matter was, before take off they are not responsible for anything that happens post take off they would take responsibility , my question being had this happened with their family members would they still be so calm about the matter. I felt so Violated and yet no one was there to support except one family in the entire aircraft, we as Indians do not care for the safety of our fellow beings, the entire flight did not stand up for this except that family. Is there no safety measures for your passengers?? Is this how you are treated and I get to hear all sorts of excuses how the matter is not on their (captain) jurisdiction and nothing can be done and apparently this is very common in flights (according to the air hostess). Finally after much arguments I had no say as no one came forth for my help.

Second incident on the same flight, while I was having my meal the passenger in front of me seated 29A reclined their seats and was not willing to budge this created difficulties for me to eat. Air hostess Diana intervened in this and requested the man to upright his seat, this man was so rude to her started yelling at her she even warned him that she would call cops on landing but it did not seem to affect him at all. All the captain had to say was this does not come under our protocol.

I have some serious questions to Jet Airways, do you not have any safety measure ?? I was violated and no action was taken apart from changing the mans seat, another person yelling for no rhyme or reason! I never expected this from Jet, I've been an ardent flyer with this airways but i won't take my chances next time. Truly disgusted with the events that took place this morning.

As Indians, there was no one to raise their voice, everyone sitting on their seats and enjoying the show! This is ridiculous, I wonder if this happened with their family, would they still be this calm? Serious questioning needs to be done...

NO ACTION WERE TAKEN BY JET..

GUYS REPOST/COPY PASTE AND MAKE THIS VIRAL.. WE GIRLS NEED TO FEEL SAFE AND SECURED.. Jetairways.com Jetair Jet...

Posted by Tinaa Dattaa on Friday, December 9, 2016

Comments

A. Mangalore
 - 
Sunday, 11 Dec 2016

Madam , real life is not a film. While you are travelling you must wear proper cloths. may be you are wearing sleeveless , tight cloths , which is definetly attracting few men. If you use proper cloths , atleast our national dress of shalwar khamis in a decent way people will not look at you.
precaution is better than cure.

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News Network
July 6,2020

Jul 6: Tony Award-nominated actor Nick Cordero, who specialized in playing tough guys on Broadway in such shows as Waitress, A Bronx Tale and Bullets Over Broadway, has died in Los Angeles after suffering severe medical complications after contracting the coronavirus. He was 41.

Cordero died Sunday at Cedars-Sinai hospital after more than 90 days in the hospital, according to his wife Amanda Kloots. “God has another angel in heaven now,” she posted on Instagram. “Nick was such a bright light. He was everyone’s friend, loved to listen, help and especially talk. He was an incredible actor and musician. He loved his family and loved being a father and husband.”

Nick Cordero entered the emergency room on March 30 and had a succession of health setbacks, including mini-strokes, blood clots, septis infections, a tracheostomy and a temporary pacemaker implanted. He had been on a ventilator and unconscious and had his right leg amputated. A double lung transplant was being explored.

Kloots, sent him daily videos of her and their 1-year-old son Elvis, so he could see them if he woke up, and urged friends and fans to join a daily sing-a-long. A GoFundMe page to pay for medical expenses has raised over $600,000.

“I tell him, I say, ‘You’re gonna walk out of this hospital, honey. I believe it. I know you can,’” she told “CBS This Morning” over the summer. ”‘We’re gonna dance again. You’re gonna hold your son again.’ My line is, ‘Don’t get lost. Get focused.’”

The lanky Cordero originated the menacing role of husband Earl opposite his estranged wife, played by Jessie Mueller, in Waitress as well as the role of Sonny in Chazz Palminteri’s A Bronx Tale. It was at Bullets Over Broadway where Cordero met his wife. The two married in 2017.

Cast members from “Waitress” — Jessie Mueller, Keala Settle, Kimik Glenn and songwriter Sara Bareilles — helped raise money for Cordero by covering his song “Live Your Life.” Sylvester Stallone sent a video with best wishes.

Kloots had said that it was difficult to tell whether Cordero understood what happened to him, but said he could respond to commands by looking up and down when he was alert.

Her husband played a mob soldier with a flare for the dramatic in Broadway’s Woody Allen 1994 film adaptation of Bullets Over Broadway, for which he received a Tony nomination for best-featured actor in a musical. He moved to Los Angeles to star in Rock of Ages.

On the small screen, Nick Cordero appeared in several episodes of Blue Bloods and Law & Order: Special Victims Unit, and he had a role in the film Going in Style.

Actor and guitarist for Bruce Springsteen, Stevie Van Zandt offered Cordero his first TV acting gig in the final episode of Lilyhammer. After he was hospitalized, Van Zandt teamed up with Constantine Maroulis and Vincent Pastore to make a video performing “Live Your Life.”

Cordero was last onstage in a Kennedy Center presentation of Littler Shop of Horrors. His off-Broadway credits include The Toxic Avenger and Brooklynite.

The coronavirus has sickened other Broadway veterans, including the actors Danny Burstein, Tony Shalhoub, Brian Stokes Mitchell, Gavin Creel, Aaron Tveit and Laura Bell Bundy as well as composer David Bryan. It has also claimed the life of Tony-winning playwright Terrence McNally.

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News Network
January 23,2020

Jan 23: Calling himself an optimist who believes in the goodness of people, director Kabir Khan says everything these days is being looked at through the prism of religion but India is about more than that.

The director of blockbusters such as Bajrangi Bhaijaan and Ek Tha Tiger said he is happy he has a platform as a filmmaker to present a counterpoint to the prevailing narrative based on religious fault lines.

"I’m an optimist who believes in the goodness of the people. But yes, there is a certain level of bigotry that has crept in. Everything is being looked at through the prism of religion but India is not about that.

"It sounds like a cliché but when I was growing up, I was not aware of my religion. That was the greatness of this country,” Kabir told news agency.

He said he is a product of a mixed marriage and is pained to see the social fabric being tattered.

“I have celebrated the best that Indian secularism has to offer. But to see the greatness of this country being simplified and broken down into religious fault lines is a painful experience,” he added.

According to Kabir, it is dangerous to see history through the prism of religion, whether in cinema or society. But it is important to revisit history to know what happened and one can always find something that is relevant for the present, he said.

The director, who started as a documentary filmmaker, returns to his roots for a five-episode series on Subhas Chandra Bose's Indian National Army, The Forgotten Army: Azaadi Ke Liye, on Amazon Prime, his most expensive project yet.

Asked whether this is a difficult time for filmmakers, Kabir said he believes art thrives in the time of strife and, as a storyteller, his politics will always reflect in his work.

“Every film has its politics and every filmmaker has to reflect his or her politics. Every film of mine will reflect my politics and it will never change according to the popular mood of the audience. But a film should not be just about that. Politics should be in the layers beneath," he said.

He terms his 2015 Salman Khan-starrer Bajrangi Bhaijaan an "extremely political" film. At face value, it can also be enjoyed as the story of a mute Pakistani girl who drifts into India and is taken back to her homeland by a Hanuman devotee. But there is so much more. The "chicken song", for instance, was a sly reference to the beef ban controversy at the time, he said.

"I won’t say it is a difficult time for me as a filmmaker. It is good that I have a platform where I can talk and present a counterpoint and I refuse to believe that the entire country believes the narrative that is being sent out. There are millions and millions of people, and perhaps the majority, that does not believe. And if I present the counterpoint, they will think about it.”

Discussing his new series, the director said it has always fascinated him that the sacrifice of the men and women who comprised the INA is just a forgotten footnote in history.

“I wanted to make something that stands the test of time. It goes down in posterity,” Khan, who first explored the subject in a Doordarshan documentary 20 years ago, said.

For the documentary, he traveled with former INA officers Captain Lakshmi Sahgal and Captain Gurbaksh Singh Dhillon from Singapore to India via erstwhile Burma, retracing the route that the INA followed.

“The documentary got me a lot of attention and acclaim but the story just never left me. It's actually the first script I ever wrote and I landed up with that script in Bombay from Delhi. I realised very soon that nobody's going to give me a budget of this size to make my first film.

"And then after every film, I would pick up the script and say, ‘Okay, this is the one I want to make’, because this is the story that made me want to become a filmmaker. On the way, I ended up making eight other films but this is really the story that I wanted to make,” he said.

Kabir is happy that the story has come out as a series, not a film, as it would have required to compromise with the budget and other elements.

"Without giving any numbers, this is the most expensive project I have ever worked on… It required that kind of budget."

Kabir believes the INA was responsible for bringing down the morale of the British establishment, which realised it would be impossible to keep the country colonised without the support of the local army.

"There are a lot of debates and discussions about what happened with the INA and the controversies around it. The whole point is that, if you want to judge what the Army did, sure that's your prerogative, but at least get to know what they did. Nobody knows what happened with the Army from 1942 to 1945."

He added that 55,000 men and women of the INA fought for independence and 47,000 of them died.

"Not a single person from that Army was ever taken back into the independent Army, which is such an amazing fact... the fact that the British called them traitors became the narrative and we also started assuming that they were traitors."

"They were the only women's regiment in the whole world 70 years ago. That's what they thought about women's importance in society. I don't know whether they will be happy with what the current situation is," he said.

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News Network
July 17,2020

Mumbai, Jul 17: After helping scores of stranded migrant labourers return to their native places amidst the coronavirus pandemic, actor Sonu Sood has now extended a helping hand towards the coronavirus warriors as he donated 25,000 face shields to Maharashtra Police personnel.

Maharashtra Home Minister Anil Deshmukh on Thursday took to Twitter to thank the Bollywood actor for his "generous contribution" to help the Police personnel who have been working tirelessly amid the testing times.

"I thank Sonu Sood Ji for your generous contribution of giving 25,000 #FaceShields for our police personnel," tweeted Deshmukh.
Responding to the Home Minister, Sood said, "Truly honoured by your kind words Sir! My police brothers and sisters are our real heroes and this is the least that I can do for the commendable work which they have been doing. Jai Hind."

The 46-year-old actor who is known for his roles in films like 'Singh is Kinng,' 'Simmba', and 'Happy New Year' has been hailed all over the media for arranging hassle-free passage of migrant labourers to their respective homes.

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