Sridevi: The diva who lit up Indian cinema screen

Agencies
February 25, 2018

Mumbai, Feb 25: Those expressive eyes and the mischievous smile sent hearts aquiver and lit up the cinema screens, making Sridevi Bollywood's first female superstar.

Sridevi's sudden death at the age of 54 in Dubai due to cardiac arrest yesterday has left family and fans in shock and grief. This 'Chandni' left the world too soon.

The actor, wife of producer Boney Kapoor, died late at Saturday night reportedly due to cardiac arrest in Dubai, where she had gone along with her family to attend her nephew Mohit Marwah's wedding.

In an impressive career, spanning five-decades, the actor ruled the commercial cinema space in the '80s and '90s like no heroine had done before.

In an industry dominated by male superstars, Sridevi reversed the trend by her sheer acting prowess. Her name, most of the times, was a guarantee enough for a film's success.

An extremely shy person in real life, Sridevi came alive in front of the cameras, playing a variety of roles. Such was her popularity that her style and dance moves would be copied by her fans country over. She was 'Miss Hawa Hawaaii' and 'Chandni' for them.

Sridevi started acting at the age of four and made her debut with M A Thirumugham's "Thunaivan". She continued acting in Tamil, Telugu, Malayalam and Kannada films but it was her career in Bollywood that made her a household name in the country.

She made her Bollywood debut as a child artiste in 1975 hit "Julie" but continued ruling the South Indian film industry where she established herself as a leading heroine with films such as "16 Vayathinile", "Sigappu Rojakkal", "Meendum Kokila" and "Moondram Pirai".

In Bollywood, she made her debut in 1978 as a lead actor in "Solva Sawan".

She gained commercial success with the 1983 film "Himmatwala" opposite Jeetendra, which also established her as one of the best dancers in cinema. She was grace-personified dressed as an apsara (a celestial beauty in Hindu mythology) performing on the hit track 'Nainon mein sapna'.

The year 1983 also saw Sridevi give stellar performances in both critically acclaimed and box-office hits such as "Sadma", where she played the role of a woman who loses her memory.

Both she and actor-turned-politician Kamal Haasan played the roles in the Hindi remake of their 1982 Tamil movie, "Moondram Pirai". The climax of the heart-wrenching movie was deemed as poetic as the entire plot, with the song 'Ae zindagi gale laga le' as an ode to the philosophy of uncertainty in life.

Sridevi followed it up with a number of commercial hits such as "Mawaali", "Tohfa", "Masterji" and "Nazrana".

In 1987 came Shekhar Kapur's "Mr India", a film which was produced by her future husband Boney Kapoor.

Sridevi gave a memorable performance as crime reporter Seema Sohni. She was one of the few female actors who left the audience spellbound with both her comic timing and sensuality.

How her undercover scribe transformed into Ms Hawa Hawaaii, thanks to her dancing skills in one of the popular songs, is one of the most memorable scenes of the film.

Owing to the cult status the song went on to achieve, the Kavita Krishnamurthy number has been recreated a number of times in films such as "Shaitan" and most recently in Vidya Balan's "Tumhari Sulu".

And so will 'Kaate nahi kat-te', an iconic sultry number which saw the actor romance an invisible man in a song revelling in a never-before-seen boldness and fantasy.

Filmmaker Yash Chopra cast her in the title role of "Chandni" in the 1989 film, another iconic film of her career. Such was her performance in the film that fans came to recognise her with the name of Chandni.

Impressed with her performance in the film, Chopra cast her again in "Lamhe" in a dual role, where she played the mother and the daughter.

It did not do well at the box office at that time but has come to be known one the best films of Sridevi, Chopra and Anil Kapoor's careers. The film was said to be ahead of its times as it dealt with a woman falling for an older man who is in love with her dead mother.

Her other major box office hits of the era were "Chaalbaaz", where she played the role of twins, "Nagina", and "Khuda Gawah" opposite Amitabh Bachchan.

Her pairing with Anil Kapoor, her "Mr India" co-star and brother-in-law, was particularly successful and she would work with him again in "Laadla" and "Judaai".

After "Judaai", Sridevi took a break from acting to focus on her marriage with Boney Kapoor. She had two daughters -- Janhvi and Khushi -- with Kapoor.

The actor made a successful comeback to cinema 15 years later with Gauri Shinde's "English Vinglish", playing a housewife who learns English after feeling left out in her family.

She also had a starring role in Tamil film "Puli" and followed "English Vinglish" with another successful outing in "Mom", which also featured Nawazuddin Siddiqui and Akshaye Khanna.

The actor's elder daughter Janhvi is on the cusp of her own cinematic journey with "Dhadak", a remake of the Marathi blockbuster "Sairat". Unfortunately, Sridevi will not be there to witness it.

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News Network
February 12,2020

London, Feb 12: Oscar-winning British director Steve McQueen is returning to his art roots with a series of short films at London's Tate Modern art gallery, offering a sensory exploration of black identity.

McQueen, who became the first black director to win the best picture Academy Award in 2014 for "12 Years a Slave", is now based between London and Amsterdam and is focused on championing diversity in the film industry.

Visitors to his new exhibition will be greeted by "Static", a film of New York's Statue of Liberty, scrutinising the iconic symbol from every possible angle at very close range against a deafening backdrop of the helicopter from where the footage was filmed.

"What interests Steve is our view of the world, how humans are trying to represent Liberty," said Fiontan Moran, assistant curator of the exhibition.

"7th Nov, 2001" features a still shot of a body while McQueen's cousin Marcus tells of how he accidentally killed his brother, a particularly traumatic experience for the artist.

"Western Deep" is another visceral work, giving a sense through sights and sounds in an interactive installation of the experiences of miners in South Africa, following them to the bottom of the mine.

"Ashes", meanwhile, is a tribute to a young fisherman from Grenada, the island where McQueen's family originated.

The images of beauty and sweetness filmed from his boat are tragically reversed on the other side of the projection screen, which shows a grave commissioned by McQueen for the eponymous young fisherman, who was killed by drug traffickers.

African-American singer, actor and civil rights activist Paul Robeson (1898-1976) is honoured in "End Credits".

The film shows censored FBI documents detailing the agency's surveillance of Robeson, read by a voice-over artist, for five hours.

"He is... testing the limits of how people can be documented in an era of mass surveillance," said Moran.

In a similarly militant vein, the exhibition features the sculpture "Weight", which was first shown in the prison cell where the writer and playwright Oscar Wilde was imprisoned.

It depicts a golden mosquito net draped over a metal prison bed frame, addressing the theme of confinement and the power of the imagination to break free.

The show runs alongside an exhibition of McQueen's giant portraits of London school classes, many of which appeared on the streets of London last year.

"I remember my first school trip to Tate when I was an impressionable eight-year-old, which was really the moment I gained an understanding that anything is possible," said McQueen, adding it was "where in some ways my journey as an artist first began".

He recently told the Financial Times newspaper the difference between his art films and his feature films was that the former were poetry, the latter like a novel.

"Poetry is condensed, precise, fragmented," he said. "The novel is the yarn".

The exhibition opens on February 13 and runs until May 11.

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News Network
February 3,2020

Feb 3: Actor-cum-activist Swara Bhaskar on Sunday targetted the Central government over granting Padma Shri to Pakistan-origin singer Adnan Sami who became an Indian citizen in 2016.

Addressing "Save the Constitution, Save the Country" rally here in Madhya Pradesh, Bhaskar said that passing the new citizenship amendment act tantamount to "betrayal" of the Constitution.

Sami, born in London to a Pakistani Air force veteran, applied for Indian citizenship in 2015 and became a citizen of the country in January 2016.

He was one of the 118 people chosen for the Padma Shri awards by the Centre last month.

"The legal process to grant citizenship to refugees and arrest infiltrators already exists in India. You (the government) have granted Indian citizenship to Adnan Sami and now selected him for Padma Shri through that process. (If this is the case) What is the need and justification for the Citizenship Amendment Act?" Bhaskar asked.

"On the one hand you abuse us (anti-CAA protesters), cane-charge us, slap us, hurl teargas shells at us and on the other hand you award Padma Shri to a Pakistani," she said

Bhaskar said the government labels some people as the members of "tukde-tukde gang" and anti-nationals" as per its convenience.

"Supporters of the CAA and the NRC keep harping about the so-called infiltrators having entered our country. If that is the case then why are we unable to see these intruders?" she asked.

"The problem is that they have intruded into the minds of the government and the ruling party," she said.

Bhaskar said the government seems to have "fallen in love with Pakistan".

"It sees Pakistan everywhere. My devout grandmother doesn't chant Hanuman Chalisa as often as this government keeps chanting the Pakistan mantra," she said.

Without naming the RSS, the actor said, "Sitting in Nagpur, these people are spreading politics of hatred".

Bhaskar said Pakistan chose to become a religious nation after the Partition in 1947 unlike India which opted to become a "secular republic where one's religion has nothing to do with citizenship".

"(Pakistan founder Mohammad Ali) Jinnah died a long ago, but his admirers want to divide the country again in the name of a religion," Bhaskar said.

She criticised BJP national general secretary Kailash Vijayvargiya for his controversial remarks about the 'presence' of Bangladeshi infiltrators in Indore, after some labourers were found eating poha and not rotis.

"If poha is Bangladeshi cuisine, then Kailash Vijayvariya, who grew up eating poha (in Indore), should be required to show his Indian citizenship papers," she demanded.

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News Network
February 2,2020

Feb 2: After creating a buzz with her recent low-key marriage, actor and model Pamela Anderson recently broke off her marriage with famous movie mogul Jon Peters, after just 12 days the wedding, reported Fox News.

The couple got married on January 20 in Malibu, California in a private marriage ceremony.

The Hollywood Reporter broke the news of the couple's split on Saturday stating that the pair has decided to "uncouple."

"I have been moved by the warm reception to Jon and my union. We would be very grateful for your support as we take some time apart to reevaluate what we want from life and from one another," Fox News quoted Anderson saying.

"Life is a journey and love is a process. With that universal truth in mind, we have mutually decided to put off the formalization of our marriage certificate and put our faith in the process, "she added.

Fox News further quoted a source close to Anderson as saying, "She's known Jon forever, but she never lived with him, contrary to some reports. And until you live with someone... Well, let's just say Pamela asked for a break. She is heading back to her compound in Ladysmith, Canada, to be with her family."

According to Fox News, the couple did not have any official marriage license.

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