‘A Star Is Born’: Lady Gaga triumphs in movie debut at Venice

Agencies
September 1, 2018

Lady Gaga spoke of her painful road to fame after she shone in her big Hollywood movie debut, “A Star Is Born”, which premiered Friday at the Venice film festival.

“Many times at the beginning of my career I was not the most beautiful woman in the room — but I wrote my own songs,” she told reporters.

The story of an “ugly” girl who thinks her nose is too big and hides behind layers of outrageous makeup had obvious autobiographical echoes for US star.

A remake of the 1937 classic, the singer was stepping into some big shoes in reprising a role already immortalised by Judy Garland and Barbra Streisand.

But critics hailed her magnetic performance and on-screen chemistry with co-star Bradley Cooper of “American Sniper” fame, who also directed the film.

Lady Gaga said she dug deep into her own experiences for the role.

When she was trying to make it “they often wanted me to give my songs to other singers but I held onto my music with my cold dead fingers, ‘You are not going to take my songs from me’,” she said

‘I am my own woman’

“They made suggestions about how I should look,” said the superstar, who thanked a journalist for comparing her nose to that of another great diva, the soprano Maria Callas.

Lady Gaga she said had to be “very strong to negotiate” the music industry’s attempts to remake her.

“I would always take a left turn. I never wanted to be sexy or to be viewed like other women. I wanted to be my own artist and my own woman,” she added.

Gaga, 32, whose real name is Stefani Germanotta, plays an Italian-American waitress and singer who meets a country music star on the slide in a drag club where she is performing Edith Piaf’s “La Vie en Rose”.

Sparks fly and soon this odd couple are making romantic and musical fireworks.

Gaga said her biggest fear was “being completely vulnerable and bare” on screen.

Took off her makeup

The first thing Cooper did at the screen test was wipe the makeup from her face, “and I was only wearing a little bit”, she said.

“I always love to transform myself and shape shift, it is part of my art and my music. But he wanted to see me with nothing… and he brought out this vulnerability in me, in someone who doesn’t necessarily feel safe to be vulnerable… he made me feel so free,” she added.

Cooper, 43, said their shared Italian-American roots helped weld the “amazing connection” between them, as well as the experience of shooting and singing live together in front of thousands of people at the Glastonbury and Coachella festivals in England and California.

Unlike the heroine of the film, Lady Gaga said she has never been a shrinking violet when it came to her own talent.

Never less than flamboyant, she made one of the most dramatic entrances in years at Venice, arriving on the eve of the premiere draped over the edge of a water taxi in a black bondage bustier dress with platinum blonde curls.

And her appearance at the film’s press conference was greeted by a clap of thunder across the Venetian lagoon.

“The character I play has completely given up on herself at the beginning of the movie. I was about 19 when I started as a singer and I hit the ground running. I was dragging my piano from dive bar to dive bar and I believed in myself.

“There can be 99 people in a room and you just need one to believe in you, and it was him (Cooper) for me,” the singer said of the director.

“I got to live my dream, I always wanted to be an actor.”

Meanwhile, the Coen brothers premiered their new Western “The Ballad of Buster Scruggs”, a typically off-beat black comedy starring Tim Blake Nelson, Liam Neeson, Tom Waits and Zoe Kazan that gets off with a musical bang.

Joel Coen also took out his six-shooter to support Neflix, which financed the film, and has been locked in a bitter row with the rival Cannes film festival.

“The fact there are companies that are financing and making movies outside the mainstream is very important,” he told reporters.

“It’s what keeps the art form alive. The more the merrier.”

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Agencies
August 2,2020

Mumbai, Aug 2: Oscar-winning director Alfonso Cuaron has come aboard as an executive producer on filmmaker Chaitanya Tamhane's movie The Disciple. The Marathi feature is set to represent India at the 77th edition of the Venice Film Festival. It will be screened in the Competition section of the prestigious film gala.

The movie, which is Tamhane's follow-up to his National Award-winning feature Court, has also been selected for 2020 Toronto International Film Festival's official line-up.

"I met Chaitanya through a mentorship program where I had the opportunity to watch his very superb debut film, Court  I was immediately impressed by his sense of cinema and fearless confidence to tell stories.

"He was part of most of Roma's process and I jumped to the opportunity to be part of the process of his second film The Disciple. I believe Chaitanya is one of the most important new voices of contemporary cinema," Cuaron said in a statement.

Tamhane said he is honoured to have Cuaron aboard the film.

"It’s a bit surreal and an incredible honour for me to have one of the most recognised and acclaimed filmmakers in the world be part of 'The Disciple'. In some ways, this validation from Alfonso Cuaron is even more," he added.

The Disciple, a 127-minute long feature, stars Aditya Modak, Arun Dravid, Sumitra Bhave, and Kiran Yadnyopavit. It has been produced by “Sir” actor Vivek Gomber through his Zoo Entertainment Pvt. Ltd.

The Disciple marks Tamhane’s return to Venice after he won the Best Film - Orizzonti and Lion of the Future award for Court in 2014.

Court, a poignant commentary on India's judicial system, also won the National Film Award for Best Feature Film in 2015 and was India's official entry for the Best Foreign Film at the 2016 Oscars.

Endeavor Content will sell North American rights and New Europe Film Sales boards the film as an international sales agent.

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News Network
June 22,2020

New Delhi, Jun 22: Amidst a strain in the ties between India and Nepal, actor Manisha Koirala, a Nepali national, on Monday urged people of both the countries to be not "aggressive and disrespectful" towards each other.

Koirala, a leading Bollywood actor of her times, took to Twitter to request people to let the respective government resolve the issues and stay "civil."

"A heartfelt request please let's not be aggressive and disrespectful..we are in this situation together..our respective Gov's will resolve the issue. In the meantime we can be civil ..I remain hopeful," she tweeted.

Earlier last week, Nepal 's Upper House of Parliament endorsed a proposal to discuss the Constitution amendment bill to update the country's map that incorporates parts of Indian territory.

Nepal's House of Representatives had on June 10 endorsed a proposal seeking consideration of a constitution amendment bill for change of country's map after a lengthy discussion. Nepal has made offers to India to hold "diplomatic talks to resolve the territorial issue" between the two countries.

New Delhi has said that the updated map is "not based on historical facts and evidence" and termed the claims by Nepal as artificial enlargement.

External Affairs Ministry spokesperson Anurag Srivastava also said that the move is violative of the current understanding to hold talks on outstanding boundary issues.

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News Network
June 9,2020

New Delhi, Jun 9: Multiplex operator PVR on Monday said it has cut salary across various levels, laid off employees and deferred increments during the lockdown to mitigate adverse impact of COVID-19 on the business.

The company said at present it is not generating any revenue from exhibition business and related activities as cinemas across the country are shut following the directions from the regulatory authorities.

According to the company, closure of screens during the lockdown will have a significant negative impact on profitability and liquidity.

PVR has taken measures to reduce its personnel cost, including salary cuts across various levels in the organisation during the lockdown along with "reduction in headcount by way of layoffs/retrenchment" to mitigate the adverse impact of COVID-19 on the business.

Moreover, the board of the company, in its meeting held on Monday has also approved plan to raise Rs 300 crore through rights issue.

"Since Cinema Exhibition is the only business segment, company is currently not generating any revenue from admissions, food and beverage sales or other revenue and cash flow from operations," said PVR in an update.

Beginning from March 11, PVR started closing its screens in accordance with the order passed by various regulatory authorities and within a few days most of our cinemas across the country were shut down, it added.

The company will continue to incur committed cash outflows, including employee salary pay-outs, other overheads as well as payments for older working capital.

"This has and will have a significant negative impact on profitability and liquidity during lockdown and even thereafter till business comes to normalcy," it added.

Further, once the cinemas are re-opened, we may not be able to run our cinemas at normal capacity utilisation levels on account of social distancing measures that cinemas may be required to follow as well as health concerns that the patrons may have, the multiplex operator said.

"On account of this, our revenue and cash flow generation may be impeded even once we are allowed to restart operations," it added.

The company has also deferred decision on on increments to reduce its cost, it added.

PVR has also written to developers for waiving rental and CAM (Common Area Maintenance) charges for the lockdown period.

It is in discussion with developers for reducing rentals post re-opening and has invoked force majeure clause in its agreements with them.

Besides, the company has raised additional borrowings from existing bankers to shore up liquidity.

"As of March 31, 2020 the company had cash and bank balance of Rs 316 crore. As on June 7, 2020 cash and bank balance is Rs 227 crore (including undrawn bank lines)," it added.

Over reopening of theatres, PVR said that the government has come out with a phase-wise schedule.

In these guidelines cinema halls have been kept in the third phase of re-opening, where dates will be decided based on assessment of the situation.

"We are in continuous engagement with all regulatory authorities and hope to receive the necessary permissions for restarting opening in the near future," it added.

Currently PVR operates 845 screens in 176 properties in 71 cities.

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