‘A Star Is Born’: Lady Gaga triumphs in movie debut at Venice

Agencies
September 1, 2018

Lady Gaga spoke of her painful road to fame after she shone in her big Hollywood movie debut, “A Star Is Born”, which premiered Friday at the Venice film festival.

“Many times at the beginning of my career I was not the most beautiful woman in the room — but I wrote my own songs,” she told reporters.

The story of an “ugly” girl who thinks her nose is too big and hides behind layers of outrageous makeup had obvious autobiographical echoes for US star.

A remake of the 1937 classic, the singer was stepping into some big shoes in reprising a role already immortalised by Judy Garland and Barbra Streisand.

But critics hailed her magnetic performance and on-screen chemistry with co-star Bradley Cooper of “American Sniper” fame, who also directed the film.

Lady Gaga said she dug deep into her own experiences for the role.

When she was trying to make it “they often wanted me to give my songs to other singers but I held onto my music with my cold dead fingers, ‘You are not going to take my songs from me’,” she said

‘I am my own woman’

“They made suggestions about how I should look,” said the superstar, who thanked a journalist for comparing her nose to that of another great diva, the soprano Maria Callas.

Lady Gaga she said had to be “very strong to negotiate” the music industry’s attempts to remake her.

“I would always take a left turn. I never wanted to be sexy or to be viewed like other women. I wanted to be my own artist and my own woman,” she added.

Gaga, 32, whose real name is Stefani Germanotta, plays an Italian-American waitress and singer who meets a country music star on the slide in a drag club where she is performing Edith Piaf’s “La Vie en Rose”.

Sparks fly and soon this odd couple are making romantic and musical fireworks.

Gaga said her biggest fear was “being completely vulnerable and bare” on screen.

Took off her makeup

The first thing Cooper did at the screen test was wipe the makeup from her face, “and I was only wearing a little bit”, she said.

“I always love to transform myself and shape shift, it is part of my art and my music. But he wanted to see me with nothing… and he brought out this vulnerability in me, in someone who doesn’t necessarily feel safe to be vulnerable… he made me feel so free,” she added.

Cooper, 43, said their shared Italian-American roots helped weld the “amazing connection” between them, as well as the experience of shooting and singing live together in front of thousands of people at the Glastonbury and Coachella festivals in England and California.

Unlike the heroine of the film, Lady Gaga said she has never been a shrinking violet when it came to her own talent.

Never less than flamboyant, she made one of the most dramatic entrances in years at Venice, arriving on the eve of the premiere draped over the edge of a water taxi in a black bondage bustier dress with platinum blonde curls.

And her appearance at the film’s press conference was greeted by a clap of thunder across the Venetian lagoon.

“The character I play has completely given up on herself at the beginning of the movie. I was about 19 when I started as a singer and I hit the ground running. I was dragging my piano from dive bar to dive bar and I believed in myself.

“There can be 99 people in a room and you just need one to believe in you, and it was him (Cooper) for me,” the singer said of the director.

“I got to live my dream, I always wanted to be an actor.”

Meanwhile, the Coen brothers premiered their new Western “The Ballad of Buster Scruggs”, a typically off-beat black comedy starring Tim Blake Nelson, Liam Neeson, Tom Waits and Zoe Kazan that gets off with a musical bang.

Joel Coen also took out his six-shooter to support Neflix, which financed the film, and has been locked in a bitter row with the rival Cannes film festival.

“The fact there are companies that are financing and making movies outside the mainstream is very important,” he told reporters.

“It’s what keeps the art form alive. The more the merrier.”

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News Network
January 24,2020

Paris, Jan 24: Rahul Mishra and Imane Ayissi made history on Thursday by becoming the first Indian and black African designers to show their clothes on the elite Paris haute couture catwalk.

Only a little more than a dozen of the world's most prestigious luxury labels -- including Dior, Chanel and Givenchy -- have a right to call their clothes haute couture.

All the clothes must be handmade -- and go on to sell for tens of thousands of euros (dollars) to some of the richest and most famous women in the world.

Mishra, an advocate of ethical "slow fashion" who blames mechanisation for much of the world's ills, said "it felt amazing and very surreal to be the first Indian to be chosen." "They see a great future for us -- which will make us push ourselves even harder," the 40-year-old told AFP after his debut show was cheered by fashionistas.

Both Mishra and Cameroon-born Ayissi, 51, are champions of traditional fabrics and techniques from their homelands and are famous for their classy lines.

Ayissi said his selection was "immense" both for Africa and himself.

"I am so proud that I can show my work and showcase real African fabrics and African heritage," he told AFP backstage as celebrities, including the chic head of Unesco, Audrey Azoulay, congratulated him.

Mishra broke through on the Paris ready-to-wear scene after winning the International Woolmark Prize in 2014, the top award that also launched the careers of such greats as Karl Lagerfeld and Yves Saint Laurent.

The purity of his often white creations with their detailed but understated embroidery has won him many fans, including Vogue's legendary critic Suzy Menkes.

The doyenne of fashion's front row called him an Indian "national treasure".

But this time, Mishra turned up the colour palette somewhat with dresses that subtly evoked the jungle paradises and pristine underwater world off the Maldives he worries that one day we might lose.

Appalled by the smoke and pollution that meant he had to keep his four-year-old daughter indoors in Delhi for nearly 20 days in November, Mishra said he imagined a "pure virginal and untamed planet... with ecosystems crafted out of embroidered flora and fauna".

"I am very emotional about it. Sometimes it makes me cry. All our children should be growing up in a better world," he added.

"When I take Aarna (his daughter) to the foothills of the Himalayas and the sky turns blue, she is so happy.

"Once, when she saw the River Ganges, she said: 'Can you please clean it for us so can go for a swim?'"

Mishra said he was reducing the quantity of clothes he was producing while at the same time increasing their quality, with humming birds, koalas and other animals hidden in the hundreds of hand worked embroidered leaves and flowers of his "jungle dresses".

The designer has won ethical and sustainability awards for his work supporting local crafts people in rural India.

"My objective is to create jobs which help people in their own villages," Mishra said.

"If villages are stronger, you will have a stronger country, a stronger nation, and a stronger world," he added.

Ayissi takes a similar stand, refusing to use wax prints popular in West Africa which he dismisses as "colonial".

Dutch mills flooded Africa with cotton printed with colourful patterns borrowed from Indonesian batik in the 19th century, and still dominate the market.

"When we talk about African fashion, it's always wax, which is a real pity," he told AFP, "because it's killing our own African heritage."

Ayissi, a former dancer who worked with singers such as Sting and Seal, told AFP he wanted to open up "a new path for Africa" and find an "alternative way of doing luxury fashion".

He has gone back to using prestigious local materials, like the strip fabric kente woven by the Akan people of Ghana and the Ivory Coast, which was originally worn only by nobles.

The son of an undefeated African boxing champ and a former Miss Cameroon, he also uses appliqued techniques from Benin and Ghana.

Haute couture shows only take place in Paris and the criteria to enter and remain in fashion's elite club are strictly enforced by French law.

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Agencies
August 2,2020

Mumbai, Aug 2: None of the sim cards that actor Sushant Singh Rajput was using was registered under his name, said the team of Bihar Police, probing his death case, on Sunday.

The team also informed that one of the sim cards that the late actor was using was registered the name of his friend Siddharth Pithani.

"We are now tracking the call detail records (CDRs)," the police said.

The team also said that they will interrogate the family of Sushant Singh Rajput's former manager Disha Salian, who died few days before Sushant's death.

"Even after constant attempts to connect with them on phone, we have failed to establish any contact," it said.

Earlier today, while talking to news agency, the Director-General of Police (DGP) of Bihar Gupteshwar Pandey hinted at the non-cooperation of Mumbai police with his team in their investigation.

"We don't have post-mortem report details, CCTV footage or any information that has been collected by Mumbai Police during probe till now. Our Chief Minister has requested the Maharashtra Chief Minister to ask his police force to cooperate with us," the DGP added.

When asked if Bihar Police want CBI probe into the case, he said, "We are more than capable of doing an unbiased investigation. We hope that Mumbai Police will cooperate with us and we'll conclude the investigation."

Rajput was found dead at his Mumbai residence on June 14. Mumbai Police who was investigating the case had earlier informed that they have recorded the statements of 41 people, including filmmaker Mahesh Bhatt, film critic Rajeev Masand, director-producer Sanjay Leela Bhansali, and filmmaker Aditya Chopra so far.

A team of Bihar Police is in Mumbai to probe the actor's death after an FIR was filed by Rajput's father KK Singh against late actor's girlfriend Rhea Chakraborty in Bihar in connection with the death case under several sections including abetment of suicide.

The Enforcement Directorate (ED) had also registered an Enforcement Case Information Report (ECIR) in Rajput's death case. ED registered the report after an FIR was filed by his father against Chakraborty.

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Agencies
January 11,2020

New Delhi, Jan 11: The Delhi High Court on Saturday restrained from releasing Deepika Padukone-starrer 'Chhapaak' movie without due credits to the lawyer who represented the acid attack survivor, Lakshmi Agarwal, in her legal battle.

The restraint will be effective from January 15 in multiplexes and live streaming and for others from January 17.

The court directed filmmaker Meghna Gulzar to give due credit to lawyer Aparna Bhat who fought the criminal case for the acid survivor on whose life the movie is based.

It passed the order on a petition filed by Fox Studio challenging a trial court order which had directed the filmmakers to give credit to Bhat.

Delhi's Patiala House Court had earlier this week passed an order granting an ex-parte interim mandatory injunction directed that the filmmaker has to carry a line "Aparna Bhat continues to fight cases of sexual and physical violence against women" during the screening of the film.

Fox Studios then requested the Delhi High Court to set aside the trial court order.

The petitioner submitted that if the order passed in a suit filed just one day before the release of the film, is not vacated, varied or modified, then the petitioner will suffer grave injustice and irreparable harm and injury.

The movie, which hit the cinemas yesterday, is based on Laxmi's life. In 2005, at the age of 15, she was allegedly attacked by a spurned lover.

Laxmi had to undergo several surgeries. Later, she started helping other acid attack survivors and promoted campaigns to stop such gruesome attacks.

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