'Uttama Villain': Terrific meta film on stardom, mortality

May 3, 2015

May 3: Film: "Uttama Villain"; Cast: Kamal Haasan, Andrea Jeremiah, Pooja Kumar, K. Balachander, K. Vishwanath, Urvashi, M.S. Bhaskar, Parvathi Menon and Jayaram; Director: Ramesh Aravind; Rating: ****

Uttama VillainThe film opens in a theatre as the camera captures the frenzied mood of fans waiting to watch the latest release of superstar Manoranjan, played by Kamal Haasan. In the movie within the movie, in some foreign location, Manoranjan is dancing to a duet with Pooja Kumar.

Here's a sixty-year-old jiving like he's thirty years younger and performing wheeling on his bike. A few scenes later, Manoranjan is on a talk show where he's aptly introduced as the king of entertainment because Manoranjan (in Hindi) means entertainment and what better name can a superstar have.

It just takes a few minutes to get to know Manoranjan, who's the son-in-law of successful producer Poorna Chandra Rao (K. Vishwanath), who has produced most of Manoranjan's films since he's married to his daughter.

In a way, he's responsible for his stardom and legacy. In the opening scene, Manoranjan's wife, mother-in-law and son, Manohar, are seated in the back row of the movie screening.

Manohar is least interested and is happily texting away. A little later, we're introduced to doctor Arpana, played by Andrea, and her first encounter with Mano almost catches the eye of the paparazzi.

There's another woman in Manoranjan's life, his old flair Yamini with whom he has a daughter, Manonmani. As a viewer, suddenly, you get the feeling that the life of superstar Kamal is unfolding on screen, for he's had his share of failed relationships and affairs.

In a beautiful mall scene, we witness hero-worshipping when legions of fans show up to get a glimpse of Manoranjan. He waves at them and smiles like they mean his world. And minutes later, as he leaves in a car, his superstar mask comes off, as he necks down some whiskey to fight severe headache. He doesn't want his fans to see him drinking because superstars are role models for many, aren't they?

"Uttama Villain" is a terrific take on super stardom and mortality. It is actually partly a satire and when Manoranjan learns he has only few days to live, he wants make a film in which he's immortal.

Manoranjan teams up with his former mentor and celebrated filmmaker Margadarshi, played by his real-life guru K. Balachander. The character is named Margadarshi (the path shower) for a reason because it's a fitting tribute to Balachander, who showed the path to Kamal many years ago when he wasn't sure if he wanted to be an actor. The first scene between them is exceptionally good and the intensity with Balachander delivered his lines is commendable and inspiring.

Manoranjan and Margadarshi decide to make folklore about a theatre artist who sets out on a journey to expel a nasty king. The movie within the movie is called "Uttama Villain", which is a comedy, and Kamal plays Uttaman, but people call him Mrityunjay as he dodges death many times by a whisker.

Although Manoranjan is dying a slow and tragic death in real life, as the character Uttaman he entertains and remains immortal.

As Manoranjan brings his family together, including his daughter from his affair with Yamini, you see the mask coming off the superstar gradually. The scene where he breaks the news about his health to his wife and her family is heartbreaking, and so is when he learns about his daughter from the person who raised her. Kamal owns these scenes and performs with the kind of subtlety nobody else can.

The scenes with his wife, played Urvashi; his son and daughter are easily some of the best moments of the movie.

The story of Manoranjan and the eight century portions unfold simultaneously. The story shifts between superstar Manoranjan and the talented actor he is. It shifts between someone who is on the brink of death and someone who has been successfully dodging it. It shifts between mortality and stardom. What's important for any actor is that he's remembered even after he's gone.

In the end, when Manoranjan is taken inside for surgery, we see the climax of the movie within the movie. Superstar Manoranjan is battling for life inside the operation room and at the same time we see Uttaman successfully having defeated the king.

In an earlier scene, Manoranjan requests Margadarshi to allow him to complete the last shot of the movie before he's taken for surgery. As Mano leaves in a wheel chair, Margadarshi promises to edit and show the film to him soon in the hospital.

Call it irony, but it reminded me of the time when Balachander was on his hospital bed and speaking to Kamal, who was busy with the post-production work of the movie in Los Angeles. When Kamal had asked Balachander if he wanted him to come visit him, he was told not to return without completing pending work. Kamal didna¿t get a chance to bid adieu to Balachander; and in the movie Margadarshi doesn't get a chance to bid adieu to Manoranjan.

Comments

Add new comment

  • Coastaldigest.com reserves the right to delete or block any comments.
  • Coastaldigset.com is not responsible for its readers’ comments.
  • Comments that are abusive, incendiary or irrelevant are strictly prohibited.
  • Please use a genuine email ID and provide your name to avoid reject.
News Network
June 11,2020

Washington, Jun 11: Music maestro AR Rahman has joined the international film 'No Land's Man' as co-producer and composer.

Helmed by renowned Bangladeshi filmmaker Mostofa Sarwar Farooki, the upcoming movie has Indian thespian Nawazuddin Siddiqui, Australian theatre actor Megan Mitchell, and Bangladeshi musician and actor Tahsan Rahman Khan in pivotal roles.

"Time always gives birth to new worlds, new ideals. The newborn world has new challenges and new stories to tell. This is one such story," Variety quoted Rahman as saying.

The movie chronicles the life of a South Asian, whose journey gets complicated when he meets an Australian woman in the U.S.

The film, shot in the U.S., Australia and India, is predominantly in English with some dialogue in Hindi and Urdu.

'Sacred Games' actor, Siddique said: "The filming experience for this project was challenging but a fulfilling one. AR Rahman's brilliance will definitely make the film richer."

"Farooki and I first spoke about 'No Land's Man' at Film Bazaar in 2014. Between then and now, the film has become even more relevant as it looks at what it means to be a vulnerable person in a racially-divided world," producer Srihari Sathe said.

'No Land's Man' won the MPAA (Motion Picture Association of America) and Asia Pacific Screen Awards' Script Development fund in 2014. It was part of the Asian Project Market at Busan and was chosen as the best project at India's Film Bazaar the same year.

Earlier in January, Siddiqui posted multiple pictures on Instagram with the team of the flick, marking the schedule wrap in New York and Sydney for 'No Land's Man.'

He also captioned the post as: "Wonderful experience with the most energetic team."

Comments

Add new comment

  • Coastaldigest.com reserves the right to delete or block any comments.
  • Coastaldigset.com is not responsible for its readers’ comments.
  • Comments that are abusive, incendiary or irrelevant are strictly prohibited.
  • Please use a genuine email ID and provide your name to avoid reject.
News Network
June 22,2020

New Delhi, Jun 22: Musician Madonna, who is a mother of six, wished herself on the occasion of Father's Day on Sunday by posting adorable pictures with her kids.

Along with pictures, the 'Crazy For You' singer penned down a beautiful caption, wishing herself and every parent a 'Happy Father's Day' for nurturing and guiding their children in the best way possible.

"Happy Fathers Day to Me and to every parent out there doing their best to Nurture, Guide, Inspire, and Teach! #Lola #Rocco #David #Mercyjames #Estere #Stella," the 61-year-old singer wrote in the caption.

Madonna is the biological mother to two of her six children and has adopted the rest four.

She had adopted her first child Davida Banda back in 2006 and then she adopted a boy in 2009. The last addition to her family were the twins she adopted from Malawi.

Comments

Add new comment

  • Coastaldigest.com reserves the right to delete or block any comments.
  • Coastaldigset.com is not responsible for its readers’ comments.
  • Comments that are abusive, incendiary or irrelevant are strictly prohibited.
  • Please use a genuine email ID and provide your name to avoid reject.
News Network
January 23,2020

Jan 23: Calling himself an optimist who believes in the goodness of people, director Kabir Khan says everything these days is being looked at through the prism of religion but India is about more than that.

The director of blockbusters such as Bajrangi Bhaijaan and Ek Tha Tiger said he is happy he has a platform as a filmmaker to present a counterpoint to the prevailing narrative based on religious fault lines.

"I’m an optimist who believes in the goodness of the people. But yes, there is a certain level of bigotry that has crept in. Everything is being looked at through the prism of religion but India is not about that.

"It sounds like a cliché but when I was growing up, I was not aware of my religion. That was the greatness of this country,” Kabir told news agency.

He said he is a product of a mixed marriage and is pained to see the social fabric being tattered.

“I have celebrated the best that Indian secularism has to offer. But to see the greatness of this country being simplified and broken down into religious fault lines is a painful experience,” he added.

According to Kabir, it is dangerous to see history through the prism of religion, whether in cinema or society. But it is important to revisit history to know what happened and one can always find something that is relevant for the present, he said.

The director, who started as a documentary filmmaker, returns to his roots for a five-episode series on Subhas Chandra Bose's Indian National Army, The Forgotten Army: Azaadi Ke Liye, on Amazon Prime, his most expensive project yet.

Asked whether this is a difficult time for filmmakers, Kabir said he believes art thrives in the time of strife and, as a storyteller, his politics will always reflect in his work.

“Every film has its politics and every filmmaker has to reflect his or her politics. Every film of mine will reflect my politics and it will never change according to the popular mood of the audience. But a film should not be just about that. Politics should be in the layers beneath," he said.

He terms his 2015 Salman Khan-starrer Bajrangi Bhaijaan an "extremely political" film. At face value, it can also be enjoyed as the story of a mute Pakistani girl who drifts into India and is taken back to her homeland by a Hanuman devotee. But there is so much more. The "chicken song", for instance, was a sly reference to the beef ban controversy at the time, he said.

"I won’t say it is a difficult time for me as a filmmaker. It is good that I have a platform where I can talk and present a counterpoint and I refuse to believe that the entire country believes the narrative that is being sent out. There are millions and millions of people, and perhaps the majority, that does not believe. And if I present the counterpoint, they will think about it.”

Discussing his new series, the director said it has always fascinated him that the sacrifice of the men and women who comprised the INA is just a forgotten footnote in history.

“I wanted to make something that stands the test of time. It goes down in posterity,” Khan, who first explored the subject in a Doordarshan documentary 20 years ago, said.

For the documentary, he traveled with former INA officers Captain Lakshmi Sahgal and Captain Gurbaksh Singh Dhillon from Singapore to India via erstwhile Burma, retracing the route that the INA followed.

“The documentary got me a lot of attention and acclaim but the story just never left me. It's actually the first script I ever wrote and I landed up with that script in Bombay from Delhi. I realised very soon that nobody's going to give me a budget of this size to make my first film.

"And then after every film, I would pick up the script and say, ‘Okay, this is the one I want to make’, because this is the story that made me want to become a filmmaker. On the way, I ended up making eight other films but this is really the story that I wanted to make,” he said.

Kabir is happy that the story has come out as a series, not a film, as it would have required to compromise with the budget and other elements.

"Without giving any numbers, this is the most expensive project I have ever worked on… It required that kind of budget."

Kabir believes the INA was responsible for bringing down the morale of the British establishment, which realised it would be impossible to keep the country colonised without the support of the local army.

"There are a lot of debates and discussions about what happened with the INA and the controversies around it. The whole point is that, if you want to judge what the Army did, sure that's your prerogative, but at least get to know what they did. Nobody knows what happened with the Army from 1942 to 1945."

He added that 55,000 men and women of the INA fought for independence and 47,000 of them died.

"Not a single person from that Army was ever taken back into the independent Army, which is such an amazing fact... the fact that the British called them traitors became the narrative and we also started assuming that they were traitors."

"They were the only women's regiment in the whole world 70 years ago. That's what they thought about women's importance in society. I don't know whether they will be happy with what the current situation is," he said.

Comments

Add new comment

  • Coastaldigest.com reserves the right to delete or block any comments.
  • Coastaldigset.com is not responsible for its readers’ comments.
  • Comments that are abusive, incendiary or irrelevant are strictly prohibited.
  • Please use a genuine email ID and provide your name to avoid reject.