Vishal Bhardwaj: Aamir Khan is one actor who tries to become the character

Agencies
May 24, 2018

New Delhi, May 24: He does not shy away from admitting that the desire for success pushed him to become a music composer but after spending almost three decades in the film industry, Vishal Bhardwaj has come to believe that “creative satisfaction” is the driving force for him. The 52-year-old filmmaker says craving for success is in human nature and he is no different but with time, his priorities have changed from money or fame to creating the cinema he believes in.

“If one says he is not looking for success, he is lying. If somebody is not bothered about success, they are actually close to nirvana. Success represents greed. If one doesn’t want success, they have overpowered their greed. With success comes three things—money, fame and power. But now creative satisfaction is more important for me. I have never had great success with my films, but the creative satisfaction I got was on some other level. That is why even after failures, I keep coming back to make films,” Bhardwaj said.

The filmmaker, who was in the city to attend the ongoing Habitat Film Festival in Delhi, says failures do affect him. His last directorial venture, Rangoon, bombed at the box office.

“If films don’t work, we are criticised so badly by people and critics. It makes me disheartened. At that time, I think why am I doing this? Why am I bringing myself to this court where people are judging me? But then I realise, they are not judging me but my work. I feel low for sometime and then I bounce back.” Bhardwaj, 52, who started his journey in Mumbai as a music director, turned filmmaker with 2002 film “Makdee” as he was unhappy with the content being produced during late ’90s.

And with his beautiful on-screen adaptations of William Shakespeare’s three tragedies–Macbeth (Maqbool), Othello (Omkara) and Hamlet (Haider), he has become one of the most important contemporary voices in Indian cinema.

In the process, Bhardwaj has also worked with some of the biggest stars in the Indian film industry as he believes at times it gets important to have a “name” in the project to attract financers. “Working with stars becomes important because as a filmmaker I need people to invest in my film. I remember, when I was making ‘Maqbool’, I went to a bank to get my lone sanctioned but nobody believed that a film based on a literary work will do well.”

The director, however, has his own criteria when it comes to choosing stars for his films. “I choose stars on the basis of how much they are open to be the characters because it is tough for them to leave their image,” he says.

Bhardwaj believes Aamir Khan is one such superstar, who likes going the extra mile to become a character. “Aamir is one such star who tries his best to become the character. But otherwise, stars have the tendency to bring the character to their stardom and not leave their stardom to play the character.”

Bhardwaj and Aamir almost came together for a film titled, Mr Mehta and Mrs Singh, but the project was shelved as they had “creative differences”.

Aamir was also willing to essay the role of Langda Tyagi in Omkara, but things could not materialise. The part eventually went to Saif Ali Khan. “We have not worked together yet but I love that he is a very honest and straight person, which is rare to find in such a big star. Most of the stars lose this quality. His upbringing and him being so humble is a big quality he has achieved. I don’t know what kind of a film we will work on. We have to find out a character which excites both of us,” Bhardwaj says.

The director’s another favourite star is Priyanka Chopra. The two have earlier worked on Kaminey and 7 Khoon Maaf and are currently in talks for a new project.

“Priyanka is my favourite actor to work with. It is always a pleasure to work with her. We have been working on some story. Maybe one of the Shakespearean adaptations I will do with her,” he says.

Bhardwaj’s next directorial venture is a sequel to Talvar and will revolve around the recent murder of a seven-year-old student in a Gurgaon school. The director, who is also writing and producing the film, says it will not only focus on the case but will also throw light on the current state of the society.

“It is our duty to bring out these things. The film is very contemporary. It is a reflection of the society we live in. It is not only about that particular incident and will present bigger picture.”

Comments

Add new comment

  • Coastaldigest.com reserves the right to delete or block any comments.
  • Coastaldigset.com is not responsible for its readers’ comments.
  • Comments that are abusive, incendiary or irrelevant are strictly prohibited.
  • Please use a genuine email ID and provide your name to avoid reject.
Agencies
January 16,2020

Washington D.C., Jan 16: Barbara Broccoli, who has since long been the producer of the James Bond franchise, recently clarified in an interview that the 007 character won't be played by a woman in the forthcoming rendition.

Broccoli, accompanied by her half brother and fellow producer Michael G. Wilson, told Variety: "He can be of any color, but he is male."

She went on to say: "I believe we should be creating new characters for women -- strong female characters. I'm not particularly interested in taking a male character and having a woman play it. I think women are far more interesting than that."

According to Fox News, the current Bond hero, Daniel Craig, announced last November that he would cease to play the legendary character once he is done with the upcoming 'No Time To Die' movie that is scheduled for release in coming April.

Commenting on Daniel parting ways with the franchise, Broccoli said: "I'm in total denial. I've accepted what Daniel has said, but I'm still in denial. It's too traumatic for me."

Fox News reported last July that the British Actress Lashana Lynch could possibly star in the 2020 Bond flick, but such speculations were dispelled once the trailer for the movie was brought out last December.

Comments

Add new comment

  • Coastaldigest.com reserves the right to delete or block any comments.
  • Coastaldigset.com is not responsible for its readers’ comments.
  • Comments that are abusive, incendiary or irrelevant are strictly prohibited.
  • Please use a genuine email ID and provide your name to avoid reject.
News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

Comments

Add new comment

  • Coastaldigest.com reserves the right to delete or block any comments.
  • Coastaldigset.com is not responsible for its readers’ comments.
  • Comments that are abusive, incendiary or irrelevant are strictly prohibited.
  • Please use a genuine email ID and provide your name to avoid reject.
News Network
July 18,2020

Mumbai, Jul 18: Actor Aishwarya Rai Bachchan and daughter Aaradhya Bachchan on Friday were shifted to a city hospital, almost a week after they were tested positive for COVID-19. Aishwarya, 46 and eight-year-old Aaradhya were diagnosed with coronavirus on Sunday, a day after the actor’s father-in-law, megastar Amitabh Bachchan, and husband Abhishek Bachchan tested positive for the COVID-19.

The mother-daughter duo was self-quarantining at home till now.

“Both Aishwarya and Aaradhya were admitted to Nanavati hospital today. They are fine,” hospital source said.

Aishwarya needed medical attention, another insider said.

Amitabh, 77, and Abhishek, 44, both are already in the isolation ward of Nanavati hospital.

Since his diagnosis, Amitabh has been regularly updating his admires about his health on social media.

“In happy times, in times of illness, you our near and dear, our well wishers, our fans have ever given us unstinting love , affection care and prayer .. we express our bountiful gracious gratitude to you all .. in these circumstances hospital protocol, restrictive,” the screen icon tweeted on Friday evening.

According to Brihanmumbai Municipal Corporation (BMC), coronavirus cases in Mumbai rose to 98,979 with 1,228 new patients being reported on Friday.

Death toll due to the pandemic rose to 5,582 with 62 new fatalities being recorded.

Comments

Add new comment

  • Coastaldigest.com reserves the right to delete or block any comments.
  • Coastaldigset.com is not responsible for its readers’ comments.
  • Comments that are abusive, incendiary or irrelevant are strictly prohibited.
  • Please use a genuine email ID and provide your name to avoid reject.