We have always needed funny philosophers: 'Patriot Act' star Hasan Minhaj

Agencies
November 24, 2018

New Delhi, Nov 24: Stand-up comedy's newest star Hasan Minhaj believes his Indian-American-Muslim identity gives him a certain edge, becoming "superpowers" in his "utility box" to help him take on all the "crazy stuff happening in politics and culture".

Minhaj, whose parents migrated to the US from Aligarh, began his comedy career on American late-night talk program, "The Daily Show", and rose to prominence after hosting the White House Correspondents Dinner last year where he roasted US President Donald Trump.

Trump, in a departure from tradition, skipped the event.

Minhaj, 33, followed that high profile act with "The Homecoming King" on Netflix, a huge hit that paved the way for "The Patriot Act with Hasan Minhaj".

"I used to hate being Hasan Minhaj because people could not pronounce my name, people don't know who I am, they don't know anything about Indians, about Muslims. What am I? Now I have all these identities. These are superpowers in my utility box. I can use them at any point. It's cool," he said when asked about using his background as an asset in his comedy.

While "The Homecoming King" was more personal with Minhaj talking about being an immigrant and struggling with his dual identities, his new show focuses on politics, both American and global.

"I definitely think that it (his identity) gives me a comedic edge, for sure. Stand-up comedy is an art form, which involves a single performer on stage, sharing his/her perspective. It is one of the few art forms where individuality and uniqueness are honoured more than anything else," Minhaj told PTI over the phone.

He peppers his conversation with a unique blend of words, bringing in perspectives from American and Indian pop culture.

Minhaj, who often uses Hindi words such as "Log kya kahenge (what will people say) to drive his point home, finds it interesting that all the stuff that he thought was "weird" while growing up has become cool now.

"I used to think this stuff is so weird and then I was like 'No, it's not. It's who I am. I'm an immigrant.' The way I grew up with movies and pop culture... One of the things that I want to do is to add our culture to American popular culture."

"The Patriot Act", a pulpy, satirical take on topics such as America's marriage of convenience with Saudi Arabia (his words), oil, affirmative action and Amazon, is like "taking coffee and making a coffee espresso", he said.

"I realised my strength as a performer is having that longer runway. It takes the plane up and it takes longer to take off. You get to build a larger narrative arc, something that I never really got a chance to do on 'The Daily Show' because as a correspondent, you are servicing the show and the format."

The comedian says he wanted everything that he learnt from the four years he spent on "The Daily Show" to start his own venture of political storytelling.

"The power of both music and comedy as an art form is being able to distil esoteric things into their essence. If you see a great song, a joke or watch a great show, you go, 'that's exactly how I feel, thank you for saying this'. The magic of such shows and political satire is trying to take things that are otherwise esoteric and boring and translate it into something that is a really funny," he said.

In Minhaj's view, comedy has always been an "amazing" art form globally and is seeing a resurgence with the popularity of streaming services like Netflix.

"Comedy is suddenly given the stage and respect that it had in the '90s when cable companies started putting it on TV. It has heightened because of the internet. There are no borders to it, which is exciting. It has always been an important art form. We have always needed funny philosophers."

And comedy can be a great tool in highlighting elements that are important at a time when there are so many divisions everywhere, he said.

"I think with everything that's going on not only in our country but also in India, all the crazy stuff happening in politics and culture, civility, respect and the ability to laugh at yourself are the things that are really important.

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News Network
March 25,2020

New Delhi, Mar 25: Actor Priyanka Chopra on Tuesday night through an Instagram Live conversation put forward questions about coronavirus to World Health Organisation (WHO) experts and busted some myths about the global pandemic.

WHO General-Director Dr Tedros Adhanom Ghebreyesus and Dr Maria Van Kerkhove, the WHO's Technical Lead, were part of the live conversation which Priyanka shared on her Instagram. More than 45,000 fans participated in the session.

"There is so much information circulating about Covid-19. And right now we're all searching for clarity. My friends at @WHO and @glblctzn graciously brought the doctors working on the front lines here to give us answers straight from the experts. Please take some time to watch my IG Live with Dr. Tedros (General-Director at W.H.O.) and Dr. Maria Van Kerkhove (Technical Lead for Covid-19) from @WHO, who answered some questions that so many of you sent in," Chopra captioned the post.
Bollywood's 'Desi' girl also asked her fans to spread awareness about the disease and tag their friends and family in the post who are looking for answers and action steps.
PC even posted few questions submitted by the general populace and answers to the same on her Instagram story. The first question came from her husband, Nick Jonas, who also joined in on the conversation.

One of the questions was about the latest 21 day lockdown in India. Priyanka and Nick have been in self-isolation for weeks now.

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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News Network
July 14,2020

New Delhi, Jul 14: Going down the memory lane, late Bollywood actor Sushant Singh Rajput's close friend and actor Rhea Chakraborty recalled her memories with the departed actor as Rajput's untimely demise completed one month on Tuesday.

This marks the 'Jalebi' actor's first social media post dedicated to Rajput after his demise.

Chakraborty took to Instagram to post two pictures of herself with the 'Kai Po Che!' actor and complimented the post with a long emotional note.

She began the note by stating how she is "still struggling" to face her emotions and said that she will never come to terms with the actor's demise.

"Still struggling to face my emotions.. an irreparable numbness in my heart. You are the one who made me believe in love, the power of it," she wrote.

"You taught me how a simple mathematical equation can decipher the meaning of life and I promise you that I learnt from you every day. I will never come to terms with you not being here anymore," she added.

Terming Rajput as the "greatest physicist," the 'Mere Dad Ki Maruti' actor then recalled Rajput's passion for astrophysics.

"I know you're in a much more peaceful place now. The moon, the stars, the galaxies would've welcomed "the greatest physicist "with open arms," Chakraborty wrote.

Full of empathy and joy, you could lighten up a shooting star - now, you are one. I will wait for you my shooting star and make a wish to bring you back to me," she added.

Remembering the bond that she shared with him, Rhea wrote, "You were everything a beautiful person could be, the greatest wonder that the world has seen. My words are incapable of expressing the love we have and I guess you truly meant it when you said it is beyond both of us."

"You loved everything with an open heart, and now you've shown me that our love is indeed exponential," she added.

The 28-year-old actor ended the note by stating how she will love Rajput for a "lifetime."

"Be in peace Sushi. 30 days of losing you but a lifetime of loving you....Eternally connected. To infinity and beyond," she wrote.

Chakraborty and Rajput were close friends and were also set to share the screen space in the film 'Happy Anniversary.'

Sushant Singh Rajput was found dead in his Mumbai residence on June 14. The investigation in the case related to Rajput's demise is currently underway for which Chakraborty was also interrogated by Mumbai Police.

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