Why's TV cocking a snook at women's empowerment?

March 6, 2014

TV_cockingNew Delhi, Mar 6: Why does women's empowerment find little space on the small screen? While there is a deluge of TV shows revolving around female protagonists preoccupied with household, husband, family and kitchen politics, a career-oriented and independent Indian woman is hard to find on television soaps that provide daily entertainment staples and are social influencers for millions of women around the country.

The portrayal of female protagonists on Hindi general entertainment channels (GECs) on Indian television, which reaches out to over 130 million households, is sadly regressive, say industry veterans and experts.

Veteran actress and former Censor Board chief Sharmila Tagore, who believes in promoting strong female-oriented parts on the big screen, feels the TV medium needs to step out of its stereotypical portrayal of women.

"Content of TV is stereotypical. The shows still revolve around a preference for a son and kitchen dynamics. No women go to work. There is a complete absence of working women on the TV and that is not the case in real life," Sharmila recently stated.

Rightly so.

Be it Yeh Rishta Kya Kehlata Hai, Sasural Simar Ka, Uttaran, Doli Armaanno Ki, Pavitra Rishta or Gustakh Dil, the stories focus more on how girls forgo their career goals and objectives in an attempt to make everyone happy.

It wasn't always so.

Circa 1993: Indian television got one of its first soap opera in Tara that focussed on modern, educated and working women. The long-running soap ended in 1997.

In 2000, Tulsi and Parvati entered the scene and changed the depiction of women as homely, who stood up and spoke out for the right, but mostly within the parapets of their house.

Of course, there have been recent shows like Desh Ki Beti Nandini, Tumhari Paakhi and Ekk Nayi Pehchaan, which have tried to bring in an element of women's empowerment. But the results aren't impressive.

In most cases, whenever a few shows tried something different, the result was not positive. The latest case in point is Nandini, a socio-political drama about a girl who becomes a political leader, which is soon to go off air. It reportedly failed to entice the audiences enough.

Who is to be blamed - audiences who are accustomed to emotional family dramas or the show's makers who find it risky to experiment?

Director Waseem Sabir, associated with shows like Ek Veer Ki Ardaas - Veera, Maryada: Lekin Kab Tak? and Phir Subah Hogi, believes the TV industry is unable to go beyond a particular zone as housewives dominate the pan-Indian audience that watches the shows.

"The audience is more interested in watching housewife sagas. We love seeing planning and plotting, and the truth remains that we don't enjoy other's happiness," Sabir told IANS.

Actress Neha Marda, whose show Doli Armaanon Ki portrays the journey of small-town bride Urmi and her struggle to get love from her workaholic husband, believes TV shows merely "reflect the reality in Indian households".

"People like to come home and connect to stories or tracks that they too have experienced in their lives. Our target audience is women and they connect to the characters we portray on screen," Neha Marda said.

Agrees Madhura Naik, who plays a key role in Tumhari Paakhi, a story of a down-to-earth girl whose positive nature turns away negative situations.

"TV is medieval with its approach towards women and that's mainly because the target audiences of such shows are housewives. I believe that to catch more such eyeballs, it's necessary that such target audiences can relate to such dramas to get hooked," she said.

Their observations may be right. However, the same audiences had connected with shows like Dard, Shanti and Saans.

The big question here is: will the hope of again watching career-driven women, who can set an example for the society via TV, die a silent death?

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Agencies
June 15,2020

Mumbai, Jun 15: Actor Sushant Singh Rajput's death has reignited the discussions around the struggle of survival in Bollywood, with many insiders highlighting "cruel and unforgiving" nature of the industry, particularly tough on outsiders.

Rajput was found hanging in his Bandra apartment on Sunday.

According to a police official, Mumbai Police found out during the probe that the 34-year-old actor was under medication for depression.

An engineering student, Rajput left his course at the Delhi Technological University in the early 2000s and rose from a background dancer to a TV star with soap opera Pavitra Rishta, which gave the "outsider" his breakout show in 2009.

In 2013, he made his Bollywood debut with Kai Po Che! and went on to star in films such as Shuddh Desi Romance, Raabta, Kedarnath, Sonchiriya and Chhichhore.

But his most prominent role came as cricketer Mahendra Singh Dhoni's in the 2007 biopic, MS Dhoni: The Untold Story.

In a telling tweet, veteran actor Dharmendra wrote despite not knowing Rajput personally, his death served as a reminder that the industry could be "cruel".

"Pyaare Sushant, naa film dekhi na kabhi mila tum se... par tere achaanak chale jaane se bada sadma laga. This beautiful beloved 'show business" is very cruel. I can imagine your unbearable pain. I share the pain of your loving family and friends," Dharmendra wrote.

Actor Meera Chopra penned a powerful, poignant note about the loneliness one feels working in an industry, which is "cold and ruthless".

"We all knew well that Sushant was going through depression since long, but what did we do? Where was his close circle, the directors and producers he's worked with, his close friends? Why nobody came out and helped, gave him the kind of love, the work that he wanted - because nobody cares," she wrote on Twitter.

The Section 375 actor, who has been vocal about feeling suffocated by the constant judgement from the industry colleagues, said nobody in Bollywood cares about what one's going through and artistes are just a flop away from being alienated.

Chopra said the industry has "failed" Rajput and Bollywood will now never be the same.

"True, Bollywood is a small family, but a kind of family which is never there when you need them. He had to take his life for that family to realise the kind of pain and need he was in. An outsider will always feel like an outsider here.

"I just want to say to my industry that help people when they need it, and you know when they need it. There is no point tweeting when they are no more. Don't pretend to be sad when you guys didn't do anything when he was sad. Stop being such a hypocritical society," she added.

Gulshan Devaiah said, as an actor, one could understand why Rajput would've taken the step to end his life.

"As actors, somewhere deep down inside, we think we know why he did it and that’s why it so disturbing even if you didn’t know him at all. It’s a hard game to play and he played it very well but the game won in the end," Devaiah wrote.

Quoting Chopra's tweet, the Mard Ko Dard Nahi Hota star dismissed the idea of Bollywood being a family.

"If one thinks it’s a family, there is the problem. Bollywood is an imaginary name for a place of work, that’s it. I am really not trying to put anybody down here and sorry if it seems," he wrote.

On Sunday, actor-producer Nikhil Dwivedi posted a strongly-worded tweet calling out the "hypocrisy" of the industry after people from the film fraternity wrote they regretted not staying in touch with the "Chhichhore" star.

"High and mighty announcing they should have kept in touch with Sushant. Come on, you didn't! And that's because his career dipped. So STFU! Are you in touch with Imran Khan, Abhay Deol and others? No! But you were, when they were doing well," Dwivedi said.

Similar sentiment was echoed by filmmaker Anubhav Sinha, who, without taking names, said the "Bollywood Privilege Club" must sit down and think hard.

"Now don't ask me to elaborate any further," he tweeted.

Addressing outsiders, filmmaker Hansal Mehta wrote a long thread about the two ends of an artiste's time in the industry - the glorious successes and the crushing lows.

"There are many young 'outsiders' in this industry. Remember this - there is an establishment that will make you feel like the next big thing until they need you. They will drop you and mock you as soon as you falter. Do not fall for the trap. The ones that celebrate you will celebrate your downfall some time later," he tweeted.

Mehta said it's important for those who don't come from a film family to not force themselves to fit in.

"Just be authentic, follow your heart and stop seeking acceptance from anybody. Your connection should be with your art, your craft and with your audience. Nothing else matters. Over the years you will succeed, you will stumble.

"But remember that nothing is more important than you. Look after yourself. And know that you matter. The world is much bigger and wiser than what you perceive. So are opportunities. If you stay they will be yours. Lots of love. Never lose heart," the filmmaker wrote.

Celebrity hairstylist-turned-director Sapna Bhavnani claimed that Rajput's battle with mental health was out in the open and yet the industry chose to look the other way.

"It’s no secret Sushant was going through very tough times for the last few years. No one in the industry stood up for him nor did they lend a helping hand. To tweet today is the biggest display of how shallow the industry really is. No one here is your friend," she wrote on Twitter.

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News Network
June 4,2020

Mumbai, Jun 4: Casting director Krish Kapur, who had worked on films like Mahesh Bhatt's Jalebi and Kriti Kharbanda-starrer Veere Ki Wedding, passed away at the age of 28 due to brain hemorrhage, his family said.

There was speculation that Kapur died in a road accident but his maternal uncle, Sunil Bhalla, dismissed the reports, saying that the casting director fainted at his home in suburban Mira Road here and suffered brain hemorrhage.

According to Bhalla, Kapur breathed his last on May 31.

"He had no medical history. He was healthy and doing absolutely fine. On May 31, he just collapsed and started to bleed. He died of brain hemorrhage," Bhalla said on Wednesday.

Kapur is survived by his mother, wife and seven-year-old child.

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News Network
July 6,2020

Mumbai, Jul 6: Mumbai Police on Monday recorded the statement of filmmaker Sanjay Leela Bhansali in connection with actor Sushant Singh Rajput's death.

The director arrived at Bandra Police Station on Monday morning to give his statement.

As per reports, late actor Sushant was approached by Bhansali for his 2013 film "Goliyon Ki Rasleela: Ram-Leela". However, Sushant could not take up the offer reportedly due to his contract with a production house. Later Ranveer Singh was signed for the role. The female lead was played by Deepika Padukone and the film turned out to be a commercial success.

Meanwhile, Mumbai Police has, over the past weeks, recorded statements of Sushant's family, staff, a few of his friends, and Rhea Chakraborty, besides filmmaker Mukesh Chhabra and actress Sanjana Sanghi who worked with the late actor in his upcoming last film "Dil Bechara".

Sushant Singh Rajput was found hanging in his Mumbai residence on June 14. The actor's postmortem report stated his death was a suicide.

Within a few days of the actor's death, a complaint was filed by advocate Sudhir Kumar Ojha in the court of Chief Judicial Magistrate in Bihar's Muzaffarpur. The case filed regarding the actor's death was against eight Bollywood personalities including Bhansali, Salman Khan, Karan Johar, Aditya Chopra and Ekta Kapoor.

Mumbai Police is investigating the death of the actor, though many fans on social media have been demanding a Central Bureau of Investigation (CBI) probe into the case.

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