Zinta molestation case: Police record statement of two persons

June 15, 2014

Mumbai, Jun 15: Mumbai Police has recorded statements of two persons in connection with the alleged molestation of Preity Zinta by her former boyfriend and industrialist Ness Wadia, but is unable to reach the Bollywood actress as she is out of the country.Preeity zinta

"Statements of two persons, who were at the Garware pavilion in Wankhede stadium on May 30 when the alleged public spat between Zinta and Wadia broke out, were recorded last night," a police official involved in the investigation said.

However, police did not reveal the identity of the two persons and remained tight-lipped on what emerged in their statements.

The investigators also wanted to record the statement of the 39-year-old actress but she is presently not in the country, the official said.

"After collecting some substantial evidence, we will summon Wadia," he said.

The investigators will also ask the actress to provide emails exchanged between her and her former boyfriend, which police say, would throw some light to understand the long simmering differences between the complainant and Wadia.

The 39-year-old actress had filed a police complaint on Thursday night alleging that she was molested by Wadia (44) inside Wankhede stadium on May 30 when an IPL match was played between Kings XI Punjab and Chennai Super Kings.

Zinta and Wadia had broken off their five-year-long relationship a couple of years back but continued to share business interest.

Several players of IPL team Kings XI Punjab, of which Zinta is a co-owner with Wadia, its support staff, and officials of Wankhede Stadium were reported to have been present when the alleged incident took place.

Based on Zinta's written complaint, Marine Drive police have registered an FIR against Wadia under IPC sections 354 (assault or criminal force to woman with intent to outrage her modesty), 504 (intentional insult with intent to provoke breach of peace), 506 (criminal intimidation) and 509 (word, gesture or act intended to insult the modesty of a woman). PTI VM GK SMJ 06151439

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News Network
July 5,2020

Nalgonda,  Jul 5: Bollywood filmmaker Ram Gopal Varma has been booked in connection with his upcoming film 'Murder' which is based on Pranay Kumar's murder in Nalgonda district.

Ram Gopal Varma was booked following Nalgonda court's directive on a petition filed by father of a man who was killed in an alleged honour killing incident in Miryalaguda in 2018.

"We have booked filmmaker Ram Gopal Varma following a court order for his upcoming movie 'Murder', which is based on sensational caste-based Pranay Kumar's murder that occurred in Miryalguda, Nalgonda District in September 2018, " Police said.

On June 21, the filmmaker has released the poster of 'Murder', based on a true story.
Police said, "Pranay's father Balaswamy has filed a petition in Nalgonda Court stating that the film will affect the on-going trial of Pranay's murder case and the film should be stalled."

"We've registered a case under relevant section of SC/ST (Prevention of Atrocities) Amendment Act and taken up investigation."

"The court has ordered Nalgonda police to register a case against the film director Ram Gopal Varma and the producer," added the police.

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News Network
May 10,2020

May 10: Azaan is an integral part of the faith, not the gadget, says veteran writer-lyricist Javed Akhtar, asking that the Islamic call to prayer on loudspeakers should be stopped as it causes "discomfort" to others.

In a tweet on Saturday, Akhtar wondered why the practice was 'halaal' (allowed) when it was, for nearly half a century in the country, considered 'haraam' or forbidden.

"In India for almost 50 years Azaan on the loud speak was Haraam. Then it became Halaal and so halaal that there is no end to it, but there should be an end to it. Azaan is fine but loud speaker does cause of discomfort for others. I hope that atleast this time they will do it themselves (sic)," Akhtar tweeted.

When a user asked his opinion on loudspeakers being used in temples, the 75-year-old writer said everyday use of speakers is a cause of concern.

"Whether it's a temple or a mosque, if you're using loudspeakers during a festival, it's fine. But it shouldn't be used everyday in either temples or mosques.

"For more than thousand years Azaan was given without the loud speaker. Azaan is the integral part of your faith, not this gadget," he replied.

Earlier in March, Akhtar had supported the demand to shut mosques amid the coronavirus outbreak in the country, saying even Kaaba and Medina have been closed due to the pandemic.

He had also appealed to the Muslim community to offer prayers from home in the holy month of Ramzan, which began on April 24.

"I request all the Muslim brothers that now that Ramzan is coming, please say your prayers but make sure that this doesn't cause problems to anyone else. The prayers that you do in the mosque, you can do that at home. According to you, the house, the ground, this all has been made by Him. Then you can do your prayers anywhere," he had said.

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News Network
July 23,2020

Mumbai, Jul 23: Mumbai Police will soon issue summons to actor Kangana Ranaut to record her statement in connection with the case related to the suicide of actor Sushant Singh Rajput, officials said on Thursday.

A day after Sushant Singh Rajput's suicide, Kangana Ranaut had released a two-minute video speaking highly of the deceased actor and accusing certain sections of the film industry of not acknowledging the star's talent.

She had also said that some of the last social media posts by the actor made it evident that he was struggling to survive in the industry.

According to the police, statements of 39 people, including film critic Rajeev Masand, director-producer Sanjay Leela Bhansali, and filmmaker Aditya Chopra have been recorded in the investigation so far.

The Mumbai Police had recently said the statements of three psychiatrists and one psychotherapist have been recorded in connection with the suicide investigation.

Rajput was found dead in his Mumbai residence on June 14.

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