How mythical creatures caught the world's imagination

Agencies
May 14, 2019

New Delhi, May 14: Propelled by fascination for the unknown, a variety of creatures, from the abominable Himalayan snowman to its North American cousin Bigfoot, often cross over from myth into reality even though there is little evidence to back their existence.

As it was last fortnight when the Indian Army rekindled the Yeti mystery with its tweet showing pictures of large footprints in the snow in the higher Himalayas and claimed they belonged to the abominable snowman.

Experts believe the possible reasons behind the enduring obsession with the beings that inhabit the nebulous worlds of legend and folklore and ever so frequently enter the realm of everyday life are many -- from human curiosity and the need to connect with the past to identifying threats to the survival of humankind.

Loch Ness, Unicorn and Almas... the list of such creatures is long, cutting across regions and cultures.

The correlation between imagination and imagined reality is once again under the scanner with the Indian Army releasing pictures and videos of footprints captured close to the Makalu Base Camp in Nepal in March.

In Nepali folklore, Yeti is a mythical bipedal ape-like creature taller than an average human and is said to inhabit the Himalayas, Siberia, Central and East Asia.

Nepali officials later clarified the footprints belong to the Himalayan Black Bear active in the area.

“As we get farther from the real wild, we seek talismans to connect us to the wild. A half-man, half-ape creature is such a symbol. It gives humanity an identity as an animal in a world where we are otherwise making everything ‘of human manufacture’,” said American conservationist Daniel C Taylor who has spent 35 years in Nepal's Barun Valley dispelling the Yeti myth.

“I researched from 1956, when at age 11 I saw my first photograph of the footprint so I knew there was a real animal, to 1983 when I explained scientifically that it was the Himalayan Black Bear,” Taylor, who is also the author of the 2017 book, "Yeti: The Ecology of a Mystery", told news agency.

Given the lack of evidence of its existence, the scientific community has generally regarded the Yeti as a legend.

Such creatures have also been found to exist in other regions of the world.

“Fantasies are something which always give immense pleasure to the human mind and that is the main reason why people enjoy the stories around such mythological characters,” said Shweta Sharma, consultant clinical psychologist at Columbia Asia Hospital.

“One reason may be that people are afraid and want to watch out for the unknown, since they are wired to keep themselves safe and identify threats for survival,” Sharma, who is also a counsellor at the Jawaharlal Nehru University (JNU) Health Center, told news agency.

The second reason could be the basic human nature of curiosity which needs immediate gratification from a psychological point of view, she explained, adding that this also reflects in movies that are made.

Stories of the Yeti first emerged as a facet of Western popular culture in the 19th century.

Legends of hairy, oversize hominids lurking around the outer reaches of civilisation have been around for centuries and are part of the folklore of several cultures.

In North American folklore, Bigfoot or Sasquatch are said to be hairy, upright-walking, ape-like creatures that dwell in the wilderness and leave footprints like Yeti.

Depictions often portray them as a missing link between humans and human ancestors or other great apes.

“Living in cities and meeting the wild on TV screens, it is interesting that a Google search will reveal more Yeti (especially Bigfoot in US) sightings now than 20 years ago,” said Taylor, who is also president of the Future Generations University in the US.

The Almas or Alma, Mongolian for "wild man", is a purported hominid cryptozoological species reputed to inhabit the Pamir Mountains of Central Asia, and the Altai Mountains of western Mongolia.

Similarly, in Scottish folklore, the Loch Ness monster or Nessie is a creature said to inhabit the Scottish Highlands.

It is often described as large in size with a long neck and one or more humps protruding from the water.

Popular interest and belief in the creature has varied since it came to the attention of the world in 1933.

Evidence of its existence remains anecdotal, with a few disputed photographs and sonar readings.

“I think something like this has little to do with science and more to do with the human imagination and psyche,” noted T N C Vidya, associate professor of Evolutionary and Organismal Biology Unit at Bangalore's Jawaharlal Nehru Centre for Advanced Scientific Research (JNCASR).

“Perhaps when we are not satisfied with reality, we tend to come up with alternative realities to believe in,” Vidya said.

Closer home, the unicorn is a legendary creature that has been described since antiquity as a beast with a single large, pointed, spiralling horn projecting from its forehead.

The creature was depicted in ancient seals of the Indus Valley Civilization, covering parts of India and Pakistan, and was also mentioned by the ancient Greeks.

The unicorn is the most common motif on Indus seals.

Even in the 21st century, the unicorn holds a place in popular culture. It is often used as a symbol of fantasy or rarity.

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News Network
June 26,2020

New Delhi, Jun 26: Actor Sushant Singh Rajput’s death has exposed the deep faultlines in the Hindi film industry with issues such as bullying, nepotism and discrimination emerging from tinsel town’s rarely discussed dark corners into the spotlight of introspection and debate.

The days since the death of the 34-year-old actor, whose body was found in his Mumbai apartment on June 14, have split the glamour industry down the middle – between ‘insiders’ and ‘outsiders’, 'us' vs 'them', and those born to fame and those who sweated for it.

That Rajput, who came from a middle class home in Patna and made his mark in mainstream Hindi cinema in what could be the classic fairytale, ended his life led to soul searching about power structures in Bollywood and also angry accusations at the biggies who call the shots.

'Outsider' Manoj Bajpayee said the structural shift that everyone in the industry wants to see will begin once the powerful abolish the "insider-outsider" divide.

"Nepotism has been in the debate for a few years now. It'll change only if each and every individual who is positioned well, who is established and powerful starts making efforts to make it healthy and democratic for all the talented people who are coming in," Bajpayee said.

“We will have to work very hard to turn this industry into a fraternity where each and everyone is welcomed," he said. Dibakar Banerjee, who directed Rajput in Detective Byomkesh Bakshy!, added that outsiders need to put in twice the amount of work as compared to star children to convince the industry, the public and the box office of their talent.

"The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite," he told news agency.

Rajput was considered that rare actor, after Shah Rukh Khan perhaps, to have transitioned from television to Bollywood stardom and his death opened the proverbial can of worms.

Detective Byomkesh Bakshy! was produced by Yash Raj Films, which also backed Rajput’s Shuddh Desi Romance. As rumours swirled about unfair contract details, the powerful production house and other industry bigwigs and star children such as Karan Johar, Alia Bhatt and Sonam Kapoor faced ire from not just the public but even some of their colleagues.

The untimely death of the young actor had clearly not just touched a chord but triggered a rallying cry for change.

An out of context, old clip from Johar's chat show Koffee with Karan in which Bhatt is seen joking about Rajput and Kapoor confesses not knowing him fuelled the anger.

Hashtags like #BoycottKhans, #boycottnepotism and #JusticeForSushantSinghRajput started trending online a day after the actor's death with many calling for a boycott for the films made by Johar and featuring star children.

An online petition on Change.org asking fans to boycott Johar, YRF and Salman Khan has gathered almost 38 lakh signatures so far.

Reflecting the split in filmdom, Johar unfollowed everyone on Twitter except eight people, including Prime Minister Narendra Modi, Shah Rukh Khan and Amitabh Bachchan.

Hate comments also made actor Sonakshi Sinha, daughter of veteran actor-politician Shatrughan Sinha, deactivate her Twitter account last week.

Kapoor, too, disabled the comments section on her Instagram page and that of her father, veteran actor Anil Kapoor.

The public's angst found resonance in Bollywood with many in the fraternity saying the industry needs to introspect on how it treats outsiders.

Actors Gulshan Devaiah and Sushmita Sen, directors Hansal Mehta and Onir and singers Sonu Nigam and Kumar Sanu were amongst the many people who spoke out on the deeply disturbing issues that Rajput’s death had thrown up.

Mehta made a distinction between nepotism and bullying. 

He said his son Jai Mehta was an assistant director in his own film Shahid and also in Anurag Kashyap's Gang of Wasseypur series. He stepped inside the door because of his father but got ahead because he is talented.

“So when people take off on nepotism they do not really address the elephant in the room. They belittle the real battle -- the battle is between the powerful and the rising, between old and new, between rigidity and change, between secure and insecure,” Mehta said.

The director also criticised those bullying people in the guise of criticism.

“People in power (inherited/earned) have no business bullying those perceived to be less powerful or dependent on them,” he said, adding that the debate had been narrowed down to target certain people not for reform or the larger good.

According to Sen, nepotism is a truth as old as the industry.

“I think competition is a great thing but it should be a fair one for everyone… We have lived with it for many years. If it needs to change then all of us need to take responsibility, no one person,” she told PTI.

Onir said calling out nepotism does not mean denying talent just because someone belongs to the industry.

“It is about empowering all those deserving and talented denied opportunity by blatant discrimination. It’s about marginalising talent and creating a non-inclusive space,” he said.

Devaiah, known for his roles in Shaitan and A Death in the Gunj, said there is a lot of "toxicity" in showbiz because of the power structures but actors need to safeguard themselves from getting into a position where they can "lose control".

The debate was just not about actors but also the music industry.

“I have a request for music companies. Today, Sushant Singh Rajput has died. An actor has died. Tomorrow you might such news about a singer, a composer or a lyricist. The state of affairs in the music industry... there is a bigger mafia in the music industry than the film industry…,” singer Sonu Nigam said in a heartfelt video after Rajput’s death.

His colleague Kumar Sanu also uploaded a video on Facebook this week, saying he can sense a "revolution".

"Since his demise, I can see a different revolution emerging. Nepotism exists everywhere. It's a little more in our industry. You (the audience) make us who we are… Filmmakers or the top people (in the industry) cannot decide. It is in your hand to make us," he said.

As the debate intensified, Aligarh scriptwriter Apurva Asrani said some ‘woke’ friends were trying to crush the movement the actor’s death had sparked.

“Claiming to want dignity for him, they want others to suffer indignity in silence,” he tweeted, sharing a thread in which other such as Shekhar Kapur Ranvir Shorey and Abhay Deol also discussed nepotism and the camp culture in Bollywood.

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Agencies
February 7,2020

Srinagar, Feb 7: Jammu and Kashmir High Court on Friday dismissed a petition seeking a stay on the release of the movie 'Shikara' which is based on the exodus of Kashmiri Pandits from the Valley.

The film which hit theatres today has Vidhu Vinod Chopra at the helm and narrates the story of the mass exodus of Kashmiri Pandits in 1990 that forced lakhs to flee their homeland almost overnight following a genocidal campaign by militants.

Shot primarily in the Valley, the movie is being promoted mainly as a journey of love between the lead couple.

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Agencies
July 19,2020

Mumbai, Jul 19: Mumbai Police have registered an FIR against two Instagram account holders for allegedly threatening actor Rhea Chakraborty, an official said on Sunday.

The location of the two accused is yet to be traced, the official said, adding that the investigation in the case is at primary stage.

Chakraborty on Thursday requested the cyber crime cell to look into the rape and murder threats she has been receiving ever since the death of close friend, actor Sushant Singh Rajput.

Rajput, 34, was found dead in his apartment in suburban Bandra here on June 14, leaving people in the film industry and audiences shocked.

Chakraborty, in particular, was subjected to online hate with users blaming her for Rajput's suicide.

"We registered the First Information Report (FIR) on Saturday under Indian Penal Code Sections 507 (criminal intimidation by an anonymous communication), 509 (intending to insult modesty of any woman) and relevant provisions of the Information Technology Act," Santacruz police station's senior inspector Shriram Koregaonkar said.

"No arrest has been made so far. We are conducting an investigation in the case," he added.

On Thursday, sharing a screenshot of a hate message she received on Instagram, Chakraborty said while she had ignored many abusive texts sent to her in the past month, the harassment was now unbearable.

The 28-year-old actor eventually disabled the comments section of her Instagram page.

Chakraborty, known for films such as "Mere Dad Ki Maruti" and "Jalebi", had tagged the cyber cell and requested the authorities to look into the threats.

On June 18, she was called to the Bandra police station to record her statement in connection with Rajput's death.

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