Don't think India's musical heritage is dying: A R Rahman

Agencies
August 3, 2018

Mumbai, Aug 3: Music maestro A R Rahman says India's musical heritage may lack exposure but it is not dying as its roots are deep in tradition and people have a spiritual connection with it. 

The double Oscar-winner has travelled across India to find rare instruments and hidden musical traditions in his maiden non-fiction series, "Harmony with A R Rahman", being launched on Amazon Prime on August 15. 

The quest underscored what Rahman always thought was true about India -- every street has a musical legacy. Rahman will interpret these traditions in a modern context on the show.

"I don't think India's rich musical heritage is dying, only the exposure is dying. People love traditions and it is beyond anybody's money or power. It (music) is the lifestyle of so many people.

"I was talking about this place in Kerala, Kalamandalam, where they have this guru-shishya thing and they have a place in Chennai which has a fees of Rs 370 per year and they teach folk music, classical music and dance. In Rajasthan, every kid sings amazingly well and also in Punjab," Rahman told PTI in an interview. 

The composer, who is credited with revolutionising Indian cinema music in his 25-year illustrious career, says traditional music may lack exposure but exists in a big way. 

"We can't generalise that everybody is watching this... They have the options to watch so many things. They have the option to watch the purest thing or filth. 

"What we see exposed is this big splash of Hindi movies and Tamil movies. It does not mean that all this (traditional music) does not exist. It is taken by families who create this legacy. It is their soul. It is not dictated by money. It is a redeeming factor in their lives." 

Rahman may be anchoring the show but jokes that people should not have high expectations about his skills as a host. 

"I'm not like a traditional anchor. Don't have high expectations. I am not like 'Lovely! look at this place, look at the food'. I am not that charming. In my own ways, I had these beautiful interactions." 

In fact, Rahman, one of India's most renowned musicians, says he fears the burden of expectation "always, everyday".

The series captures Rahman's interactions with artistes with an impromptu jam session towards the end of every episode. The last episode shows Rahman put together a composition with all artistes.

On the internet, it is all about the number of views one has managed to garner, but Rahman says it is "gross" to judge something like that.

"(Though) It does influence what you are doing. We wanted this series to be intriguing, interesting and not boring as these are instruments that are off the radar and we are bringing them to the fore. There is purity, honesty, there is a legacy that we intend to bring," he said. 

"They have a pre-set legacy and we just had to take it and make it shine. It is like storytelling, like a movie, you go and see their lives, each fascinating in their own way. And there was no one telling 'Ah, this song did not work.' So, you have that artistic freedom," he added.

The five-episode series is created by Kavithalayaa.

"Harmony with A.R. Rahman" features maestros such as Ustad Mohi Baha'un-din Dagar from Maharashtra, who comes from an eight generation-long lineage of musicians and plays the Rudra Veena in Dhrupad style, Kalamandalam Sajith Vijayan from Kerala who devoted a majority of his life to the Mizhavu, Lourembam Bedabati Devi of Manipur, a renowned artiste and guru of traditional Manipuri folk song, and Mickma Tshering Lepcha from Sikkim who is known to be a master of the Panthong Palith.

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News Network
April 14,2020

New Delhi, Apr 14: Legendary singer Lata Mangeshkar on Tuesday paid tributes to Dr BR Ambedkar on his birth anniversary.

The 90-year-old singer took to Twitter to extend her greetings on the occasion of Ambedkar Jayanti and also expressed gratitude for being able to get the chance to meet him.

"Namaskar. Bhartiya Savidhan ke janak mahamanav Bharat Ratna Dr BR Ambedkar Ji ki Jayanti par main unko koti koti vandan karti hu. (Namaskar. On the birth anniversary of Dr. BR Ambedkar, the father of the great Indian Constitution, I offer him a ceremonial offering)" she tweeted.

"Main unko pratyaksh roop se mil saki ye mera sobhagya hai. (It is my good fortune that I got the chance to meet him)," her tweet further read.
Ambedkar, commonly known as Babasaheb, dedicated his life to working for the upliftment of Dalits, women and the underprivileged.

Born into a poor Dalit family on April 14, 1891, Ambedkar became independent India's first law minister, the principal architect of the Indian Constitution and a founding father of the Republic of India.

He also campaigned against the social discrimination faced by Dalits and inspired the Dalit Buddhist Movement in 1956. Ambedkar was awarded the Bharat Ratna posthumously in 1990.

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News Network
March 5,2020

Bihar, Mar 5: A complaint has been filed before a court in Bihar against lyricist Javed Akhtar over his remarks on the FIRs being registered against expelled AAP councillor Tahir Hussain in the wake of Delhi riots.

The complaint was lodged on Wednesday by Amit Kumar, a local advocate, before the court of Chief Judicial Magistrate Thakur Aman Kumar.

On the basis of a newspaper report, the complainant has alleged that Akhtar's remarks were seditious and promoted religious hatred.

The media report was based on Akhtar's tweet of February 27 that "So many killed, so many injured, so many houses burned, so many shops looted so many people turned destitute but police has sealed only one house and looking for his owner. Incidentally, his name is Tahir. Hats off to the consistency of the Delhi police."

The violence in northeast Delhi claimed at least 42 lives and left over 200 injured. The former Rajya Sabha member was heavily trolled for the tweet.

In a subsequent tweet, Akhtar who asserted that he is a non-believer and a rationalist, had clarified that he was not asking "why Tahir but why ONLY Tahir and not even an FIR against those who have openly threatened violence in the presence of the police".

The matter is likely to come up for hearing on March 25.

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News Network
February 12,2020

London, Feb 12: Oscar-winning British director Steve McQueen is returning to his art roots with a series of short films at London's Tate Modern art gallery, offering a sensory exploration of black identity.

McQueen, who became the first black director to win the best picture Academy Award in 2014 for "12 Years a Slave", is now based between London and Amsterdam and is focused on championing diversity in the film industry.

Visitors to his new exhibition will be greeted by "Static", a film of New York's Statue of Liberty, scrutinising the iconic symbol from every possible angle at very close range against a deafening backdrop of the helicopter from where the footage was filmed.

"What interests Steve is our view of the world, how humans are trying to represent Liberty," said Fiontan Moran, assistant curator of the exhibition.

"7th Nov, 2001" features a still shot of a body while McQueen's cousin Marcus tells of how he accidentally killed his brother, a particularly traumatic experience for the artist.

"Western Deep" is another visceral work, giving a sense through sights and sounds in an interactive installation of the experiences of miners in South Africa, following them to the bottom of the mine.

"Ashes", meanwhile, is a tribute to a young fisherman from Grenada, the island where McQueen's family originated.

The images of beauty and sweetness filmed from his boat are tragically reversed on the other side of the projection screen, which shows a grave commissioned by McQueen for the eponymous young fisherman, who was killed by drug traffickers.

African-American singer, actor and civil rights activist Paul Robeson (1898-1976) is honoured in "End Credits".

The film shows censored FBI documents detailing the agency's surveillance of Robeson, read by a voice-over artist, for five hours.

"He is... testing the limits of how people can be documented in an era of mass surveillance," said Moran.

In a similarly militant vein, the exhibition features the sculpture "Weight", which was first shown in the prison cell where the writer and playwright Oscar Wilde was imprisoned.

It depicts a golden mosquito net draped over a metal prison bed frame, addressing the theme of confinement and the power of the imagination to break free.

The show runs alongside an exhibition of McQueen's giant portraits of London school classes, many of which appeared on the streets of London last year.

"I remember my first school trip to Tate when I was an impressionable eight-year-old, which was really the moment I gained an understanding that anything is possible," said McQueen, adding it was "where in some ways my journey as an artist first began".

He recently told the Financial Times newspaper the difference between his art films and his feature films was that the former were poetry, the latter like a novel.

"Poetry is condensed, precise, fragmented," he said. "The novel is the yarn".

The exhibition opens on February 13 and runs until May 11.

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