Comparing me to Salman or Shah Rukh not justified to them: Irrfan

June 30, 2013
IrrfanIrrfan, 46, a National award-winning actor, is a dreamer wanting to fly like a bird. He is shy, fun-loving, obsesses about each of his characters and rolls his own cigarette. Ahead of his upcoming release D-Day, the trapped son and liberating father, talks to TOI about his idea of stardom, how he keeps falling in love and why Tigmanshu Dhulia holds a special place in his life. Excerpts:
Why did you drop the powerful Khan surname?
As a child, I once wore my sister's earrings and my family said I was looking like Dilip Kumar and it felt so nice. When I started off, I was compared to Mithun Chakraborty as my face resembled him and I loved it. But over time, I stopped liking the comparisons as it was not appreciation, but an effort to create barriers with stars like Shah Rukh and Salman. I have my own identity and felt that comparing me to Salman or Shah Rukh was not justified to them. If you compare me to Robert De Niro, it makes sense, but with Shah Rukh, it doesn't. So I dropped Khan from my name.
How did you come into films?

I come from a feudal middle-class family from Tonk near Jaipur. My father had moved to Jaipur where he ran a tyre dealership and so I grew up there. He did not have a business sensibility and did not secure his future. Like him, I too lack business sense. I was always a dreamer and had a desire to be noticed and was obsessed with wanting to learn the craft of films. I was fascinated with films, even though we had limited access to them. There was a theatre in Tonk with a ladies section where we were allowed, once in a while, as kids. As a teenager, I dreamt of buying a projector and kept pestering my father to buy it for me till he finally did, after seven months. I could see Rajesh Khanna moving just a bit in it, but I would get really excited. I would give strange excuses to go for films. Once I went to see Bazaar and saw it three times back-to-back and was terrified to return home. So, I hurt my hand myself to divert the attention of my family, so that no one would ask me where I was. My father was neither interested in my studies nor wanted me to do a job, as he had a feudal mindset. He died just before I got my admission in National School Of Drama (NSD). While he never knew about my interest in acting, he once saw me doing a filmi play in Jaipur and I remember him smiling watching me. After his death, even though the responsibility of the family fell on me, my heart was not in business and I knew I had to go to NSD and I did. In my final year there, Mira Nair cast me for Salaam Bombay.
Who are you most attached to?
To my mother; I wanted her attention, but it was always a tussle as being the older one, she put a lot of restrictions on me. I was shy, but followed my heart. Nobody understood me in my family. I discovered my father only now. For instance, the day he died, he was lying on his stomach with his hand on his heart in the room on the first floor. When he saw me, he shook my hand and he died thereafter. It hit me only ten years back that actually that day he was having chest pain, but did not want anyone to know, so was lying down that way.
You are deeply emotional?
I am and am actually afraid of my emotions, that is why I choose my friends as I get attached easily. I have this sense of unity in my head, where I believe that two people can actually become one. A few relationships earlier have given me hurt and I don't like myself for not forgetting that. I would love myself if I could be easy with it. I see myself getting easier, but it is still there. Also, what bothers me is if someone cheats me in any way. I keep falling in love, but I don't share it with the other person. I am shy and it stays in my heart. It's complicated. My wife knows this about me and knows me, but she also knows that it is only in my head. Problems happen when it manifests into sex, but I don't get into that area. It's a feeling I can't explain. I have never expressed my love to anyone other than when I was young and did not get a positive response, so I now keep it to myself. I am a hesitant man.
What is your idea of stardom?
I have this special connection of wanting to leave an impression on people's hearts and want my films to haunt them. My idea of stardom was that whenever people see me they should see me in different looks. I am pretty happy the way I am going, but would love to be in a space where I don't need anything, be it money, popularity or recognition. Fame is a kind of disease. It's like a trap and a fascination. It's also a medicine. It frees you from your baggage.
Has becoming a father changed you?
My wife and I were friends from NSD and we have two sons. The two most enigmatic experiences in my life have been of making love and raising kids. These are magical things put by the universe into the system. There are no words to explain my feeling when my first son was born. Being a father gives you a strange kind of connection with another being. Seeing them growing everyday is itself special. It makes you more giving. There are also traps in raising your kids where you start living your life through them. But you need to be conscious of whether you are trapping them or preparing them for liberation. I was trapped as a son, but I am a liberating father. I want them to live their lives to the fullest. Having kids make you easier about going away from the planet as you understand that it is a process of transferring to them.
Which are the directors you have enjoyed working with?
Tigmanshu Dhulia and I are friends and we share a deep chemistry. Even if he says two lines to me, I see a whole new world in that. I like the way Vishal Bhardwaj writes his language and the interesting subjects he picks up. Mira Nair wears her heart on her sleeve and is a unique combination of popular Hindi cinema with Hollywood sensibilities. Ang Lee is painfully obsessed with perfection, Anurag Basu is great fun to work with and Nikhil Advani is extremely collaborative and open.
Are there actors around you who you like?
The problem with our industry is that we do not celebrate uniqueness. Why does everybody start looking the same and are not encouraged to explore their individuality? When Chitrangda came, there was a certain sensuality in her. Why was she not allowed to explore that, for her to flourish? The industry pushes you into an area that is not your strong point. I like the bravery or smartness of Vidya, the face of Parineeti and the sensuality of Katrina. My co-actor in Lunchbox, Nimrit Kaur is ultimate for me right now. She is not glamourous, but the country will be in love with her once you see her. I also like the atmosphere being created by actors like Randeep Hooda, Sushant Singh Rajput, Aditya Roy Kapur and Nawazuddin Siddiqui.

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News Network
January 30,2020

Mumbai, Jan 30: A day after a woman filed a complaint against Ganesh Acharya alleging that he had forced her to watch pornography, actor Tanushree Dutta said Bollywood should boycott the choreographer.

A 33-year-old woman, an assistant choreographer, has written to the National Commission for Women (NCW) alleging that Acharya used to make her watch porn videos whenever she visited his office in suburban Andheri.

She also alleged that Acharya and two women assaulted her during a function of the Indian Film and Television Choreographers Association (IFTCA) held in suburban Andheri on Sunday. A complaint has been filed in this regard with Amboli police.

"It's time Bollywood and the other Indian film industries boycott choreographer Ganesh Acharya completely. Hiding behind the male superstars who work with this despicable man, he has been abusing his power and position to harass, bully and take advantage of vulnerable young newcomers to the industry," Dutta said in a statement here.

Dutta had alleged that her co-star Nana Patekar harassed and misbehaved with her while shooting for a song for their 2008 film "Horn Ok Pleasss", and Acharya, who was the choreographer, introduced new steps which were "intimate".

Recalling the trauma she faced, Tanushree said even though Acharya was party to all the harassment she faced on the 'Horn ok Pleasss" set, he went on to spoil her name and reputation.

"Nobody had any regard for me and how much I had suffered psychologically and financially because of the turmoil I went though due to these people. I left the industry because I was so scared and hurt over the atrocious treatment meted out to me on 'Horn ok Pleasss' set.

"I had worked very sincerely to get to where I got in life and so went in shock for many years, over the whole episode on that set almost 12 years ago, that led to an attack on my car. They didn't just break my car, they broke my spirit that day," Dutta said, in reference to the attack on her car in 2008.

She expressed her displeasure over how "leading men" and "heroes" of Bollywood continued working with Acharya, whose most recent work includes "Simmba", "Zero", "Sanju" among others.

"Even after all the information of fraud, non payment of dues, sexual harassment of dancers, bullying and intimidation and even physical abuse of dancers is coming out about Ganesh Acharya in the media, if the actors, directors and producers still work with him, it would mean that they themselves are engaging in such acts also.

"It's a warning to the film industry to stay the hell away from Ganesh Acharya otherwise your own reputation will be joined to his character. I'm sure many more girls and boys will come out about his misbehaviour and shady business, opening floodgates in the future," she added.

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News Network
May 10,2020

May 10: Azaan is an integral part of the faith, not the gadget, says veteran writer-lyricist Javed Akhtar, asking that the Islamic call to prayer on loudspeakers should be stopped as it causes "discomfort" to others.

In a tweet on Saturday, Akhtar wondered why the practice was 'halaal' (allowed) when it was, for nearly half a century in the country, considered 'haraam' or forbidden.

"In India for almost 50 years Azaan on the loud speak was Haraam. Then it became Halaal and so halaal that there is no end to it, but there should be an end to it. Azaan is fine but loud speaker does cause of discomfort for others. I hope that atleast this time they will do it themselves (sic)," Akhtar tweeted.

When a user asked his opinion on loudspeakers being used in temples, the 75-year-old writer said everyday use of speakers is a cause of concern.

"Whether it's a temple or a mosque, if you're using loudspeakers during a festival, it's fine. But it shouldn't be used everyday in either temples or mosques.

"For more than thousand years Azaan was given without the loud speaker. Azaan is the integral part of your faith, not this gadget," he replied.

Earlier in March, Akhtar had supported the demand to shut mosques amid the coronavirus outbreak in the country, saying even Kaaba and Medina have been closed due to the pandemic.

He had also appealed to the Muslim community to offer prayers from home in the holy month of Ramzan, which began on April 24.

"I request all the Muslim brothers that now that Ramzan is coming, please say your prayers but make sure that this doesn't cause problems to anyone else. The prayers that you do in the mosque, you can do that at home. According to you, the house, the ground, this all has been made by Him. Then you can do your prayers anywhere," he had said.

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News Network
July 12,2020

Mumbai, Jul 12: Actress Aishwarya Rai Bachchan and her daughter Aaradhya have tested positive for coronavirus, confirmed Maharashtra Health Minister Rajesh Tope on Sunday. However,  veteran actor Jaya Bachchan has tested negative for the virus.

"Smt Aishwarya Rai Bachchan and Daughter Aaradhya Abhishek Bachchan have also been detected positive for Covid-19. Smt. Jaya Bachchan ji is tested negative for Covid-19. We wish the Bachchan Family to get well soon with a speedy recovery," Tope tweeted.

As per Assistant Municipal Commissioner Vishwas Mote, the rest of the family members - Jaya Bachchan, daughter Shweta Bachchan Nanda and her children Agastya and Navya Naveli - have tested negative for COVID-19.

On Saturday, legendary actor Amitabh Bachchan and son Abhishek Bachchan took to social media to confirm that they have detected positive for coronavirus.

The 'Sholay' actor is reported to be in a "stable" condition with "mild symptoms."
The 77-year-old has been admitted to the isolation unit at Mumbai's Nanavati Super Speciality Hospital.

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