'Masaan': An emotionally engaging tale

July 24, 2015

Troy Ribeiro, Jul 24: Film: "Masaan"; Cast: Sanjay Mishra, Richa Chadda, Vicky Kaushal, Shweta Tripathi, Saurabh Chadhary, Vineet Kumar, Pankaj Tripathi, Nikhil Sahni, Bhagwan Tiwari; Director: Neeraj Ghaywan; Rating: ***1/2

masaan10An Indo-French co-production, "Masaan" is a poignant tale of two young couples, whose lives are intertwined by fate, set against the backdrop of a crematorium on the ghats of the river Ganges in Benares.

Educated and fairly independent, Devi Pathak -- although living in a small town -- is unconventional, experimental and unapologetic about her life. While the unexpected death of her lover Piyush has her internalizing her traumatic loss, she simultaneously balances to maintain truce with her father Vidyadhar Pathak (Sanjay Mishra), a former Sanskrit teacher, now selling knick-knacks on the bank of the Ganges. She is in disagreement with her father who is forced to shell out a hefty bribe to the police inspector in order to keep her "shame" under wraps.

On the other hand, Deepak's tale is a tragic romance of a promising engineering student born into the family of corpse-burners. He falls in love with an upper-caste girl, Shalu Gupta, who is willing to elope if her family opposes their alliance.

For a maiden venture, Ghaywan's "Masaan", is a sensitively handled, honest film with some intrepid truths about small towns in India, giving you an insight into the mind of the internet-savvy youth. These are adroitly woven into the narrative.

Varun Grover's layered script, with a seemingly complex screenplay, oscillates between romance and melodrama. The screenplay unlocks simply, through the realistic lives of the characters, bringing to the fore, societal taboos like morality, sexual exploration and romance in a caste-driven society.

Every character is intricately well-etched and the actors leave an indelible mark with their powerful but natural performances.

Vicky Kaushal as Deepak, with his boy-next-door looks, is impressive. A bundle of talent, he slips into his character with unquestionable ease and sincerity. He steals your heart with his coy demeanour when he woos his lady love. You empathise with his pain and frustrations. The scene where he breaks down before his friends after losing Shalu is heart-wrenching. He is aptly supported in a realistic performance by Shweta Tripathi as Shalu, a collegian, who falls in love with his simplicity. On screen, they make an endearing pair.

Richa Chadda with a stoically glum and a stubborn demeanour as Devi, borders on being a rebel without a cause. A misfit in her surroundings, she tells her father, "jitni chhoti jagah, utni chhoti soch". While she portrays Devi with conviction, the streak of independence in her character is not entirely substantial.

Sanjay Mishra as Vidyadhar Pathak, the small town Sanskrit teacher and father who is burdened with societal pressures, renders a realistic and brilliant performance.

Plagued by the thought of the ignominy he will bring to his family, Saurabh Chadhary as Piyush, in a small but significant role, is convincing.

Bhagwan Tiwari as the corrupt police inspector, Pankaj Tripathi as Sathyaji -- Devi's besotted colleague, and Nikhil Sahni as Jhonta -- the earnest little boy who works for Vidhyadhar, make their presence felt.

While the story and performances are intense, what breaks the monotony and provides relief, is the humour that is strewn occasionally in the form of taut one-liners and old film songs. The earthy background score along with the soulful songs by the indie band Indian Ocean is soothing and meditative. It encapsulates the flavour of the place and meshes well into the narration.

Cinematographer Avinash Arun Dhaware's camera work is fascinating. He brilliantly captures Benares in all its elements. The atmospheric lighting at the crematorium adds to the eerie and aesthetic value of the scenes.

Overall, "Masaan" keeps you riveted emotionally and haunts you long after you leave the theatre.

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News Network
January 13,2020

Mumbai, Jan 13: On the ongoing protests against new Citizenship Law, Bollywood actor Zeeshan Ayub said that everyone has been exposed and the common man has understood everything and the right-wing people cannot make a fool out of them by giving vague statements.

Talking to ANI, Zeeshan said, "Law is supposed to give the citizenship but the way in which the criteria have been changed is the trouble here."

Disagreeing to the continuous statements put forward by the BJP government that CAA is not a hindrance to the citizenship, the actor further said, Things are clear now, people have now understood the facts, the people and the intention behind are now exposed,.. they can't make a fool out of common people any more."

Zeeshan said it actually the other way round, those people are the ones who are misleading the general public by fluctuating their own statements. "Home minister said something, the next day something else is being said in the Ram leela..people are getting confused., the 'Ranjahanna' actor added.

He further said, "Earlier it was Hindu-Muslim propaganda, but that didn't work, so now you are making it a case between two political parties.. basically you are changing your own statements." When asked about his take on the ongoing JNU Violence, the actor said the members of the alleged political party itself have come out and explained their part in the case and yet no action has been taken.

The actor finally said that people should develop a sense of humanity.

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Agencies
August 4,2020

New York, Aug 4: National Award-winning documentary "Son Rise" and Geetu Mohandas-directed "Moothon" were among the films that took home the big honours at the 20th New York Indian Film Festival (NYIFF), which switched to a virtual edition this year amid the ongoing Covid-19 pandemic.

Over 45 feature-length narratives, shorts and documentaries from the Indian subcontinent were showcased at the festival’s virtual edition that ran for 10 days beginning July 24.

The films programmed were in various languages including Assamese, Bengali, Haryanvi, Hindi, English, Ladakhi, Maithili, Malayalam, Marathi, Nepali and Tamil.

The award ceremony for the festival was held virtually Sunday, with the filmmakers, cast, award winners and festival officials joining from across India and the US.

The award for the Best Documentary (Short) went to Saurav Vishnu-directed "Tailing Pond", which highlights the "horrifying effects of uranium extraction on the health of the indigenous population" of Jadugoda, Jharkhand.

"Son Rise" by Vibha Bakshi won the award for Best Documentary (Feature).

The documentary had won the National Award for the Best non-feature film in 2019 and was among the two centrepieces hosted by the festival this year. NYIFF called "Son Rise" “a powerful documentary about patriarchy in Haryana and efforts by a few good men to bring meaningful change in the society.”

The award for Best Short (Narrative) went to Sanat Ganu's "Arabian Nights". The narrative focuses on a child, his imaginary friend and a family that attends a conference where the attendees believe the earth is flat.

Director and scriptwriter Sudhanshu Saria accepted the award for Best Screenplay for "Knock Knock Knock". Saria’s screenplay “explores the lonely life of a man, an unlikely friendship that may or may not be real.”

Sanjana Dipu won the award for Best Child Actor for "Moothon" for her performance of a teenager in search of a brother.

Garggi Ananthan won the Best Actress award for her role as Kalyani in the film "Run Kalyani" and the Best Actor award went to Malayalam star Nivin Pauly for "Moothon". The award for the Best Director went to 23-year old Achal Mishra for "Gamak Ghar".

"Moothon" won the award for Best Film and its director Mohandas accepted the award for the film, which is "about love and loss that travels from the quiet, lush beaches of Lakshadweep to the mad hustle-bustle of the streets of Mumbai."

Produced by award-winning Indian film director and writer Anurag Kashyap, "Moothon" had premiered at last year’s Toronto International Film Festival.

NYIFF festival director Aseem Chhabra said that the process of searching for films for the festival began last fall and they were ready to showcase them to audiences in New York in April but had to change plans for the festival due to the pandemic.

"I know the best way to enjoy films is in a theatre with the audience and have live interactions, conversations. But the virtual festival is the next best option and in the process, we have been able to reach out to a much larger audience in the US, North America as well in several other countries.”

NYIFF said that a virtual edition expanded the reach of the festival and audiences from 95 countries were able to access and view the films.

Dr Nirmal Mattoo, Chairman of the Indo-American Arts Council, co-founder and owner of Atlantic Dialysis Management services, the largest private dialysis provider in New York State, said NYIFF works with an independent jury - filmmakers, film professors, writers and critics.

Indo-American Arts Council (IAAC), the leading cultural organisation, presents the festival.

"The Covid-19 pandemic has forced the closure of theatres but we believe that in such trying times arts, including films are even more important for the community’s well-being. So, this year we have decided to bring the films directly into your living rooms.” IAAC Vice-Chairman Rakesh Kaul had said.

The New York Indian Film Festival is the oldest Indian film event in North America. Over the years, the festival has held New York premieres of a wide range of films, many of them critically acclaimed, including "Monsoon Wedding", "The Namesake", "Slumdog Millionaire", "Shahid", "Dum Laga Ke Haisha" and "Gangs of Wasseypur". 

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News Network
May 10,2020

New Delhi, May 10: While people across the country have been spending a lot of time at home owing to the lockdown, superstar Shah Rukh Khan on Saturday provided a unique platform for all the aspiring filmmakers to produce some 'fun, creative and... spooky' video.

The 54-year-old actor shared a statement on Instagram, detailing about the opportunity for the filmmakers to channel their inner "filmmaking ghost to make a scary indoor film with an element of horror in it."

Taking it to the captions, the 'Don' actor wrote: "Since we've all got a bit of time on our hands in quarantine, thought I can get us all to work a bit... in a fun, creative and... spooky way!"

In the post, titled with a hashtag 'SpookSRK,' the actor has listed down the rules to be followed while making the video and shared the email link to submit their work.

The 'Dilwale' actor also announced that the selected "three winners" will get a chance to video call the star himself.

Wrapping the post on a lighter note, he added: "I will be sending in my film as well...P.S - Ghosts are welcome to send their entries too."

This comes a day after the first trailer launch of Shah Rukh's new Netflix horror series 'Betaal'.

SRK's Red Chillies Entertainment is producing the horror-thriller. The new series also stars Vineet Kumar, Aahana Kumra, Suchitra Pillai, Jitendra Joshi, Manjiri Pupala, and Syna Anand.

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