Peter O'Toole, hellraising star of 'Lawrence of Arabia'

December 17, 2013

Peter_OTooleLondon, Dec 17: Famed for his blazing blue eyes and drunken escapades, Peter O'Toole was a giant of the screen and stage whose performance in "Lawrence of Arabia" is often hailed as one of the greatest of all time.

In a career spanning half a century, the Irish-born actor, who died on Saturday aged 81, lent his rich voice to the roles of kings and military heroes, as well as colourful hard-drinkers whose lives were rather closer to his own.

He had characteristically announced his retirement with typical cheerfulness in July 2012, saying it was time to "chuck in the sponge" at the age of 79.

"The heart for it has gone out of me: it won't come back," he said. "I bid the profession a dry-eyed and profoundly grateful farewell."

He had been forced to cut back dramatically on his drinking after a near-fatal illness in the 1970s resulted in the partial removal of his stomach and pancreas.

O'Toole was rising swiftly on the Shakespearean theatre scene when his big break arrived in David Lean's 1962 epic "Lawrence of Arabia".

The starring role, as gallant British army officer T.E. Lawrence, would win him the first of eight Oscar nominations.

"His voice had a crack like a whip," wrote his friend and later co-star Richard Burton. "Most important of all, you couldn't take your eyes off him."

Devastatingly handsome with his piercing eyes, fair hair and flowing Arab robes, O'Toole was apparently once told by the playwright Noel Coward: "If you had been any prettier, it would have been Florence of Arabia."

The son of an Irish bookmaker, O'Toole was born in 1932 and raised in northern England.

After working briefly as a journalist and a radioman for the Royal Navy he went to study at the prestigious Royal Academy of Dramatic Art, in a class that included future stars Albert Finney, Alan Bates and Richard Harris.

Few young actors could have had such an opportunity to shine as O'Toole was given in "Lawrence of Arabia", with its dramatic desert setting.

The next two Oscar nominations came as he played the role of England's king Henry II twice -- first in 1964's "Becket" opposite Burton, and then in "The Lion in Winter", co-starring Katherine Hepburn, in 1968.

Typical of new breed of hellraisers

Both O'Toole and Burton happily admitted that they were drunk for much of the shooting of "Becket", typical of the new breed of hell-raising Hollywood stars.

They were legendary for their wild nights with other booze-loving actors -- O'Toole maintained that he once went for a drink in Paris and woke up in Corsica.

In a memorable television appearance on the US talk show of host David Letterman he entered the stage, dishevelled but snappily-dressed, onboard a camel.

Dismounting, he slurred: "Excuse me, but my noble transport is a little thirsty," and gave the animal a can of beer.

"I do not regret one drop," O'Toole said of his drinking career in a 2007 interview with the Guardian newspaper.

"We were young people who'd been children throughout the war -- well, you can imagine what it felt like in 1945 to be free -- not to be bombed, not to be rationed, not to be restricted.

"There was a tremendous amount of enthusiasm. We weren't solitary, boring drinkers, sipping vodka alone in a room. No, no, no -- we went out on the town, baby, and we did our drinking in public!"

The late nights took their toll on his marriage. He had two daughters with Welsh actress Sian Phillips, but they divorced in 1979 after twenty turbulent years together. He had a son with model Karen Brown in 1983.

Despite having to cut back on his own drinking, O'Toole played alcoholics well, winning another Oscar nomination for his 1982 role as a washed-up actor in "My Favorite Year" and further acclaim as a drunken journalist in the stage and TV movie version of "Jeffrey Bernard is Unwell".

He made periodic returns to the stage and remains the holder of the most Oscar nominations without a win.

The Academy of Motion Picture Arts and Sciences gave him an honorary Oscar in 2003 although O'Toole famously almost refused the prize, insisting: "I am still in the game and might win the lovely bugger outright."

A final brush with Oscar glory came in 2006 for his portrayal of an elderly actor besotted with a young girl in "Venus".

He was planning to spend his retirement finishing a third volume of memoirs, covering the "meat" of his acting career.

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News Network
February 21,2020

Los Angeles, Feb 21: Nepalese-Australian actor Dichen Lachman has joined the cast of the third film in the Jurassic World franchise.

Lachman, best known for Netflix series Altered Carbon and TNT show Animal Kingdom, is the latest addition to the Colin Trevorrow-directed picture, reported Deadline.

Universal Pictures and Amblin Entertainment project will see Chris Pratt and Bryce Dallas Howard reprise their roles. Mamoudou Athie and DeWanda Wise are also part of the cast.

The movie marks the return of original Jurassic Park stars Sam Neill, Laura Dern and Jeff Goldblum.

Trevorrow has co-written the script of the new film with Emily Carmichael. He will also executive produce the film with Steven Spielberg.

Jurassic World 3 hits theatres on June 11, 2021.

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News Network
June 19,2020

New Delhi, Jun 19: With the demise of Bollywood actor Sushant Singh Rajput stirring a debate on nepotism in the film industry, singer Sonu Nigam on Thursday spoke out on the "mafia" of the Indian music industry.

Nigam shared a 7-minute-long Vlog (video blog) on his YouTube channel where he is seen talking about roadblocks in the career of the newcomers created by big music labels and in turn urged them to be kind.

"I want to request everyone and especially our music companies to be kind because today an actor - Sushant Sigh Rajput - has passed away, tomorrow you can hear the same about a singer or a composer or a lyrics writer because unfortunately there is a bigger mafia in the music industry than the film industry," the 46-year-old musician said.

He then talks about how the young and struggling musicians are distressed because of the monopoly of "only two music companies" in the industry that rule and decide everything.

"I came into the industry years ago and at a younger age so I didn't fall in the trap but this new generation is going through a lot," he said.

"They are distressed because the composer would want to work with them, the producer and director would want to work with them but the music company would say 'no this is not our artist.' This is not right that the power is in just two hands - two music companies only - they will decide who will sing who will not sing," he added.

He then stressed on the fact that he is completely out of the music industry but the situation is very grim for the newcomers.

"I am out of it and neither do I have any wish to sing since the last 15 years, I am very happy in my own world but I have seen the frustration in the eyes, in the voice and in the words of new singers, new composers, new lyric writers," he said.

"They cry and if they attempt suicide you too will have to answer the questions. Be a little kinder please, to the newcomers because they are Gandharva (skilled singers), please be a little easy on them," he added.

Nigam then shared a personal experience and without naming anyone described how a powerful actor from the Bollywood industry had control over the music world too.

"It might happen with me that the song I am singing and the same actor who is being questioned these days would say 'don't make him sing' as he has deals with Arijit Singh. So, how can you use your power like that?" he said.

"You call me, ask me to sing, and then get my song dubbed. This is funny especially because I have been working since 1991 in Bombay, I have been working since 1989 in the music industry and if you do this with me then what will you do with the young generation," he added.

The 'Aal Izz Well' singer ended the Vlog urging the big music labels to be "a little more chill" and humane towards the younger lot and warned that the distress might cause the newcomers to attempt suicide.

"Guys you need to chill a little, be a little humane. Please don't torture the younger ones, please step into their shoes, they need you, they need your help, they need your kindness," he said.

"Even directors and producers are not happy because they are not being allowed to make the music that they wish to. This is not right. Creativity should not be only in two hands. Be kind so that more people do not suicide," he added.

The alleged suicide of Sushant Singh Rajput has led to a lot of controversies in the entertainment industry. The investigations in the matter are still underway.

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News Network
January 9,2020

Los Angeles, Jan 9: Actors Salma Hayek and Tiffany Haddish are hopeful about the future for women in Hollywood and now cinema is making films about women because the audience was "neglected".

The duo along with Rose Byrne star in Like a Boss, a comedy directed by Miguel Arteta, which follows best friends Mia and Mel (Haddish and Byrne) who join forces to run their own boutique cosmetics company.

When the prospect of a big buyout offer from a notorious titan of the beauty industry (Hayek) tempts them, their lifelong bond - and their business - is put in jeopardy.

Hayek said she is happy with the increase in female-driven films in Hollywood.

"We're on the right path. And we're not going to stop," the actor told Variety.

"What I can tell you is that a lot more women are directing and acting and writing and producing. And there are a lot more movies made about women and for women because the audience was neglected, she said.

She was speaking at the premiere of the film in New York.

Haddish added that the mantle for change shouldn't be left to the traditional decision-makers.

To get things, one has to sometimes make noise, the actor-author said.

"It's about us putting in the work and creating the projects and creating the opportunities in order to do those things to make it better. I sit back and I listen to people talk sometimes, saying, 'They're not letting us; they're not giving it to us.' Why do we have to ask permission? Why can't we just start putting it together? If they want to come on board with it, come on board. And if not, oh well," Haddish said.

"I'm about creating an opportunity. People say I'm loud and obnoxious, but sometimes it’s the squeaky wheel that gets the oil and gets things done," she added.

The comedy comes on the heels of a year gone by in cinema that featured female protagonists in films like Little Women and Captain Marvel.

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