Prank video to Bajrangi Bhaijaan: Chand Nawab is a star in Pakistan

July 21, 2015

New Delhi, Jul 21: Pakistani television journalist Chand Nawab is over the moon that he inspired a character in the hit film Bajrangi Bhaijaan, which features Salman Khan as an Indian who sneaks into Pakistan to reunite a speech-impaired girl with her family.

chand nawab“I saw the film on the first day it was released in Pakistan. And I was very happy with the way Nawazuddin Siddiqui portrayed me in Bajrangi Bhaijaan,” Nawab told Hindustan Times on phone from Karachi on Monday.

“Do you know that all shows of the film have been booked in advance till July 27? People can’t get tickets for any of the four daily shows at all halls in Karachi. And so many people have been calling me to tell me they enjoyed watching the character inspired by me,” he said.

Six years ago, Nawab became an unlikely hit on YouTube after his colleagues posted a video of his flubs as a prank. It was this same video that inspired the character of Chand Nawab, the Pakistani journalist who helps Salman Khan in Bajrangi Bhaijaan.

“I want to thank (director) Kabir Khan, Salman Khan and Nawazuddin Siddiqui for the way they portrayed me and Pakistan in the film. Nawazuddin has done a good role,” said Nawab, a reporter with Karachi-based Indus News.

“I was on a TV show with Kabir Khan and he suggested I should come to Mumbai and work in films,” he added with a laugh.

Nawab said he had been receiving calls from friends and colleagues even at 3am to discuss the character in the film. “Others have been coming to my home with cakes and sweets. My colleagues and bosses have expressed their appreciation,” he said.

And thanks to the film, there have also been offers to appear in Pakistani television commercials. “There have been some offers, let’s see what happens,” said Nawab, whose mother hailed from Agra and his father from Bharatpur.

But there is also a tinge of regret. Nawab said he would have been happier if his wife Riffat, who passed away last year, could have watched Bajrangi Bhaijaan with him.

“She was a doctor and she inspired me a lot. She would always stand by me,” he said, adding that his ‘sasural’ (in-laws’ home) is at Tonk in Rajasthan.

While 52-year-old Nawab is now basking in the fame generated by Bajrangi Bhaijaan, there was a time when he was upset by the video on YouTube that started it all.

“I had once gone to Iran some years ago and I met some Indian journalists there. At the time, I told them that the YouTube video had spoiled my reputation not just in Pakistan but also in India. People would point to that video and say, ‘Look, this is the quality of Pakistani television journalism,’” he said.

But as time passed, Nawab changed his opinion about the video that features a series of flubs he made while recording a P2C or piece-to-camera, the clip that anchors a television report, for a report about people leaving Karachi to spend the Eid holidays with their families in the interiors of Sindh.

Nawab wanted the P2C to feature a train pulling out the railway station behind him but the flubs made him repeat the same sentence almost 20 times. At other times, he was interrupted by people walking up and down the stairway on which he was standing.

Perhaps the ultimate tribute is that the YouTube video inspired a complete scene in Bajrangi Bhaijaan.

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News Network
February 3,2020

Feb 3: Actor-cum-activist Swara Bhaskar on Sunday targetted the Central government over granting Padma Shri to Pakistan-origin singer Adnan Sami who became an Indian citizen in 2016.

Addressing "Save the Constitution, Save the Country" rally here in Madhya Pradesh, Bhaskar said that passing the new citizenship amendment act tantamount to "betrayal" of the Constitution.

Sami, born in London to a Pakistani Air force veteran, applied for Indian citizenship in 2015 and became a citizen of the country in January 2016.

He was one of the 118 people chosen for the Padma Shri awards by the Centre last month.

"The legal process to grant citizenship to refugees and arrest infiltrators already exists in India. You (the government) have granted Indian citizenship to Adnan Sami and now selected him for Padma Shri through that process. (If this is the case) What is the need and justification for the Citizenship Amendment Act?" Bhaskar asked.

"On the one hand you abuse us (anti-CAA protesters), cane-charge us, slap us, hurl teargas shells at us and on the other hand you award Padma Shri to a Pakistani," she said

Bhaskar said the government labels some people as the members of "tukde-tukde gang" and anti-nationals" as per its convenience.

"Supporters of the CAA and the NRC keep harping about the so-called infiltrators having entered our country. If that is the case then why are we unable to see these intruders?" she asked.

"The problem is that they have intruded into the minds of the government and the ruling party," she said.

Bhaskar said the government seems to have "fallen in love with Pakistan".

"It sees Pakistan everywhere. My devout grandmother doesn't chant Hanuman Chalisa as often as this government keeps chanting the Pakistan mantra," she said.

Without naming the RSS, the actor said, "Sitting in Nagpur, these people are spreading politics of hatred".

Bhaskar said Pakistan chose to become a religious nation after the Partition in 1947 unlike India which opted to become a "secular republic where one's religion has nothing to do with citizenship".

"(Pakistan founder Mohammad Ali) Jinnah died a long ago, but his admirers want to divide the country again in the name of a religion," Bhaskar said.

She criticised BJP national general secretary Kailash Vijayvargiya for his controversial remarks about the 'presence' of Bangladeshi infiltrators in Indore, after some labourers were found eating poha and not rotis.

"If poha is Bangladeshi cuisine, then Kailash Vijayvariya, who grew up eating poha (in Indore), should be required to show his Indian citizenship papers," she demanded.

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News Network
March 5,2020

Bihar, Mar 5: A complaint has been filed before a court in Bihar against lyricist Javed Akhtar over his remarks on the FIRs being registered against expelled AAP councillor Tahir Hussain in the wake of Delhi riots.

The complaint was lodged on Wednesday by Amit Kumar, a local advocate, before the court of Chief Judicial Magistrate Thakur Aman Kumar.

On the basis of a newspaper report, the complainant has alleged that Akhtar's remarks were seditious and promoted religious hatred.

The media report was based on Akhtar's tweet of February 27 that "So many killed, so many injured, so many houses burned, so many shops looted so many people turned destitute but police has sealed only one house and looking for his owner. Incidentally, his name is Tahir. Hats off to the consistency of the Delhi police."

The violence in northeast Delhi claimed at least 42 lives and left over 200 injured. The former Rajya Sabha member was heavily trolled for the tweet.

In a subsequent tweet, Akhtar who asserted that he is a non-believer and a rationalist, had clarified that he was not asking "why Tahir but why ONLY Tahir and not even an FIR against those who have openly threatened violence in the presence of the police".

The matter is likely to come up for hearing on March 25.

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News Network
January 24,2020

Paris, Jan 24: Rahul Mishra and Imane Ayissi made history on Thursday by becoming the first Indian and black African designers to show their clothes on the elite Paris haute couture catwalk.

Only a little more than a dozen of the world's most prestigious luxury labels -- including Dior, Chanel and Givenchy -- have a right to call their clothes haute couture.

All the clothes must be handmade -- and go on to sell for tens of thousands of euros (dollars) to some of the richest and most famous women in the world.

Mishra, an advocate of ethical "slow fashion" who blames mechanisation for much of the world's ills, said "it felt amazing and very surreal to be the first Indian to be chosen." "They see a great future for us -- which will make us push ourselves even harder," the 40-year-old told AFP after his debut show was cheered by fashionistas.

Both Mishra and Cameroon-born Ayissi, 51, are champions of traditional fabrics and techniques from their homelands and are famous for their classy lines.

Ayissi said his selection was "immense" both for Africa and himself.

"I am so proud that I can show my work and showcase real African fabrics and African heritage," he told AFP backstage as celebrities, including the chic head of Unesco, Audrey Azoulay, congratulated him.

Mishra broke through on the Paris ready-to-wear scene after winning the International Woolmark Prize in 2014, the top award that also launched the careers of such greats as Karl Lagerfeld and Yves Saint Laurent.

The purity of his often white creations with their detailed but understated embroidery has won him many fans, including Vogue's legendary critic Suzy Menkes.

The doyenne of fashion's front row called him an Indian "national treasure".

But this time, Mishra turned up the colour palette somewhat with dresses that subtly evoked the jungle paradises and pristine underwater world off the Maldives he worries that one day we might lose.

Appalled by the smoke and pollution that meant he had to keep his four-year-old daughter indoors in Delhi for nearly 20 days in November, Mishra said he imagined a "pure virginal and untamed planet... with ecosystems crafted out of embroidered flora and fauna".

"I am very emotional about it. Sometimes it makes me cry. All our children should be growing up in a better world," he added.

"When I take Aarna (his daughter) to the foothills of the Himalayas and the sky turns blue, she is so happy.

"Once, when she saw the River Ganges, she said: 'Can you please clean it for us so can go for a swim?'"

Mishra said he was reducing the quantity of clothes he was producing while at the same time increasing their quality, with humming birds, koalas and other animals hidden in the hundreds of hand worked embroidered leaves and flowers of his "jungle dresses".

The designer has won ethical and sustainability awards for his work supporting local crafts people in rural India.

"My objective is to create jobs which help people in their own villages," Mishra said.

"If villages are stronger, you will have a stronger country, a stronger nation, and a stronger world," he added.

Ayissi takes a similar stand, refusing to use wax prints popular in West Africa which he dismisses as "colonial".

Dutch mills flooded Africa with cotton printed with colourful patterns borrowed from Indonesian batik in the 19th century, and still dominate the market.

"When we talk about African fashion, it's always wax, which is a real pity," he told AFP, "because it's killing our own African heritage."

Ayissi, a former dancer who worked with singers such as Sting and Seal, told AFP he wanted to open up "a new path for Africa" and find an "alternative way of doing luxury fashion".

He has gone back to using prestigious local materials, like the strip fabric kente woven by the Akan people of Ghana and the Ivory Coast, which was originally worn only by nobles.

The son of an undefeated African boxing champ and a former Miss Cameroon, he also uses appliqued techniques from Benin and Ghana.

Haute couture shows only take place in Paris and the criteria to enter and remain in fashion's elite club are strictly enforced by French law.

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