The birth of ‘Bearywood’

[email protected] (SAFIA NAEEM)
June 14, 2011

With the first ever Beary language movie - ‘Byari’, Director Suveeran, has employed his own techniques to butter popcorn with the landmark movie, which opened simultaneously in Prabhat and Big Cinema in Mangalore.

 

In Suveeran’s own words: “Althaf Hussain, who is producing the film under the banner of Thanneer Films, needs real appreciation for venturing into Beary film-dom,” even though he took up the task, after the Tulu cinema traversed several milestones.

 

Mr Hussain, who is confident that the movie would surely win accolades at national level, says that ‘Byari’ has already received overwhelming appreciation from the audience as well as from the cine-experts when it was screened at International Film Festival of Thrissur (IFFT) and Habitat Film Festival in New Delhi.

 

Moreover, the involvement of renowned actors of South India such as Mamu Koya of Mollywood and ‘My Autograph’ famed Maillika of Kollywood, has naturally raised the eyebrows of the Beary cine-lovers.

 

However, the birth of what could be termed as ‘Bearywood’, is not free from the labour pain, as the controversies remained inseparable from the much vaunted movie, even before it could become a milestone in the robust and rich Beary cultural history.

 

But the filmmakers appeared to be the firm believers in the maxim no publicity is bad publicity.

 

The controversy is all about the central plot of the movie, which, according to renowned Kannada litterateur Sara Aboobaker, is a rip off from her most popular but controversial novel ‘Chandragiriya Theeradalli’.

 

“The same people, who attacked me when I wrote the novel nearly 27 years ago, now stole the story from the same novel to produce a cinema for their own benefit,” fumes Sara. “No other word can be suitable for these people than ‘thieves’. Yes, they are thieves. But they cannot go ahead doing whatever they want, as I have already launched a legal battle against them” the 75-year-old writer thunders.

 

However, Irfan Chokkabettu, the script writer of the film, denies Sara Aboobakar’s claims. He says the entire story of the film is based on a real-life story of a woman who still resides at Chokkabettu near Surathkal. “I was a witness for what happened in that woman’s life during 1998, when the coastal region was rocked by communal riots. The woman is still happily living with her husband and two children in Chokkabettu” he says.

 

“I was familiar with the name Sara Aboobakar. But, I never knew that Sara Aboobakar is a female and she has written a novel called ‘Chandragiriya Theeradalli’,” says Irfan, adding that he came to know the story of her novel only after the shooting of the film had been commenced.

 

The film Byari has a strong message for those who seek divorce on flimsy gounds. If veteran actor Mamu Koya, who is a prominent character in the film, was right, the concepts like Talaq and Iddath are at the centre stage of this film too.

 

Mr Koya also stunned his own team by claiming in a television interview that the story was indeed based on Chandragiriya Theeradalli.

 

The story revolves around Nadira, a young girl whose marriage was fixed with an elderly male as soon as she reached puberty. After initial period of anxiety and apprehension, she settles down with her husband who is thrice her age.

 

In a sudden turn of events, Nadira’s father, for his personal gains, forces her to break her relationship with her husband and brought back to her parental house.

 

It is in this backdrop, ‘Byari’ movie revolves around the sufferings of Nadira and finally the film has a happy ending as she once again unites with her husband.

 

Even though Nadira, is a familiar character for those who have read ‘Chandragiriya Theeradalli’, Mr Irfan questions how could Islamic systems such as ‘Talaq and Iddath’ and a popular name of a girl be a copyright issue for a writer like Sara Aboobaker?

 

Clarifying that the storyline of ‘Byari’ is not against the Holy Qur’an and Shariath law, Mr Irfan says, “We have only picturised the sufferings of a woman who got ‘Talaq’ due to her father’s whims and fancies. The film contains a warning for those who misuse Talaq or Iddath system, unlike Sara Aboobaker’s book that portrays Muslim women as being shackled by religious norms.”

 

The one hour 40 minute-long movie has only one song and has been shot at different localities in and around Mangalore namely Jokatte, Surathkal, Mukka, Bajpe and Thokkottu.

 

Mr Hussain, who claims that he has invested no less than Rs 55 lakh for ‘Byari’, says that the movie, uses a lot of techniques in the scenes now and then to get the message across.

 

The award-winning artistes have also contributed to the quality of the movie with their brilliant acting, he adds.

 

 

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Crew

 

Apart from Mamu Koya and Mallika most of the actors in the movie are local Beary amateur artistes. Producer Hussain himself has stood before camera mingling with fellow actors like Rahim Uchil, Ambika Mohan, Majeed, Riyaz Ashraf, Ashwathi, Prajeesh, Sudarshan, KTS Padanna, Shareef Katipalla, Roopa Varkadi, Asha, Altaf Krishnapura, Samshuddin Paradise, Baby Shatha and Shazin, Asfiya, Annath, Bathisha Puttur and Kabir Katipalla and others. Murali Krishnan is the camera-man.

 

Litterateur’s stance

 

Sara Aboobaker, who has won the highest literary award in the state namely Nadoja, claims that she has gathered sufficient proof to establish that the whole story of the film is based on her novel ‘Chandragiriya Theeradalli’.

 

“The copyright of the novel will exclusively be with the National Film Development Corporation (NFDC) until 2015 and nobody can reproduce it until then,” says Sara, accusing the ‘Byari’ team of using her name and fame for their publicity.

 

“I am aware that during the screening of ‘Byari’ in the International Film Festival of Thrissur (IFFT) in March this year, the crew had announced to the media that the film was based on the storyline of my celebrated novel,” she says.

 

“I have produced the documents of the actor Mamu Koya’s claim, which was aired in a local TV channel, as well as my novel, before the court. I am confident that I would win the battle,” she says.

 

The matter is in lower court and will be moved to district court if needed before releasing the movie in Mangalore, says litterateur.

 

Unforgettable experience

 

Mallika who played the role of Nadira, says that she cannot forget her experience during the shooting of ‘Byari’.

 

“I was so excited when I was approached for ‘Byari’, knowing that it was the first Beary movie. I am so happy that I too have become a part of a history through the first ever film of a regional language”, she says adding that the experience while shooting the movie was unforgettable.

 

“There is a scene where I fight with my father over my marital life. The scene has come so naturally and I always cherish the moments throughout my life”

 

Mamu Koya loves Beary!

 

The national award winning Malayalam comedian Mamu Koya, who has played the role of Nadira’s (Mallika’s) father in ‘Byari’ says that he cultivated love for Beary during the shooting.

 

“I enjoyed the shooting and loved Beary language too”, says Koya, who has already acted in more than 500 Malayalam films.

 

He says “Though my role in ‘Byari’ is quite opposite to that of ‘Perumazhakalam’, where an aging father who was helpless in his daughter’s fight against the odds to save her husband’s life, it gave me opportunities to emote as in ‘Perumazhakalam’”

 

Recalling that ‘Perumazhakalam’ had bagged National Film Award for Best Film in 2005, he says, that you cannot expect awards all the time.

 

However, Mr Koya never forgets to add that the Mangaloreans are so progressive and cooperative. “Yes, I would love to act in Beary language, which is similar to Malayalam, and would not miss opportunities in future also.”

 

Interview

 

Suveeran, an award-winning playwright and director of plays and short films, has made his debut in feature film direction with the very first film of Beary language- ‘Byari’. A product of the School of Drama, Thrissur, and the National School of Drama, New Delhi, the Kerala based director’s first love remains theatre though.

 

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Q: Being a Malayalam director, why did you experiment your first feature film in Beary language?

A: It is just technical. I have already directed almost five short films in Malayalam. When ‘Byari’ project came to me, I initially denied to do it because it was nothing related to me at all and I am basically from theatre. However, my producer, who is a sensible gentleman, gave the script and asked me to rethink on it.

 

Q: How did you feel the transition from theatre to film?

A: Film is just a mechanical production, and it can exist even after my life while drama, which has a life, is a live performance. And, of course like every drama-cum-film director, I too prefer working in drama than film. But I know it is difficult to get an audience to communicate my ideas through the medium of theatre.

 

Q: Would you like to work in Beary language again?

A: I will certainly work if a project like ‘Byari’ comes up again, but so far there is no other project in Beary language.

 

Q: ‘Byari’ bagged appreciation in Film festivals in Thrissur and New Delhi. To whom should the credit go?

A: To everyone who worked for it. The whole team has given 100 per cent for ‘Byari’

 

Que: How does the film appeal the audience in terms of cinematic aesthetics?

Ans: ‘Byari’ is an art movie. An art is just a self-expression. I don’t care about the reaction of the audience, as they are independent. Whether ‘Byari’ appeals you or not is dependent of how you see the life or the world or any other thing.

 

 

 

 

 

Comments

Kraig
 - 
Sunday, 4 Jun 2017

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Ram Puniyani
March 8,2020

They say ‘history repeats itself first as a tragedy and then as a farce’. In case of India, communal violence not only keeps repeating itself, the pattern of the tragedy keeps changing every next time. Some features of the violence are constant, but they are under the wraps mostly. The same can be said about the Delhi violence (February 2020). The interpretations, the causative factors are very discernible, but those who are generally the perpetrators have a knack of shifting the blame on the victim community or those who stand for the victims.

As the carnage began presumably in the aftermath of statement of Kapil Mishra of BJP, which was given in front of a top police official, in which he threatened to get the roads emptied. The roots of violence were sown earlier. The interpretations given by the Hindu Nationalist camp is that the riot is due to the changing demographic profile of the area with Muslims increasing in number in those areas, and coming up of Shaheen Bagh which was presented was like ‘Mini Pakistan’. As per them the policies of BJP in matters of triple talaq, Article 370 and CAA, NPR, NRC has unnerved the ‘radical’ elements and so this violence.

As such before coming to the observations of the activists and scholars of communal violence in India, we can in brief say that violence, in which nearly 46 people have died, include one from police and another from intelligence. Majority victims are Muslims. The violence started right under the nose of the police and the ruling party. From the videos and other eye accounts, police not only looked the other way around, at places it assisted those attacking the innocent victims and burning and looting selective shops. Home minister, Amit Shah, was nowhere on the scene. For first three days the rioters had free run. After the paramilitary force was brought in; the violence simmered and slowly reduced in intensity. The state AAP Government, which in a way is the byproduct of RSS supported Anna Hazare movement, was busy reading Hanuman Chalisa and praying at Rajghat with eyes closed to the mayhem going in parts of Delhi.

Communal violence is the sore point of Indian society. It did begin during colonial period due to British policy of ‘Divide and Rule’. At root cause was the communal view of looking at history and pro active British acts to sow the seeds of Hindu-Muslim divide. At other level the administrative and police the British were fairly neutral. On one hand was the national movement, uniting the people and creating and strengthening the fraternal feeling among all Indians. On the other were Muslim Communalists (Muslim League) and Hindu Communalists (Hindu Mahasabha, RSS) who assisted the British goal of ‘divide and rule’ promoting hatred between the communities. After partition the first major change was the change in attitude of police and administration which started tilting against Muslims. Major studies by Dr. Asghar Ali Engineer, Paul Brass and Omar Khalidi demonstrated that anti Muslim bias is discernible in during and after the riots.

Now the partisan role of police has been visible all through. Sri Krishna Commission report brought forth this fact; as did the research of the Ex DIG of UP police Dr. V.N.Rai. Dr. Rai’s studies also concluded that no communal violence can go on beyond 24 hours unless state administration is complicit in the carnage. In one of the violence, investigation of which was done by concerned Citizen’s team (Dhule, 2013) this author observed that police itself went on to undertake the rampage against Muslims and Muslim properties.

General observation about riots is that violence sounds to be spontaneous, as the Home Minister is pointing out, but as such it is well planned act. Again the violence is orchestrated in such a way that it seems Muslims have begun the riots. Who casts the First stone? To this scholars point out that the carnage is so organized that the encircled community is forced to throw the first stone. At places the pretext is made that ‘they’ (minorities) have thrown the first stone.

The pretexts against minorities are propagated, in Gujarat violence Godhra train burning, in Kandhamal the murder of Swami Laxamannand and now Shaheen bagh! The Hindu Muslim violence began as riots. But it is no more a riot, two sides are not involved. It is plain and simple anti Minority violence, in which some from the majority are also the victims.

This violence is possible as the ‘Hate against this minority’ is now more or less structural. The deeper Hate against Muslims and partly against Christians; has been cultivated since long and Hindu nationalist politics, right from its Shakhas to the social media have been put to use for spreading Hatred. The prevalent deeper hate has been supplanted this time by multiple utterances from BJP leaders, Modi (Can be recognized by clothes), Shah (press EVM machine button so hard that current is felt in Shaheen Bagh), Anurag Thakur (Goli (bullet) Maro) Yogi Aditya Nath (If Boli (Words)Do not work Goli will) and Parvesh Varma (They will be out to rape).

The incidental observation of the whole tragedy is the coming to surface of true colors of AAP, which not only kept mum as the carnage was peaking but also went on to praise the role of police in the whole episode. With Delhi carnage “Goli Maro” seems to be becoming the central slogan of Hindu nationalists. Delhi’s this violence has been the first one in which those getting killed are more due to bullets than by swords or knifes! Leader’s slogans do not go in vain! Courts the protectors of our Constitution seem to be of little help as if one of them like Murlidhar Rao gives the verdict to file against hate mongers, he is immediately transferred.

And lastly let’s recall the academic study of Yale University. It concludes; BJP gains in electoral strength after every riot’. In India the grip of communalism is increasing frighteningly. Efforts are needed to combat Hate and Hate mongers.

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Ram Puniyani
February 4,2020

As democracy is seeping in slowly all over the world, there is an organization which is monitoring the degree of democracy in the individual countries, The Economist Intelligence Unit. As such in each country there are diverse factors which on one hand work to deepen it, while others weaken it. Overall there is a march from theoretical democracy to substantive one. The substantive democracy will herald not just the formal equality, freedom and community feeling in the country but will be founded on the substantive quality of these values. In India while the introduction of modern education, transport, communication laid the backdrop of beginning of the process, the direction towards deepening of the process begins with Mahatma Gandhi when he led the non-cooperation movement in 1920, in which average people participated. The movement of freedom for India went on to become the ‘greatest ever mass movement’ in the World.

The approval and standards for democracy were enshrined in Indian Constitution, which begins ‘We the people of India’, and was adopted on 26th January 1950. With this Constitution and the policies adopted by Nehru the process of democratization started seeping further, the dreaded Emergency in 1975, which was lifted later restored democratic freedoms in some degree. This process of democratisation is facing an opposition since the decade of 1990s after the launch of Ram Temple agitation, and has seen the further erosion with BJP led Government coming to power in 2014. The state has been proactively attacking civil liberties, pluralism and participative political culture with democracy becoming flawed in a serious way. And this is what got reflected in the slipping of India by ten places, to 51st, in 2019. On the index of democracy India slipped down from the score of 7.23 to 6.90. The impact of sectarian BJP politics is writ on the state of the nation, country.

Ironically this lowering of score has come at a time when the popular protests, the deepening of democracy has been given a boost and is picking up with the Shaheen Bagh protests. The protest which began in Shaheen Bagh, Delhi in the backdrop of this Government getting the Citizenship amendment Bill getting converted into an act and mercilessly attacking the students of Jamia Milia Islamia, Aligarh Muslim University along with high handed approach in Jamia Nagar and neighbouring areas.  From 15th December 2019, the laudable protest is on.

It is interesting to note that the lead in this protest has been taken by the Muslim women, from the Burqa-Hijab clad to ‘not looking Muslim’ women and was joined by students and youth from all the communities, and later by the people from all the communities. Interestingly this time around this Muslim women initiated protest has contrast from all the protests which earlier had begun by Muslims. The protests opposing Shah Bano Judgment, the protests opposing entry of women in Haji Ali, the protests opposing the Government move to abolish triple Talaq. So far the maulanas from top were initiating the protests, with beard and skull cap dominating the marches and protests. The protests were by and large for protecting Sharia, Islam and were restricted to Muslim community participating.

This time around while Narendra Modi pronounced that ‘protesters can be identified by their clothes’, those who can be identified by their external appearance are greatly outnumbered by all those identified or not identified by their appearance.

The protests are not to save Islam or any other religion but to protect Indian Constitution. The slogans are structured around ‘Defence of democracy and Indian Constitution’. The theme slogans are not Allahu Akbar’ or Nara-E-Tadbeer’ but around preamble of Indian Constitution. The lead songs have come to be Faiz Ahmad Faiz’s ‘Hum Dekhenge’, a protest against Zia Ul Haq’s attempts to crush democracy in the name of religion. Another leading protest song is from Varun Grover, ‘Tanashah Aayenge…Hum Kagaz nahin Dikhayenge’, a call to civil disobedience against the CAA-NRC exercise and characterising the dictatorial nature of the current ruling regime.

While BJP was telling us that primary problem of Muslim women is Triple talaq, the Muslim women led movements has articulated that primary problem is the very threat to Muslim community. All other communities, cutting across religious lines, those below poverty line, those landless and shelter less people also see that if the citizenship of Muslims can be threatened because of lack of some papers, they will be not far behind in the victimization process being unleashed by this Government.

While CAA-NRC has acted as the precipitating factor, the policies of Modi regime, starting from failure to fulfil the tall promises of bringing back black money, the cruel impact of demonetisation, the rising process of commodities, the rising unemployment, the divisive policies of the ruling dispensation are the base on which these protest movements are standing. The spread of the protest movement, spontaneous but having similar message is remarkable. Shaheen Bagh is no more just a physical space; it’s a symbol of resistance against the divisive policies, against the policies which are increasing the sufferings of poor workers, the farmers and the average sections of society.

What is clear is that as identity issues, emotive issues like Ram Temple, Cow Beef, Love Jihad and Ghar Wapasi aimed to divide the society, Shaheen Bagh is uniting the society like never before. The democratisation process which faced erosion is getting a boost through people coming together around the Preamble of Indian Constitution, singing of Jan Gan Man, waving of tricolour and upholding the national icons like Gandhi, Bhagat Singh, Ambedkar and Maulana Azad. One can feel the sentiments which built India; one can see the courage of people to protect what India’s freedom movement and Indian Constitution gave them.

Surely the communal forces are spreading canards and falsehood against the protests. As such these protests which is a solid foundation of our democracy. The spontaneity of the movement is a strength which needs to be channelized to uphold Indian Constitution and democratic ethos of our beloved country.

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Ram Puniyani
March 14,2020

In the wake of Citizenship Amendment Act (CAA) UN High Commissioner, Michele Bachelet, has filed an intervention in the Supreme Court petition challenging the constitutionality of the Citizenship Amendment Act, as she is critical of CAA. Responding to her, India’s Foreign Minister S. Jai Shanker strongly rebutted her criticism, saying that the body (UNHCR) has been wrong and is blind to the problem of cross border terrorism. The issue on hand is the possibility of scores of people, mainly Muslims, being declared as stateless. The problem at hand is the massive exercise of going through the responses/documents from over 120 crore of Indian population and screening documents, which as seen in Assam, yield result which are far from truthful or necessary.

The issue of CAA has been extensively debated and despite heavy critique of the same by large number of groups and despite the biggest mass opposition ever to any move in Independent India, the Government is determined on going ahead with an exercise which is reminiscent of the dreaded regimes which are sectarian and heartless to its citizens, which have indulged in extinction of large mass of people on grounds of citizenship, race etc. The Foreign minister’s assertion is that it is a matter internal to India, where India’s sovereignty is all that matters! As far as sovereignty is concerned we should be clear that in current times any sovereign power has to consider the need to uphold the citizenship as per the principle of non-discrimination which is stipulated in Art.26 of the International Covenant on Civil and Political (ICCPR) rights.

Can such policies, which affect large number of people and are likely to affect their citizenship be purely regarded as ‘internal’? With the World turning into a global village, some global norms have been formulated during last few decades. The norms relate to Human rights and migrations have been codified. India is also signatory to many such covenants in including ICCPR, which deals with the norms for dealing with refugees from other countries. One is not talking of Chicago speech of Swami Vivekanand, which said that India’s greatness has been in giving shelter to people from different parts of the World; one is also not talking of the Tattariaya Upanishad’s ‘Atithi Devovhav’ or ‘Vasudhaiva Kutumbkam’ from Mahaupanishad today.

What are being talked about are the values and opinions of organizations which want to ensure to preserve of Human rights of all people Worldwide. In this matter India is calling United Nations body as ‘foreign party’; having no locus standi in the case as it pertains to India’s sovereignty. The truth is that since various countries are signatories to UN covenants, UN bodies have been monitoring the moves of different states and intervening at legal level as Amicus (Friend of the Court) to the courts in different countries and different global bodies. Just to mention some of these, UN and High Commissioner for Human Rights has often submitted amicus briefs in different judicial platforms. Some examples are their intervention in US Supreme Court, European Court of Human Rights, International Criminal Court, and the Inter-American Court of Human Rights. These are meant to help the Courts in areas where UN bodies have expertise.

 Expertise on this has been jointly formulated by various nations. These interventions also remind the nations as to what global norms have been evolved and what are the obligations of individual states to the values which have evolved over a period of time. Arvind Narrain draws our attention to the fact that, “commission has intervened in the European Court of Human Rights in cases involving Spain and Italy to underscore the principle of non-refoulement, which bars compulsory expulsion of illegal migrants… Similarly, the UN has intervened in the International Criminal Court in a case against the Central African Republic to explicate on the international jurisprudence on rape as a war crime.”

From time to time organizations like Amnesty International and Human Rights Watch have been monitoring the status of Human rights of different countries. This puts those countries in uncomfortable situation and is not welcome by those establishments. How should this contradiction between ‘internal matter’, ‘sovereignty’ and the norms for Human rights be resolved? This is a tough question at the time when the freedom indices and democratic ethos are sliding downwards all over the world. In India too has slid down on the scale of these norms.

In India we can look at the intervention of UN body from the angle of equality and non discrimination. Democratic spirit should encourage us to have a rethink on the matters which have been decided by the state. In the face of the greatest mass movement of Shaheen bagh, the state does need to look inwards and give a thought to international morality, the spirit of global family to state the least.

The popular perception is that when Christians were being persecuted in Kandhmal the global Christian community’s voice was not strong enough. Currently in the face of Delhi carnage many a Muslim majority countries have spoken. While Mr. Modi claims that his good relations with Muslim countries are a matter of heartburn to the parties like Congress, he needs to relook at his self gloating. Currently Iran, Malaysia, Indonesia and many Muslim majority countries have spoken against what Modi regime is unleashing in India. Bangladesh, our neighbor, has also seen various protests against the plight of Muslims in India. More than the ‘internal matter’ etc. what needs to be thought out is the moral aspect of the whole issue. We pride ourselves in treading the path of morality. What does that say in present context when while large section of local media is servile to the state, section of global media has strongly brought forward what is happening to minorities in India.   

The hope is that Indian Government wakes up to its International obligations, to the worsening of India’s image in the World due to CAA and the horrific violence witnessed in Delhi.

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